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김기국 ( Gi Gook Kim ) 국제비교한국학회 2012 비교한국학 Comparative Korean Studies Vol.20 No.1
Korea`s b-boy crews have achieved almost a legendary status as top b-boy performers in the world, making the case to the public that b-boying is Korea`s new, representative cultural code as well as a cultural content. The Korean National Tourism Organization has also recognized b-boying as Korea`s new Hallyu content with the result that R-16 Korea, World B-boy Masters Championship has been held in Korea since 2007, moving the mecca of b-boying to Korea from Germany. Today, the b-boy and b-boying are no longer underestimated or misunderstood but accepted as an independent part of culture as well as the most dynamic and beautiful art form that can be expressed physically. This paper looks at how b-boying has come to represent Korea as digital culture content in the new media age of the 21st century. It examines the birth of b-boying as part of hip hop and its development, the achievements of Korean b-boy crews in the world`s four major contests, and the strengths of Korean b-boys that made possible their success. Finally, the paper makes suggestions on how b-boying can become firmly established as part of Korea`s popular culture.
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<문화, 문학> : "R16 코리아" 대회의 문화콘텐츠적 가치
김기국 ( Gigook Kim ),이우재 ( Woojae Lee ) 경희대학교 비교문화연구소 2015 비교문화연구 Vol.39 No.-
Significance of the R16 Korea Contest as Culture Contents. Known for relentless practice and intense moves, widespread presence on the Internet, strong ethnic elements highlighting Korean physical attributes and collective culture, b-boying occupies a special place in Korea today. News of four consecutive wins in major b-boy contests around the world have changed the common public conception that b-boys are simply a group of problem boys and students in hip-hop clothes intent on showing off their dance moves. B-boying is no longer perceived as a dance that is performed in the shadowy underground but as a dynamic and beautiful art form of physical expression that is part of today’s popular culture. This paper examines the significance of R-16 Korea as culture contents and its main event, the World B-boy Masters Championship. It introduces how the contest has developed since 2007 to reach popular influence and gain international recognition. The paper also compares R-16 Korea to the world’s four major b-boy contests, Battle Of The Year, UK B-boy Championship, Free Style Session, and Red Bull BC One to see if any distinctions could be found among them and to evaluate the significance of R-16 Korea as cultural content in its rise to one of the world’s top 5 major b-boy contests. Finally, this study makes suggestions for b-boying to become more established as part of Korea’s culture contents.
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