http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
고골의 「코」에 나타난 기독교-신화적 세계관: 욕망과 정체성의 관계에 대한 성서적 고찰
이경완 ( Kyong Wan Lee ) 서울대학교 러시아연구소 2014 러시아연구 Vol.24 No.1
In Nose (1836), Gogol, from his Christian-mythical viewpoint, represented contemporary Russians` banal mimetic desires to be enlightened moderns in the western style, imitating Western aristocratic etiquettes and bureaucracy. For this goal, Gogol integrated in the text his linguistic ingenuity, comicality, satiric and fantastical expressive power, and imitative creativity referring to other literary and non-literary texts. In the story, Kovalev, an 8th ranking civil servant and self-claimed major, is a double of the barber, Ivan Yakovlevich, barber since they share metonymic conception of reality and mimetic desires to be an enlightened citizen by abiding the Western aristocratic etiquettes. Additionally, Kovalev, typical banal status-sneaker, is obsessed with the mimetic desire to look decent and occupy higher positions in the Russian bureaucracy. Thus, he identifies his lost nose as himself and makes desperate efforts to return it to its original place, relying on rational social institutions. His and other characters` common absurd responses to the fantastic accident imply Gogol`s criticism of contemporary Russians who forgot their sublime national identity because of their banal mimetic desires to become Western moderns. From the biblical angle, Gogol`s Christian-mythic viewpoint is ambiguous. His Christian understanding of evil desires in human beings is combined with mythical ideas: apocalyptic pessimism about modern Petersburg; romantic binary opposition between modern and pre-modern epochs; and messianic self-identification as an epic poet creating a verbal icon.