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- 주제어 : 미국 고딕(American gothic) (검색결과 4 건)
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유영종 ( Young Jong Yoo ) 근대 영미소설 학회 2007 근대 영미소설 Vol.14 No.1
Traditionally fixed gothic novel is often related to literature of surface and sensations. Because it arouses sham terror, they were often described as “schilling shocker,” “penny dreadful,” and “dime novel.” However, this type of gothic novel was never really central to American fiction. What characterizes American gothic novel is its emphasis on psychological, metaphysical, and religious horror. American gothic novels are characterized by a blending of explained and supernatural gothic modes. In fact, American gothic novel is inclined toward what G. R. Thompson calls the indeterminate or ambiguous gothic. Central to the ambiguous gothic is an epistemological perplexity resulting from the tension between logical and supernatural explanations. This epistemological ambiguity reflects the tension ingrained in the American concept of the New People in the New World. American Puritans believed that they were sent by God to the New World to erect the City of God. They believed in the errand into the wilderness. However, their history showed them they could have mistaken about the whole mission. American gothic novels, through its ambiguity, reflect this horror deeply rooted in American imagination. Henry James`s The Turn of the Screw is famous for its unresolved ambiguity. Critics have debated whether it is a ghost story or a psychological case study of a young governess. James closely follows the footsteps of American gothic novel writers both in techniques and themes. By deliberately creating indeterminacy, he writes an allegory, or rather a negative allegory, of a Faustian nightmare of American identity and imagination.
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러브크래프트의 괴물들 - 미국 고딕 전통 속에서 H. P. 러브크래프트의 자연 읽기
박창숙(Pak, Chang-sook) 문학과환경학회 2021 문학과 환경 Vol.20 No.4
미국 고딕 소설은 뉴잉글랜드 청교도의 종교적, 지리적 특성에 기반한 자연관을 보여준다. 종교적 자유를 찾아 영국에서 북아메리카로 건너온 초기 청교도 이민자들에게 뉴잉글랜드의 자연은 약속의 땅이자 시련의 장소인 황야라는 이중적 의미가 되었다. 그들에게 자연은 풍요로운 자원의 보고이자 두려움의 장소였는데 이러한 관점은 결국 미개한 자연을 식민화해야 한다는 배타적인 태도로 이어진다. 청교도인들에게 자연이란 악마의 영역이었고, 자연의 부정적 이미지는 엄격하고 가부장적인 청교도 사회에서 배제된 여성과 원주민까지 포함한 의미로 확장된다. 미국 고딕 소설에서 자연은 뉴잉글랜드 청교도의 자연관에서 비롯된 공포의 장소로 표현된다. 미국 고딕 호러 작가인 H. P. 러브크래프트의 이야기에는 인종적 혐오와 자연에 대한 고딕적 이미지가 일체화된 총체적 공포의 대상으로 타자화된 괴물들이 등장한다. 고딕화된 자연인 러브크래프트의 괴물들은 청교주의 자연관이 고딕 호러에서 어떻게 이어지고 있는지 보여주고, 차별과 혐오의 공포를 전복시킬 수 있는 새로운 자연관의 가능성을 예시한다. American Gothic novels show the New England Puritans’ view on nature based on their religion and region. For early Puritans who came from England to North America looking for religious freedom, New England’s nature had a double meaning: promised land and wilderness. They regarded nature as the repository of abundant resources and the place of fear, which led to an exclusive attitude to colonize the wild woods in New England. For the Puritans, the woods was “devils territories,” and the negative image of nature was projected on Native Americans and women who were outside of the rules of the strict and patriarchal Puritan society. In American Gothic novels, nature is expressed as the fearful place influenced by the New England Puritans. American gothic horror writer H. P. Lovecraft’s monsters are represented as the complex objects of all fears from his racial aversion and gothic image of nature. His monsters, the gothicized nature, show how Puritans’ view on nature continues in gothic horror and foreshadow the possibility of new attitudes to nature that can subvert fear and hatred.
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길먼의 『누런 벽지』에 나타난 고딕 가정 공간과 고딕 주체성
정희원(Heewon Chung) 19세기영어권문학회 2018 19세기 영어권 문학 Vol.22 No.1
This paper reads Charlotte Perkins Gilman’s famous short story “The Yellow Wall-paper” as a fiction of gothic domestic space that constructs the female gothic subject. Since Gilbert and Gubar’s groundbreaking study on the relationship between the architectural space and the female subject, Gilman’s novel has been acclaimed as the exemplar female gothic fiction of the turn of the century. Rather than reading Gilman’s fiction as a female bildungsroman that tends to focus on the liberation of repressed female desire, this study emphasizes how gothic space writes on the subjectivity of the narrator and constructs its textuality. Using Eve Kosofsky Sedgwick’s theory of gothic space and Eric Savoy’s theorization of American gothic, this paper pays attention to the way the wall(paper) as the metonymy of the house builds the narrator’s consciousness, while she projects herself onto it and, simultaneously, is inscribed by it as gothic subjectivity. Thus this study attempts to map and remap the spatiality represented in the novel in the tradition of the female gothic and American gothic.
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제이콥스의 『어느 노예 소녀의 삶에서 있었던 일들』 고딕으로 읽기
장기윤(Ki Yoon Jang) 한국아메리카학회 2013 美國學論集 Vol.45 No.3
Traditionally speaking, gothic literature has a very narrow definition. It refers to a distinctive group of works that were produced from the late eighteenth century till the end of the nineteenth century by an equally distinctive group of writers ranging from Horace Walpole to Bram Stoker. It also has a distinctive set of characters, settings, and events that are designed to create a blood-chilling and sensational effect. This narrow definition of the genre has been recently questioned, challenged, and expanded by scholarly attempts to find thematic traces of terror and horror in formally non-gothic texts and to read those traces in light of historical and sociocultural repressions of the undesirable and the uncomfortable across time and space. This essay examines such attempts within the field of American literary studies, which in turn has been trying to (re)locate the basis of American literature in the nation's history of slavery. The essay especially observes how the genre of black women's slave narratives functions as a site where the unconscious yet persistent exclusion of America's dark side happens most thoroughly and where that exclusion is exposed to view most clearly. For this purpose, the essay discusses Harriet Jacobs's modes of representing Linda Brent in Incidents in the Life of a Slave Girl that aim to allow the audience to experience vividly the gothic realities of Southern slaves.
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