http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
A Study on the Expression of the Islam Pattern in the Modern Fashion
Heejeong Hyun ,Jaejung Lee ,Eulyo Yun 한국디자인지식학회 2007 한국디자인지식학회 Conference Vol.2007 No.8
In modern society, the esthetic sense of humanity has been changed in line with the improvement of the standard of living and the formative beauty of the time. It has even been more varied with such trends as individuation and reestablishment of personal identities. Practically, this phenomenon is closely linked to the flow reflecting the third world cultures on fashion, which has been alienated in terms of the value of freshness and desire for uniqueness. In other words, the stream of modern fashion that reflects the third world cultures and the introduction of ethnic styles have something to do with each other in terms of the basic thought. The unique motif being highlighted in a new perspective os manifested with new materials and methods, rather than mere manifestation; it is sublimated to a contemporary, original creative work representing unique imagination as the fountainhead of inspiration for design. Thus, this study classifies the unique features and rich color system of Islamic patterns which are mostly diverse and complicated according to the cultural areas (Saracen style, Ottoman Style, Moor style), and draws up and reorganizes the features ? repetition, continuity, infinity ? of the organic, geometrical patterns appearing in these style so as to clarify how they are being used in modern fashion. Besides, based on this motif, the possibilities of designing new patterns will be presented and the representation range of design will be expanded.