RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      검색결과 좁혀 보기

      선택해제

      오늘 본 자료

      • 오늘 본 자료가 없습니다.
      더보기
      • 무료
      • 기관 내 무료
      • 유료
      • “Yes, aversion!” : Narration and the Gothic Novel in Jane Austen’s Northanger Abbey

        Jennifer Vettese Ewha Institute of English and American Studies 2022 Journal of English and American studies Vol.21 No.1

        Jane Austen’s 1817 novel Northanger Abbey is often considered a parody of the gothic novel. In this paper, I argue that, in addition to the satirization of the genre, this novel also reworks gothic conventions in order to provide commentary on themes such as readership and society. To analyse this reworking of the gothic novel, I consider two literary devices which are crucial for the reproduction of gothic elements in this novel: free indirect discourse and overt narration. Free indirect discourse allows both third person narration and the conveying of a character’s thoughts and feelings in their own language. In Northanger Abbey, this device reveals Catherine’s feelings and susceptibility to the gothic influences of the novels she reads, which heightens the effects of the gothic elements. In this sense, the novel positions itself not only as a joke, but as a sort of tribute to the gothic genre. Catherine’s credulity, however, is contrasted by the narrator’s direct appeal to the reader to remain critical about the events at the abbey. Through this second literary device, overt narration, the narrator interrupts the narration and addresses the reader directly and in the first person. In addition to condemning the characters’ readings of gothic novels, the overt narration also serves as commentary on contemporary societal norms and manners. The true horror of this novel resides not in the gloomy atmosphere of the abbey but in the banality of General Tilney and the modern manners which are satirized throughout the book. If we associate these interruptions with the author’s voice, they reveal Jane Austen’s critical constitution towards literary conventions and societal norms.

      연관 검색어 추천

      이 검색어로 많이 본 자료

      활용도 높은 자료

      해외이동버튼