http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 주제어 : 라쉴린 (검색결과 1 건)
- 무료
- 기관 내 무료
- 유료
-
신혜조 한국러시아문학회 2016 러시아어문학 연구논집 Vol.55 No.-
This paper examines the changes witnessed in the field of ballet during the post-Revolution period from the late 1920s to 1930s with a focus on the Russian Revolution in 1917 from the perspective of continuity with the Soviet Union`s revolution ideology and highlighted significance of ballet in the revolutionary period from the contemporary context. During the early 20th century, the beginning of the Revolutionary Period, Russian ballet was regarded as a component of totalitarian culture and was in danger of being abolished. To overcome such a gloomy outlook, ballet masters, including Tihomirov, Lachlin, Goleizovsky, and Lopukhov, explored new modes of ballet. Their attempts helped open the door to proletariat ballet which focused on the lives of the public, and targeted the public as the audience. Through their efforts, ballet was brought back to the hands of the public who were not able to afford the extravaganza called `ballet` in their daily lives. The novel modes of ballet, as created by those ballet masters, were characterized by the tendency to return to classical ballet modes, the adoption of acrobatic choreography, and a collective ideology. The distinct features of Soviet ballet had a tremendous influence on the Moscow Bolshoi Ballet, which was led by Yuri Grigorovich in the period that followed (1960s to 1980s), in its endeavor to build unique creative world. Therefore, the exploration of the Soviet ballet aesthetics in this study would be indispensable for understanding the aestheticism of Russia`s Bolshoi ballet, which has played a pivotal role in world ballet to date, by going beyond the contemplation of the ballet of the past.
KCI
KISS연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
