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        忠臣藏映畵의 史的考察

        이준섭 단국대학교 일본연구소 2009 일본학연구 Vol.26 No.-

        Positive communion with the traditional culture of the country was necessary for a film having developed uniquely soon in not only Japan but also many countries more than 100 years. An Italian movie got rich material with opera for overpowering to date from the early days, and the Japanese film is art civilized on a thing of the soil of the Japanese culture so that there is a Chinese movie on the extension line of Beijing opera to base it on faith of the Taoism. Thus the research about close relations with Kabuki which was one of the traditional culture judged it to understand Chushingura Film in this report deeply when it must be gone ahead. When the people concerned of Kabuki looked down on a movie first, I mentioned it before. The movie confirmed a fact affected from Kabuki which was a popular play a lot to miss it. In space relations, I came to remain in historic research this time, but want to already grope for possibility of the new interpretation of the one through the narrative analysis by the movie which seems to be <Shijushichinin no shikaku: 47 assassinators> as the revenge drama that is merely only cruel by Chushingura Film if an opportunity is given next.

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