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      • Disaster Leisure and Cultural Tourism

        Jon G. Donlon,Jocelyn H. Donlon 세계문화관광학회 2007 Conference Proceedings Vol.8 No.0

        This paper places the current work within a cluster of several rapidly presented texts and publications presenting the author's focus on the emerging theme of "disaster tourism" and "disaster leisure." Largely but not entirely based on field work in South Louisiana following Hurricanes Katrina and Rita, these texts investigate the viability of integrating qualities associated with cultural tourism into primary and secondary efforts to recover from the impact of natural disaster.

      • Heritage Tourism Performances, Cultural Identity, and Recovery from Natural and Man-Made Disasters

        Jon Griffin Donlon,Ph.D,Hitoshi Nishino,Ph.D 세계문화관광학회 2010 Conference Proceedings Vol.11 No.0

        There is no question that heritage performances such as the Carnival of New Orleans, the bull pushing festival in Niigata, Japan, and spectacles of camel fighting staged in Turkey help knit together local community and create dynamic destination “magnets.” In 2004, the region around Niigata, Japan was powerfully struck by a devastating earthquake. In 2005, New Orleans was inundated by the effects of Katrina. Then, in 2010, Louisiana was impacted by the great man-made disaster of the British Petroleum drilling rupture. In each case, cultural performance played an important role in the reemergence of the pre-existing human communities. For hundreds of years, until the introduction of machines, communities in the region around Niigata, Japan, raised and bred enormously powerful bulls as their engines of agricultural labor. Traditionally, the great stamina and strength of these draft animals has been celebrated at bull-fighting festivals (events which are entirely non-violent): the “winner”gains prestige and is identified as the best bull. Manifesting a long European history but set in the USA, Carnival on the Gulf Coast, especially at New Orleans, has created unique food, festive, and music ways for the region. This paper briefly reprises earlier research on the two affected regions, explaining the role of the relevant heritage performances and establishing a little of each community’s cultural past. It outlines the previous natural disasters explaining how the BP event has affected Louisiana. Finally, it notes how developing accessibility to a heritage tourism economy may help these settings survive (while presenting and conserving heritage material).

      • Festival Events and Cultural Capital

        Jon Griffin Donlon,Jin Nishino,Jocelyn Hazelwood Donlon 세계문화관광학회 2009 Conference Proceedings Vol.10 No.0

        Josef Pieper has pointed out in In Tune with the World that festivity requires at least two things: it must be public, and it must be an interruption of mundane, ordinary time. Research in cultural tourism indicates that such "time out of time" occasions act to build social capital. Presumably, this is because these opportunities quickly and easily reconfigure the local area community, nurturing the rapid accumulation of good will. This presentation focuses on three festival events-the Edinburgh International Festival in Scotland, Camel Wrestling in Turkey, and Bull Pushing in Japan-in order to discuss them as expressions of cultural tourism and to explain how conserving and planning for sustainability of this cultural matter acts to generate valuable social capital. Our understanding of these settings is informed by what the International Council on Monuments and Sites (ICOMOS) describes as "the natural and cultural heritage, diversities and living cultures [as] major tourism attractions." While the Charter points out that "excessive or poorly-managed tourism and tourism related development can threaten their physical nature, integrity and significant characteristics," and that "the ecological setting, culture and lifestyles of host communities may also be degraded, along with the visitor's experience of the place," festivals, we intend to show, can celebrate and preserve local culture and cultural artifacts if managed properly.

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