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      • KCI등재
      • KCI등재

        결로수 배출구 유무에 따른 삼중유리 시스템창의 결로방지성능 및 기밀성능 실험 평가

        박시현(Park, Si-hyun),김민희(Kim, Min-hee),임재한(Lim, Jae-Han),송승영(Song, Seung-Yeong) 한국건축친환경설비학회 2016 한국건축친환경설비학회 논문집 Vol.10 No.1

        The condensation risk for windows during winter is high, and such condensation can lead to mold problems, thereby causing discomfort for building occupants. Triple glazing window systems used for energy saving, consist drainage holes placed on glazing beads or gaskets providing a path for condensed water from inside to outside. These holes are considered to be effective in view of draining condensed water. However, these holes may lead to the decrease of air-tightness as well as the increase of condensation risk resulted from the drop of surface temperature due to the intake of cold outside air. Therefore, in this study, the triple glazing window system without the drainage holes was examined as a case with no drainage holes (CNH), and evaluate the condensation resistance and air-tightness compared to a case with drainage holes (CWH). Condensation resistance and air-tightness were tested in accordance with KS F 2295 and KS F 2292, respectively. Temperature difference ratios and infiltration rates between CNH and CWH were compared.

      • KCI등재

        온도차이비율과 열관류율 기준을 고려한 공동주택 삼중유리 창의 결로 방지 및 단열성능 향상 방안

        김민희(Kim, Min-Hee),박시현(Park, Si-Hyun),구소영(Koo, So-Young),임재한(Lim, Jae-Han),송승영(Song, Seung-Yeong) 한국건축친환경설비학회 2017 한국건축친환경설비학회 논문집 Vol.11 No.1

        The purpose of this study is to find effective ways to improve the condensation resistance and thermal insulation performance of triple glazing windows, which can satisfy the required temperature difference ratio(TDR) of the Design Standard for Preventing Condensation in Apartment Buildings and the required thermal transmittance(U-factor) of the Construction Standards for Energy-efficient Green Home. Various alternatives were selected for the tilt & turn triple glazing window directly facing to the exterior in apartment buildings. Both TDR and U-factor were calculated by using heat transfer simulations. As results, glazing and frame technologies were derived, which are effective to improve the condensation resistance and thermal insulation performance. Also, alternatives were suggested, which satisfy the required TDR and U-factor by region.

      • KCI등재

        조선후기 강릉부 우계면의 삼공(蔘貢) 관련 완문(完文) 연구

        박도식 ( Doh Sik Park ) 한국고문서학회 2012 고문서연구 Vol.40 No.-

        As Wanmun is official document issue to Hyanggyo(鄕校, the confucian temple and school to teach local students in the Choseon Dynasty period), Seowon(書院, a memorial hall for confucianist services to honor distinguished scholars and statesmen), association(結社), village(村) an individual by the government office. It is characteristics of certification, prescription or disposition which ascertains whether something is true and even accept right or privilege. Wanmun was unilaterally issued in office, but usually published by the appeal or petition of a person or a group concerned. This Wanmun is a material related to Samgong(蔘貢, jinseng`s tribute) in Gangneungbu-Woogyemyun in late Choseon Dynasty. Samgong assigned at Gangwondo in early Choseon Dynasty and gathered by the Minjeong(民丁) had been offered to the Gamyeong(監營, provincial capital). But as days go by it was difficult to collect ginseng, and each Gunhyun(郡縣, regional reign) paid ginseng dealers and made them Bangnap(防納, blocking the delivery of the tribute). It was the reason why it was hard to gather ginseng, also ginseng became rare due to the extension Hwajeon(火田, fire-field agriculture) and gradually reducing the ginseng-producing area. Gangneung was the most suffering area because of surcharge of ginseng tribute. Gangneung dedicated in ginseng 55nyang(a denomination of weight), but the harvested ginseng got less and less than 20nyang. So the ginseng dealers had to buy it out of town and paid it to government. The ginseng dealers, moreover, could`` pay the tax to government with fixed ginseng price 80nyang paid by each Gunhyun bacause of the jinseng the prices. Thus although Gangneung raised them to 2,354nyang aside from paying 5,004nyang annually, they demanded moer and more every year. According to fluctuation in ginseng price and raising taxes, Gangneung received Sikrichon(殖利錢, moneymaking money) 6,100nyang which was financial aid from the national government and lent it to Minho, and got back principal with three-tenth interest. Gangneungbu especially established Bosam-gungwan(補蔘軍官) with 756members and collected 1nyang 5jeon per man. Villagers living in Ssanggye(雙溪)·Bukdong(北洞)·Ohgog(梧谷), Woogyemyun, Gangneungbu based upon Sanjeon(山田, a field in the mountains). They paid money in taxes instead of Whasok(火粟), Samgyeol(蔘結) and Wolgwahwasok-yeoncheong(月課火粟烟淸, the monthly honey tribute in fire-field agriculture). For example, Hhasok was 1jeon(錢) 2pun(分) each bok(卜), Samgyeol was 3jeon each bok. Althouch Yeongdong area in Gangneung was not essentially imposed with Wasamjeon(火蔘田), this must pay it bacause ginseng was produced in Naemyun(內面), Gangneung. After losing Hwajeonse(火田稅) and ginseng picker, Gangneung collected the ginseng taxes from Mingyeol of Yeongdong. Most local residents, who ground under the heavy burden of ginseng tax which was imposed on Hwajeon in Woogyemyun, even had become bankrupt owing to the years famine. Villages finally faced pulling apart. Aroung then, to solve the problem of jinseng tax, Go Jin-Chang and Lee Tae-Won with other 14members organized the Geumokgye(金玉契) and paied ginseng taxes instead of them.

      • KCI등재

        한국 구전서사 속 부친살해 모티프의 역방향 변용 탐색

        김영희 ( Young Hee Kim ) 한국고전문학회 2012 고전문학연구 Vol.41 No.-

        This study is intended to analyze several aspects of reversing variations of the motif of ``patricide`` in the tradition of korean oral narratives. It deals with several aspects varied from the motif of ``patricide`` to the motif of ``filicide``. The ``patricide`` is a general motif in many heroic myths in which heroes creates their own new world. Especially, it is focused on what effects are to be made by variations on the theme of ``patricide`` and ``filicide``. If locutionary acts are going to be described as performances with social and powerful effects, then oral-narrative performances are to be interpreted as perlocutionary and performative acts as well. In korean myths there is not a father of main character to construct his own new world escaping from an old world. And a father of the future successor, the son, abandons him before he leaves his father. Therefore, murdering father does not occur in these stories because the father abandons his son first. The ``patricide`` is avoided in the tradition of korean oral narratives. There is a motif of ``filicide`` in narratives like in the stories of filial duty. First example of this is Sonsunmaea(孫順埋兒). In this story, Sonsun finds the bell while he buries his son eating grandmother`s food to take care of his mother very well, with his wife. Dongjasam(童子蔘) is the story about a husband and a wife who boil their child in a caldron to do their filial duties to the husband`s sick parents. In these stories, parents kill their child even without any inner conflicts or a moment of hesitation. However, strange enough, they get rich in reward or they get to see their living son again with the help of god later on. In the story of Agijangsu(아기장수), a parent kills its son to be a great hero in one community where people regard a baby as a man with possible threat to the society. In the story of Utury(우투리), a child who has the possibility of saving the world or becoming a new king fails to be because his mother accidently reveals her son`s secret or because one commander dispatches soldiers to kill Utury with much threat. The values and disciplines of community acquire a stupendous preponderance in these narratives. If the oral-narratives constitute scenarios indicating specific social identities and its performance implies symptoms of the gendered, performing itself is the processes of enacting the gender-identity of male or female and the performative mechanism is the matrix which produces the gendered subject. Furthermore, when the performance of these oral narratives present the structure having an effect of initiation into a society, it works on individual performers as a normalization system based on the criterion and standard of social homogenization.

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