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David Doms 한국영어학학회 2003 영어학연구 Vol.- No.15
Classroom Spoken Discourse and Casual Conversation: A Comparison using Hymes's Ethno-methodological Framework Doms, David. 2003. Classroom Spoken Discourse and Casual Conversation: A Comparison using Hymes's Ethno-methodological Framework, English Language and linguistics 15, 167-190. this paper attempts to examine discourse carried out in classrooms and various naturalistic settings by using Hymes's ethno-methodological approach (1972) for exploring speech events. As compared to previous studies which have been done cross-sectionally and paid attention to describing and accounting for L2 leamers' grammatical competence mainly in a quantitative fashion, the present study attempts to tap leamers' discourse competence by qualitatively looking at ongoing conversations in various places. After summarizing the distinguishing features of an English language classroom activity and casual conversations through short real-life examples taken from my own data, I discuss the implications of the analysis for the development of learners' conversational skills and discoursal knowledge in E.F.L. classrooms. Key words: ethno-methodology, Hymes, spoken discourse, classroom talk, casual conversation
韓國的 藝術歌曲의 創作을 위한 論理硏究와 試圖作品 分析 : 自作品 『머들령』을 中心으로 centering on my own work "Meodul-Ryung"
具斗會 淑明女子大學校 1980 論文集 Vol.20 No.-
There would be no one, I believe, who havn't tried to compose on the standpoint of Korean Nationalism. The significance of the world "on the standpoint of Korean nationalism" is a composition of well selected materials from particular old folkores, histoy, nature secones or common experiences we are facing in daily life, so that all can realize it's Korean emotional feeling when listen to the piece. In course of writing Korean Music, we are blocked up by a wall of difficult problems. First, the problum of scales and modes. As we belong to the the realm of Orient, have to use Pentatone scales. With a pentatone scale we are forming five sunbubs(旋法-or modes). The five sunbubs are; Goong-sunbub (宮旋法-i.e. Do mode), Sang-sunbub(商旋法-i.e. Re mode), Gak-sunbub(角旋法-i.e. Mi mode), Chi-sunbub (徵旋法-i.e. Sol mode), and Woo-sunbub (羽旋法-i.e. La mode). Among these five modes, Sol mode is called as Gemyun-Jo (界面調) while the La mode is called as Pyung-Jo(平調), and these two modes are solely used in Korean National Music, especially the usage of Do mode is practically avoided for the reason of producing Chinese feelong. Second melody lines. As we all know, in western music, there are 12 halftones in an octave, among them the 7 tones are being used in Diatonic Scales and the 12 tones are all being used in Chromatic Scales. On the contrary, in orient, only 5 tones out of the 12 halves are used. Furthermore, with such limited tones in Korean Music can not escape from simple and monotonous melody. Therefore, it's very important and necessary to solve such existing problums. Needless to say, we need hard experiments. Third, the employment of harmonic chords. In the Diatonic Scales of Western Music, seven triade are being used, but only Tonic triad (Ⅰ) and submediant triad (Ⅵ) are used in orient pentatone scale. Therefore, the other harmonies of Western Music never can be used in Korean Music, i.e. the third note of Supertonic and Dominant triads and the fifth note of Mediant triad are never appear in Korean Music, so the reason of lacking harmonic elements that no triads can be established. In course of writing my own composition "Meodul-Ryung" and other works. Firstly, I did not limited to Gemyun-jo and Pyung-Jo and freely used 5 modes which had been constructed as pentatone scales as well as major and minor scales in Western music both Authentic and Plagal modes in Western Church Music. Secondly, even though it is very much easy to change the musical tastes by flexible tendency of modes, but I utilized the method of Church Modes of middle age by which Oriental, especially so called Korean feeling have been produced. Thirdly, In harmonic problums, I evaded from the limitation of modes in some degree; numbers of usable harmonies have been increased and used the cadences which resulted no awkwardness. In my opinion, it is a quite successful result in my work. I employed technique of chorale harmonization as possible as I can with the Church Modes. Thus, I belive, many Korean Composers would not agree or satisfy on such method I experimented, still it will give tremendous problums of writing to whom studied and dealt with mainly Western Music. Settlement of theory on Korean Music Writing can not be established in short period. Rome had not been constructed in a day.
David Karamankodu Jacob,Hancock David Lawrence,Sachin K.,Gracy Gandhi R,Swathi R.S. 한국응용곤충학회 2022 Journal of Asia-Pacific Entomology Vol.25 No.1
Rhabdochaeta nigroapicalis David, Hancock and Sachin, sp. n., is described from Assam, NE India. A key to all species of Schistopterini and Eutretini recorded from India is provided and taxonomic notes on previously described species are included. DNA barcode sequences of Calloptera asteria (Schiner), Rhabdochaeta pulchella de Meijere, Rhabdochaeta nigroapicalis David, Hancock and Sachin, sp. n. and Rhochmopterum venustum (de Meijere) were obtained and reported. Phylogenetic analysis using 62 mtCOI sequences of Tephritinae revealed Schis topterini to be a monophyletic group and the new species closely related to Rhabdochaeta pulchella, justifying its placement in Rhabdochaeta de Meijere. http://zoobank.org/A97337B3-E2BD-460D-BA62-6D3D4A1A60A2
David Karamankodu Jacob,Hancock David Lawrence,Han Ho-Yeon,Gracy Gandhi R,Sachin K.,Swathi R.S. 한국응용곤충학회 2021 Journal of Asia-Pacific Entomology Vol.24 No.4
Gibbifronta pavoniae David, Hancock and Han, gen. et sp. nov., is described from India. The current status of the subtribe Acidoxanthina is scrutinized based on both morphological characters and DNA barcoding analysis, and this taxon is formally proposed as the tribe Acidoxanthini within the subfamily Trypetinae in order to accom modate the genera Gibbifronta, Acidoxantha Hendel, Craspedoxanthitea Hardy and Acidoxanthopsis Hering. We found that the members of the Acidoxanthini possess a unique characteristic within the family Tephritidae, the short and broadly truncate lateral surstylus with reduced prensisetae and 1–3 pairs of strong dorsal setae on epandrium. Even though comparable information is not available for Acidoxanthopsis, it is retained in Acid oxanthini. Gibbifronta is distinguished from other genera of the tribe by the presence of a high gena and prominent hump-like projection on the frons. Phylogenetic analysis based on DNA barcodes revealed that Gib bifronta is closely related to Acidoxantha and support its placement in Acidoxanthini. COI sequences of Gibbifronta pavoniae, Nitrariomyia lukjanovitshi Rohdendorf, Acidoxantha galibeedu David and Ramani and an undescribed Acidoxantha species have been obtained and reported. A key to the genera of Acidoxanthini is also provided. http://zoobank.org/100D010D-21D3-4F0B-B38E-1F72DC8E9BF3.
David B. Kim(David B. Kim) 한국캐나다학회 2012 Asia-Pacific Journal of Canadian Studies (APJCS) Vol.18 No.1·2
This study has looked into Canadian EFL teachers' and the Canadian general public's preference for spelling English words with variants. Although this study may not be representative of all of Canadian population's preference for spelling words with variants, it does portray the change and trend in spelling practices of Canadians, both who are “well-educated” and less “well-educated.” The quantitative and qualitative analyses of survey questionnaires have clearly shown that Canadian EFL teachers and the Canadian general public prefer (60:40 ratio) to spell words with variants more in the British tradition. Also, “non-academic” factors stated in comments section of the questionnaires clearly show that education is not the only factor which influence one's preference for spelling. Cultual, emotional, social, political and psychological factors also influence one's decision regarding choices related to spelling.