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        <물고기의 축제>에 나타난 인물의 역할과 활용

        박미리 ( Mi Ri Park ) 한국연극학회 2009 한국연극학 Vol.0 No.37

        The purpose of this study is to explore the theory of dramatherapy for establishing relations between characters and dramatic plot and also to find a way of dramatherapeutic practices in use of the plays. For this, the study analyzed with Role model Theory of Robert J. Landy, characters of a drama, <The Funeral of a Fish>, written by Mi-Ri Yoo. Landy categorized 84 role types of characters in Western dramatic literature based on six domains named Somatic, Cognitive, Affective, Social, Spiritual and Aesthetic. By applying this categorization, the role types of two characters in <The Funeral of a Fish> can be described as follows. Sadako: Wife, Mother, Victim, Seducer, Adulterer, Parasite and Zombie Huyuo: Victim, Rebel, Dreamer, Hothead, Avenger, Tyrant, Worker, Killer and Suicide In the drama, the `Zombie` role of Sadako and Huyuo`s `Rebel Son and the Tyrant` role have effects on each other. These two roles, `Rebel` and `Zombie`, drove two characters, as time went by, to both extremes resulted in Huyuo`s suicide. Thus, Huyuo, who killed himself, could be an abnormal and antisocial character. Huyuo`s dramatic change from `Victim` to `Tyrant and Killer` was resulted from the fact that he didn`t have a `guide` and he did not know the benefits of balance from coexistence of roles. Landy`s role model theory not only provides new viewpoints for analyzing characters in a drama but also enables drama therapy to be a practical remedy based on a drama. For the dramatherapy, we distinguished social role from dramatic role in relation to the actor: the latter on the fictitious stage, the former in a real world. The very important thing is the fact that the actor plays many social roles by means of aesthetic distance. And this also applies to the process of dramatherapy; the client not only acknowledges his roles in the society by playing various roles on a stage, but also he can acquire the ability of maintaining balance between himself with his own eyes and himself with others` view. In order to develope dramatherapy, one of various fields derived from drama, we need to pay more attention to drama itself as well as to apply other tools, such as sociology and psychology, for relating drama, fictious stage and society, real world.

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