제주어를 활용한 텍스타일 패턴 디자인- 타이포그래피적 표현을 중심으로 -

현명관 ( Hyun Myung-kwan ),장애란 ( Jang Ae-ran ) 한국디자인트렌드학회 2013 한국디자인포럼 Vol.41 No.-

본 논문은 최근 유네스코에 의해 5개의 소멸 위기 단계 중 4단계인 `아주 심각하게 위기에 처한 언어(critically endangered language)`로 분류된 제주어의 다양한 활용 방안으로써, 타이포그래피적 표현을 통해 텍스타일 디자인을 개발하는데 있다. 제주어에는 한반도의 표준어 및 다른 방언들과는 달리 우리나라 중세 어휘의 원형과 독자적으로 형성된 단어, 차용어 등 다양하고 특이한 특징들이 많이 남아있다. 이와 같은 다양한 특징들 중 쌍아래아(□)·반복되는 표현사용·제주어에서만 보여지는 특이한 어휘를 타이포그래피의 시각적 리듬과 접목시켜 텍스타일 디자인의 모티브를 개발하였다. 이를 토대로 다양한 패턴화로 전개하고 실제 상품에 맵핑하여 제시함으로써 제주어가 섬이라는 지역적 특성과 우리나라 고대 언어의 원형이 고스란히 담긴 타이포그래피적 조형물로서 텍스타일 디자인에 활용 가능할 뿐만 아니라 제주의 대표성을 상징하는 문양으로서 패션문화 상품 개발에 응용 가능하며, 이를 통해 제주어 보존과 활용방안의 새로운 패러다임을 제시하고자 하였다. 결과적으로 이는 제주인의 자긍심 고취는 물론 넓은 의미에서 지역적 한계성을 탈피하여 지역 전통문화의 우수성이 곧 한국 전통문화의 우수성임을 재고할 수 있음과 동시에 지역 문화콘텐츠 산업의 새로운 경쟁력을 갖출 수 있는 계기를 마련할 수 있으리라 기대한다. This study aimed to find out various utilization plans of Jeju language which was classified at level 4 “critically endangered language” out of five level of endangerment in language by the UNESCO and to develop textile designs through typographic expression. Different from the standard language and other dialects in the Korean peninsula, Jeju language has kept unique and diverse features such as prototype of medieval words, independently established words and loanwords. Among those special features, this study developed textile design motif by integrating Ssang Arae a(□), repetitive expressions and unique words in Jeju language into visual rhythm of typography. Based on it, the study carried out various patterns and took mapping on actual products so that Jeju language could be used for textile design as typographic artworks with local characteristics as an island and having prototype of ancient language, and also could be applied to fashion culture product developments as representative and symbolic pattern of Jeju in order to suggest a new paradigm of preservation and utilization of Jeju language. In consequence, this study expects to enhance the concept that the excellence of local traditional culture could improve the traditional Korean culture beyond the regional limitation as well as increasing pride of Jeju people and could lay a foundation of building up new competitiveness of local cultural contents industry.

한국 전통 잡보문(雜寶紋)을 활용한 텍스타일 패턴 디자인

장애란(Jang Ae-Ran),현명관(Hyun Myung-Kwan),장현주(Jang Hyun-Joo) 한복문화학회 2014 韓服文化 Vol.17 No.3

The purpose of this study is to develop textile pattern designs using Seogak, Seo, Jeon and Bo extracted from Jap-Bomun (eight treasures) in order to investigate whether textile patterns using Jap-Bomun can be applied to contemporary fashion, fashion accessories and living tools. It also aims to investigate the value of Jap-Bomun as an original cultural prototype by examining whether textile pattern design can be utilized as fashion cultural products through design mapping. To achieve this, this study adopts the traditional Jap-Bomun as a cultural prototype. Theoretical consideration is given to Jap-Bomun through literature and preceding studies to extract formative qualities and symbolism from the traditional Jap-Bomun. On this basis, the traditional character and modern sense are considered to develop the textile pattern focused on an auspicious symbol. Consequently, Seogak(meaning great luck and longevity), Seo(meaning fame and prestige), Jeon(meaning luck) and Bo(meaning decision and punishment for evil) are selected from among the various types and symbols from Jap-Bomun to extract a motif. Using the motif, textile pattern design was restricted and developed through repetitive rotation, deformation, combination and deconstruction. The method of textile design patterns that arrange the Jap-Bomun"s one repeat in the Proctor"s repeat sequence after designing the motives utilizing Adobe CS5 Extended and TexPro. Eight developed textile pattern designs were simulated for bedding, neck tie and tote bag utilizing 3D design mapping to demonstrate the practicality of traditional Jap-Bomun in the development of fashion cultural products. To conclude, the development of creative textile pattern designs using Seogak, Seo, Jeon and Bo extracted from Jap-Bomun contribute to a basic foundation for the fashion industry and traditional cultural industry, and also form the basis for creating added value.

패션스타일리스트의 교과과정 및 실무사례 분석

황경혜 ( Hwang Kyoung-hye ),현명관 ( Hyun Myung-kwan ) 한국디자인트렌드학회 2014 한국디자인포럼 Vol.43 No.-

패션스타일리스트 분야는 크게 업종 및 업태별로 분류할 수 있다. 업종별로는 광고·홍보분야, 패션잡지·사진분야, 어패럴·유통분야, 무대·영화분야, 패션쇼·이벤트분야, 방송·연예분야로 나뉠 수 있으며, 업태별로는 패션, 뷰티(헤어, 메이크업 등), 공간(디스플레이디자인, 무대연출 등) 중심의 영역에서 전문적 기능과 역할이 수행되고 있는 패션관련 전문직이다. 국내 패션산업의 방향이 생산, 유통 중심에서 스타일 중심의 토털 패션 이미지구축을 위한 방향으로 전환됨에 따라 패션스타일리스트 분야의 현장실무환경 구축을 위한 체계적이고 전문성 높은 실무중심의 교육과정이 절실히 필요한 상황이다. 본 연구에서는 패션스타일리스트의 역할과 관련하여 현장에서 오랜 경험과 활동적인 패션스타일리스트 전문가 50명(국내 스타일리스트 업종 종사자 약 10%)을 대상으로 한 설문지와 심층면접(5명)을 통해 국내에서의 패션스타일리스트에 대한 인식 및 패션스타일리스트의 활동영역과 역할, 전문적인 교육 여부에 대한 내용을 도출하였다. 연구결과를 바탕으로 패션스타일리스트의 실무는 시대적 트렌드에 민감하고 빠르게 변화되는 특성이 강하므로, 교육적 시스템의 근본적 체계를 바탕으로 업무적 스킬, 문화, 역사적·미학적 전문성을 향상시킴으로써 다양한 분야에서의 스타일리스트들의 인프라 구축 및 현장실무전문가 양성에 기여할 수 있을 것으로 기대한다. The position of fashion stylist can be classified into several business types and conditions. The types of business can be divided into fields of: advertising, public relations, photography, fashion magazines, apparel and distribution, stage and film industries, fashion shows and events, broadcasting, and entertainment. Business conditions include: fashion, beauty (hair, makeup, etc.), and space (set design, stage direction, etc.), mainly in the areas of fashion and related professional roles. Korea is a rapidly developing industrial society under- going changes in working environments, but the current education system for the professional development of fashion stylists is insufficient. In particular, highly- specialized and systematic courses, hands-on training, and field work experiences of fashion students in the industrial production and distribution centers are urgently needed. Therefore, results were derived from assessing the primary role of the fashion stylist with x years of experience in the field with respect to the active professional fashion stylist, and the sample included 50 stylists (10% domestic stylist sector workers). The sample population was given target questionnaires and a smaller sample was given in-depth interviews (n = 5) regarding the country in which they were professionals, the recognition of their roles and activities, and how their education was obtained. Secondly, the survey also assessed the courses offered by the Department of Education for Fashion Stylists in both the two-year and four-year programs. Participants also classified the status of the different courses. Established fashion stylists in Korea and abroad related subjects into the curriculum for 2- to 3-year programs (9 schools) or 4-year programs (3 schools). The characterization points were then derived and analyzed confidentially. Based on the results of this study, contemporary trends and practices in fashion are changing rapidly, and education and fundamental work skills of fashion stylists can be improved with an understanding of culture, history, and aesthetic aspects of fashion. It is expected that these various fields will improve the professional development of fashion stylists.

제주자생 꽃 콘텐츠를 활용한 패션문화상품 개발 - 왕벚꽃, 유채꽃, 참꽃을 중심으로 -

장애란 ( Jang Ae-ran ),현명관 ( Hyun Myung-kwan ) 한국디자인트렌드학회 2015 한국디자인포럼 Vol.48 No.-

본 연구의 목적은 관광효과를 극대화하고 제주지역의 경제 활성화를 모색하고자 자원식물을 이용한 연중 축제 프로그램 중 대표적인 제주왕벚꽃축제, 제주유채꽃큰잔치와 제주참꽃나무축제를 소재로 텍스타일 패턴 디자인 및 패션문화상품을 개발하여 제시하였다. 이를 위해 일차적으로는 왕벚꽃, 유채꽃과 참꽃의 조형적 이미지와 상징적 의미를 유추한 결과를 근거로 꽃 콘텐츠를 구축한 후 표현기법에 따라 다양하게 활용할 수 있도록 양식화한 콘텐츠적 모티브를 추출하였다. 이를 토대로 사실형, 양식형, 추상형의 리피트를 구성한 후 리피트별 2가지 컬러배색을 통해 텍스타일 패턴을 개발하였다. 이차적으로는 개발한 텍스타일 패턴을 패션문화상품에 활용할 수 있는지를 규명하기 위해 가방디자인에 텍스타일 패턴의 디자인 맵핑을 추가로 실시하였고, 그 결과를 바탕으로 디자인 의도에 따라 선택한 텍스타일 패턴을 DTP로 출력한 소재(캔버스, 옥스퍼드지)로 패션문화상품을 실제로 제작하여 제시함으로써 지역문화와 지역경제의 활성화를 모색할 수 있을 것이라 기대된다. 텍스타일 패턴화 작업을 위한 제작도구로는 Adobe CS5 및 TexPro 디자인 캐드를 사용하였다. The purpose of this study was to develop the textile pattern designs and fashion cultural products using Jeju native flower contents (Cherry Blossom with Jeju Cherry Blossom Festival, Canola flower with Jeju Canola Flower Festival and Weyrichii with Jeju Rhododendron Festival), to revive regional economy and maximize tourism effects as kind of local culture strategy. To achieve this, first, it established flower contents based on the conclusion that analogized the formative image and symbolic meaning on Cherry Blossom, Canola flower and Weyrichii. Second, it abstracted the stylized motives from the flower contents so that can be used in various expressive techniques. After it composed one repeat of reality type, style type and abstract type based on content motives, developed the textile patterns as 2 color matching by each repeat. Third, by practicing additionally design mapping, it investigated whether the development of textile patterns can be used in fashion cultural products. Finally, it produced various bags with fabrics using canvas and oxford printed the textile patterns by DTP. For design manufacturing tools, Adobe CS5(Photoshop & Illustrator) and TexPro design CAD were used. In conclusion, as the study developed and suggested a textile pattern design of Jeju native flower contents to revive regional economy and maximize tourism effects. Furthermore, it is expected that textile pattern developed based on regional cultural prototype could be applied to th development of various fashion cultural products.

디지털 의복(Digital Clothing)에 표현된 디지털 패러다임

장애란(Ae Ran Jang),현명관(Myung Kwan Hyun) 한국복식학회 2003 服飾 Vol.53 No.4

The purpose of this study was to investigate the Digital Paradigm cords depicted on the Digital Clothing by borrowing nearby fields. Therefore, it will offer not only theoretical data but also databases for product development on functional and aesthetic views even though it is not systematically set up the idea yet. The Digital Paradigm cords of Interactivity, Nonlinearity and Combination in the Digital Clothing were determined. This study found that Interactivity Paradigm cord was expressed by the interaction of clothing and computer, the techniques of built in · attach · detach · fragment of the Digital Clothing at the external indicators, and maintained this personalizing that was pursued comprehension and the shape and silhouette of the existed clothing, that Nonlinearity Paradigm cord was able to overcome the limitation of a successively approach, in other words the discontinuous moving possibilities of time and space, that Combination Paradigm cord was contained creative concept without fixed ideas through coordination of Digital Clothing that was combination, continuous creation, changes and process between heterogeneous factors. In conclusion, introduction of the new Digital Paradigm is going to accelerate on lasting development and research.

제주신화 서천꽃밭의 생불꽃을 응용한 텍스타일 패턴디자인

장애란(Jang, Ae-Ran),현명관(Hyun, Myung-Kwan),김현미(Kim, Hyun-Mi) 한국생활과학회 2013 한국생활과학회지 Vol.22 No.4

제주도 효제문자도 도상을 활용한 테셀레이션 기법의 텍스타일 패턴디자인 개발

장애란(Ae Ran Jang),현명관(Myung Kwan Hyun) 한국복식학회 2016 服飾 Vol.66 No.8