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- 저자 : Jong Hyurk Park(박종혁) (검색결과 2 건)
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Phonation Characteristics of Female Changgeuk Apprentice Opera Singers
Jong Hyurk Park(박종혁),Ji Yeon Han(한지연),Il Ryun Kim(김일륜) 한국언어치료학회 2018 言語治療硏究 Vol.27 No.3
Purpose: Reasonable phonation training of Pansori singers who participate in Changgeuk opera has been emphasized. Pansori singers sing alone, in line with the drum, and the variation of pentatonic scale output is great for each singer. On the other hand, in Changgeuk, five notes are standardized at an average rate (A4 = 440 Hz). Accordingly, this study tries to identify the characteristics of phonation of female Changgeuk apprentice opera singers on the equal temperament considering the singing environments of modern Changgeuk opera. Methods: The subjects were 13 female Changgeuk apprentice opera singers with an average age of 22.84 and 11.46 years of experience in Pansori. Aerodynamic, physiological, and acoustic characteristics of phonation were measured by PAS (phonatory aerodynamic analysis) and Vocal Assessment. Materials were composed in comfortable phonation and phonation with 5 notes (F4, G4, A4, C5, D5) with vowel /æ/ . The comfortable phonation and phonation with 5 notes were used as independent variables and aerodynamic, physiological, and acoustic parameters were used as dependent variables. Results: The aerodynamic and physiological characteristics of the comfortable phonation and phonation with 5 notes were significantly different only in the EGG-NNE (electroglottography-normalized noise energy). Acoustic characteristics in Mean F0, SD F0, Shimmer, and NNE were significantly different in each phonation in the female vocal transition zone (A4, C5, D5), in particular at the highest note D5. Conclusions: It is inferred that female Changgeuk apprentice opera singers have difficulties in vocal transition, in particular at the highest note (D5). This suggests that this is a useful measure for efficient vocal transition including treble phonation and development of vocal training in Changgeuk opera singers.
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여성 판소리 가수의 단음과 가창음의 공기역학 및 음향학적 특성 비교
박종혁(Jong Hyurk Park),한지연(Ji Yeon Han) 한국언어치료학회 2020 言語治療硏究 Vol.29 No.1
Purpose: This study attempted to discover differences in acoustic and aerodynamic measurements by comparing single notes and singing note of a female Pansori singers regarding their vocalization techniques, which is based on Tongsung. Additionally, the study also tried to determine whether differences in the diagnostic usefulness of each measurement exist. Methods: Seventeen professionl female Pansori singers with an average age of 33.24 (±4.85) participated in the study. The running speech protocol of the Phonatory Aerodynamic System Model 6600 (PAS); singing zone in the scene where Simbongsa opened his eyes /Ye/ (A4, C5, D5); and single note (A4, C5, D5) were compared respectively. A Wilcoxon ranked sum test was executed using SPSS 20.0. Results: There was a significant difference in the range of sound pressure at A4. Second, there were significant differences in the sound pressure range, mean pitch, and mean air flow rate at C5. Third, there were significant differences in mean sound pressure, sound pressure range, mean pitch, mean air flow rate, and air flow volume at D5. Conclusions : It was found that the vocalization of Tongsung used by female Pansori singers was more dynamic in singing notes than in single notes. In addition, the variation of the note according to variables suggests that external factors such as rhythm (‘jangdan’), scale (‘gil), and tone (‘seongeum’), which are emphasized in traditional Korean music, may affect the evaluation of vocalization. Therefore, it is necessary to present the vocalization of Tongsung conditions carefully considering the unique musical structure of Pansori in the research design for Pansori singers.
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