에코뮤지엄학의 관점에서 돈의문박물관마을에 대한 연구

배은석 한국박물관학회 2022 博物館學報 Vol.- No.44

The purpose of this study is to examine the activities of Donuimun Museum Village to preserve the history and memories of the city from the perspective of Ecomuseology. As a historical and cultural city, Seoul is still developing into a cosmopolitan city. Preoccupied with construction industry development, Seoul has recently attempted to preserve the history of the capital city through urban regeneration, which is linked with museum activities. One of the annexes of the Seoul Museum of History, Donuimun Museum Village built around the Donuimun History Museum is an example of turning the entire village into a museum, showing the passage of time through the area called Saemunan neighborhood. Based on ecomuseology, this paper analyzes the contents of this village museum to discuss the roles of the museum in contributing to the local community. Public museums established and run by local governments should be operated with a focus on the relationship with the local community. In this situation, the methodology of the ecomuseum can provide an important clue. The new initiative of Donuimun Museum Village can be highly appreciated, but there are many challenges to be solved. Various reflections should be sought in order for the museum to become an open space for local residents, rather than an isolated castle. 본 연구의 목적은 도시의 역사와 기억을 간직하려는 돈의문박물관마을의 활동을 에코뮤지엄의 관점에서 고찰하는 것이다. 서울은 역사문화도시이며 현재도 발전하고 있는 국제 도시이다. 숨 가쁘게 건설을 추진해온 서울은 최근에 도시재생이라는 방식으로 도시 역사를 간직하려는 시도를 하고 있으며 이를 박물관 활동과 연계하려는 노력을 하고 있다. 서울역사박물관의 분관 가운데 하나인 돈의문역사관을 중심으로 조성된 돈의문박물관마을은 새문안 동네라는 지역을 관통하는 시간의 켜를 보여주며 마을 전체를 박물관으로 만든 사례이다. 본 연구는 에코뮤지엄학에 입각하여 이 마을박물관의 내용을 분석하여 지역사회에 기여하는 박물관의 역할에 대해서 논하였다. 지자체가 주최가 되어 설립되고 운영되는 공립박물관은 지역사회와의 관계성을 중심에 두고 운영되어야 한다. 이러한 상황에서 에코뮤지엄의 방법론은 중요한 단서를 제공할 수 있다. 돈의문박물관마을의 새로운 시도는 매우 높게 평가될 수 있으나 해결해야할 많은 과제도 있다. 박물관이 더 이상 고립된 성(城)이 아니라 지역 주민에게 열린 공간이 되기 위한 성찰이 다양하게 모색되어야 할 것이다.

돈의문 박물관마을의 도시재생과 도시브랜드 조성에 관한 연구

최문용,김문영 사단법인 한국브랜드디자인학회 2019 브랜드디자인학연구 Vol.17 No.1

Urban Brand is a process in which cities and symbiotic citizens coexist together and heal the problems the region has and restore lost values to make it a better city. This study examines how Donuimun Village, which has been recreated as a citizen-participating culture and history village, will be reborn as an urban brand. The exhibition hall, which has a 100-year history of Donuimun Gate, sheds light on the past, present, and future as a trail containing traditional Korean houses and the needs of retro and Newtro, where visitors can experience traditional Korean houses and culture. The subject of the study was Donumun Museum Village, which was constructed on 2nd Street of Shinmun-ro, Jongno-gu, Seoul, and the research period was conducted several field trips for 2 weeks from January 15, 2019. A review of relevant literature, video viewing, publications, and press releases were analyzed at home and abroad, and eight experts from urban regeneration and cultural and arts fields participated in the FGI. The concept of "retro" and "New-tro" culture, which are concepts derived from research, is currently spreading in the culture of the Republic of Korea and embodies the concept and methodology of the village of Donummun Museum. It is a product (service) that strengthens functions with the latest technologies for analog sensibility and gives memories and nostalgia to the middle-aged, and new and fun to the younger generation. In conclusion, through the study of modern and contemporary conflicts, the concept of Donuimun Museum Village was derived from three perspectives: the viewpoint of EcoMuseum, the feasibility of regeneration through culture, and the methodology for the use of archives. We are planning to establish an infrastructure for arts and culture through cooperation between local residents and governance of Donuimun Gate in Jongno-gu by preparing curricula that can connect with citizens. 도시브랜드는 도시와 공생하는 시민들이 함께 공존하고 지역이 갖고 있는 문제를 치유하고 잃어버린 가치를 회복하여 더 나은 도시로 만드는 과정이다. 본 연구는 시민참여형 문화역사 마을로 재현한 돈의문 마을에 대하여 도시브랜드로 어떻게 재탄생 할지 고찰하고자 한다. 돈의문 100년의 역사를 품은 전시관을 중심으로 전통가옥 및 문화체험이 가능한 전통한옥과 70-80년대 정취를 느낄 있는 레트로와 뉴트로의 니즈를 담은 과거를 품은 갈랫길로서 과거, 현재 그리고 미래를 조명 한다. 연구대상은 서울 종로구 신문로 2가에 조성된 돈의문 박물관마을이며, 연구기간은 2019년 1월 15일부터 2주간 수차례 현장답사 하였다. 국내외 관련 문헌 고찰, 영상관람, 출판물, 보도자료 등을 분석하였고 컨셉도출을 위하여 도시재생과 문화예술 분야 전문가 8명이 참여하여 FGI를 진행하였다. 연구결과 도출된 컨셉인 기억의 저장소 레트로(Retro)와 뉴트로(New-tro) 문화는 현재 대한민국의 문화 전반적으로 확산되는 추세로 돈의문박물관 마을의 컨셉과 방법론을 구체화 시키고 있다. 레트로는 아날로그 감성에 최신 기술로 기능을 강화한 상품과 서비스 의미하며 중장년층에는 추억과 향수를, 젊은 세대에는 새로움과 재미를 안겨 준다. 결론적으로 이러한 근현대 역사와 현대의 갈등 연구를 통하여 에코뮤지엄 관점, 문화재생 사업성, 아카이브 활용 방법론 등 3가지 관점에서 돈의문 박물관마을 조성사업 컨셉을 도출하였다. 시민들과 공감할 수 있는 커리큘럼 준비하여 종로구 돈의문 지역주민과 거버넌스의 협치를 통한 예술문화 인프라를 구축하고자 한다.

공간 업사이클링 도시재생 수법을 활용한 지역 정체성 강화에 관한 연구 - 돈의문 박물관 마을 사례를 중심으로 -

전예진(Jeon, Ye-Jin),송하엽(Song, Ha-Yub),황세원(Hwang, Soe Won) 대한건축학회 2021 대한건축학회논문집 Vol.37 No.11

Recent sustainable urban regeneration encouraging place-making, shifts it paradigm towards recapturing existing valuable resources by applying low budget and technologies to invigorate the local community and encourage social participation. Space up-cycling has emerged as one of these intervention tactics that extends the connotation of recycling and redesigning old materials to prolong its advantages in terms of placed-based. Up-cycled spaces are based on low-budget strategies that preserve the site context with further multi-functional planning and programming for the local citizen. In this context, this study was conducted to understand the spatial characteristics and usage patterns of the Donuimun Museum Village, which was reborn by preserving and utilizing its form through space up-cycling strategy, recognizing the authentic sociocultural and historical value. A survey was conducted in order to examine current status of use, participation in experience programs, recognition of history, and satisfaction with the creation plan. Some major findings include, (1) the development and tourism content for visitors were used frequently by family oriented visitors, (2) the up-cycled Donuimun Museum Village was particularly revisited by community and citizen networking and (3) the up-cycled programs utilizing historical and cultural resources needed some structural recombination and stronger connection, especially for the first-time visitors. The Donuimun Museum possesses self-sustaining and reproduction ability among active visitors who continuously produce and accumulate further cultural resources. In addition, it is a significant space up-cycling case in terms of acknowledging the reinforcement of urban regeneration identity through preserving sociocultural and historical resources that allows positive behavioral patterns and communal connections.

문화적 도시재생 사례의 감성디자인 특성 연구 - 돈의문박물관마을 사례 중심으로 -

김수린(Kim, Surin),남경숙(Nam, Kyung-Sook) 한국실내디자인학회 2019 한국실내디자인학회 학술대회논문집 Vol.21 No.3

As the society becomes an information society with economic growth and the development of science and technology, social changes that value diversification and diversification are taking place. This paradigm shift has come to value human-centered ecological values, and even in the spatial environment, the user"s emotional and psychological satisfaction has been recognized as an important measure. Since the 1960s, this has developed in a way that values the influence of space and form in architecture on human consciousness even in the flow of modern architecture, and it has become regarded as an interactive relationship on the ecological, psychological, morphological and aesthetic level of users as well as an environment in which space provides physical functionality. In this interactive relationship, space is recognized and judged through a variety of empirical activities that are taken as various sensory elements. Emotional experiences in urban renewal cases, which regenerate abandoned spaces or areas, especially reflecting the locality and age of a particular region, highlight their importance because they can be judged differently by creating empirical elements that users accept and feel in the past and present spaces. Therefore, in this study, we want to understand the meaning of emotional design in cultural urban regeneration space, and analyze how emotional expression methods that enhance regionality and period appear.