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        회암사지 일(日)자형 건물지에 관한 연구

        한지만,Han, Ji-Man 한국건축역사학회 2010 건축역사연구 Vol.19 No.2

        In this study, I investigated the function and the setting characteristics of 日type plan building ruins in the Hoe-amsa monastery site, that's renovated by Zen priest Na-ong(1320-76) in the later Goryeo Dynasty(918-1392), through the comparative research between China, Japan, and Goryeo in that time. The ruins of 日type plan building, located in the east side of Buddha hall ruins, is the ruins of Jungryo(衆寮). It was called as Jeondanrim, and the name can be seen from the record(天寶山檜巖寺修造記) of Yi-saek(李穡, 1328-96). It's name and the composition of plan is very similar to the Jungryo of Chinese and Japanese Zen monastery in 13th-14th century. And from it, we can see that, the priest Na-ong tried to introduce institution of Chinese Zen monastery, which he experienced during the time of study in China. But, the location of Jungryo in Hoe-amsa monastery is deferent from the Zen monastery of China and Japan, and it can be said as the setting characteristics of Hoe-amsa monastery in Goryeo Dynasty.

      • KCI등재

        진표계 법상종 사원의 가람 구성에 관한 연구

        한지만,Han, Ji-Man 한국건축역사학회 2021 건축역사연구 Vol.30 No.4

        In the study of Buddhist architecture before the Goryeo Dynasty, the analysis of sectarian viewpoints is one of the effective means. In the study of Buddhist architecture before the Goryeo Dynasty, analyzing from the point of view of a Buddhism sect is one of the effective means. Until now, compared to the importance of the Beopsang school before the Goryeo period in the field of research on the history of Buddhist architecture, research on its temples was the least compared to those of other denominations. In this study, as one of the studies on Beopsang school temples, Geumsansa(金山寺), Beopjusa(法住寺), and Donghwasa(桐華寺), which were built as the Jinpyo's Beopsang school temple in the late 8th century and maintained until the Goryeo Dynasty, were targeted. And I tried a rudimentary analysis on the building composition of those temples from the viewpoint of the beliefs and teachings of Beopsang school. This study is meaningful in that it is the first attempted study in the field of architectural history on the Buddhist temple of the Beopsang school, which led non-Zen sects of Buddhism along with the Hwaeom school until the Goryeo Dynasty.

      • KCI등재

        용인 광교산 서봉사지의 가람배치 변천과 특징에 관한 연구

        한지만 한국문화공간건축학회 2021 한국문화공간건축학회논문집 Vol.- No.75

        Seobongsa temple ruins, located at the southern foot of Gwanggyosan Mountain in Yongin-si, is the site of the remains of the stone inscription of national preceptor Hyeono Jongrin(宗璘), a Hwaeom sect monk who was active in the middle of the Goryeo Dynasty. Recently, excavation of the site was carried out. Seobongsa temple was founded on a small scale during the Unified Silla period, and was expanded to a large-scale by Gwangjong(光宗) in the late 10th century in the early Goryeo period, and it was confirmed that it was destroyed in the 19th century at the end of the Joseon Dynasty. The site was created by making the slope of the mountain into six steps, and then the temple was built. Of these, the 5th and 6th steps in the south were used as the central area of ​​the Goryeo Dynasty. The typical arrangement of a Hwaeom sect temple with a stone pagoda erected in the courtyard in front of the magnificent Buddhist temple and a corridor around the courtyard was maintained until the end of the Goryeo Dynasty. Also, the method of using as an element of majesty by drawing in the flowing waterway around the temple is also characteristic of the temples of the Goryeo Dynasty. At the end of the Goryeo dynasty, a landslide occurred and the areas of the 5th and 6th steps were completely buried, and after that, the temple were restored around the area of ​the 3rd step and maintained until the end of the Joseon Dynasty.

      • KCI우수등재
      • KCI등재

        북송대 선종사원의 가람 구성 특징에 관한 연구

        한지만 한국건축역사학회 2016 건축역사연구 Vol.25 No.3

        The purpose of this study is to clarify the characteristics of Zen Buddhist temple’s building composition of the Northern Song dynasty, through the analysis of literature historical material, such as Seonwon chenggyu(禪苑淸規), Cham cheontae odaesan gi(參天台五臺山記) and so on. The building composition method of Zen Buddhist temple in Northern Song dynasty, which grasped from the Seonwon chenggyu, reflects the actual situation of the temples in that time. And it was ascertained that, the Zen Buddhist temple’s building composition of the Northern Song dynasty was basically same to that of Southern Song dynasty. And the comparative analysis was attempted between Zen Buddhist temples and that of other Buddhism sect described in Cham cheontae odaesan gi. From this analysis, the common features as Buddhism temple and the characteristics of building composition as Zen Buddhist temple was clarified. 이 연구의 목적은 기존 연구에서 소홀하게 취급되었던 북송대 선종사원의 가람 구성에 나타나는 특징을, 문헌 연구를 통해 밝히는 것이다. 북송대에 간행된 『선원청규』의 내용에서 파악되는 선종사원의 가람 구성 방식은, 당시 실제 사원의 상황을 반영하고 있으며, 또한 남송대 선종사원의 가람 구성과 기본적으로 같았다는 것을 확인했다. 그리고 『참천태오대산기』에 기록된 다른 종파 사원과 선종사원의 비교 고찰을 통해, 선종사원의 가람 구성에 나타나는 특징과 불교사원으로서의 공통점을 밝혔다.

      • KCI등재

        송대 선종사원의 승당과 고원 배치 전통

        한지만,Han, Ji-Man 한국건축역사학회 2016 건축역사연구 Vol.25 No.4

        The purpose of this study is to clarify the historical background of the setting of seungdang(僧堂) and gowon (庫院) in the Zen Buddhist temples of Song dynasty, in terms of as a Buddhist temple universality and as a Zen temple specificity, through the historical reference investigation on its relevance to the Buddhist temples of Tang dynasty. In the Zen Buddhist temples of Song dynasty, the Zen meditation space of seungdang was located on the west side of Buddha hall, and the kitchen and officiating priest's living space of gowon was located on the east side of Buddha hall. Through the analysis of historical reference it was confirmed that, in the Buddhist temples of Tang dynasty, the Zen meditation section of seonwon(禪院) was on the west side, and the gowon was on the east side too. Therefore, it can be said that, the setting method of seungdang and gowon of the Zen Buddhist temples of Song dynasty was established above tradition of the Tang dynasty Buddhist temples.

      • KCI등재

        회암사의 연혁과 정청.방장지에 관한 복원적 연구

        한지만,이상해,Han, Ji-Man,Lee, Sang-Hae 한국건축역사학회 2008 건축역사연구 Vol.17 No.6

        Hoe-amsa temple was renewed by Zen priest Na-ong(1320-76) in the later Goryeo dynasty(918-1392), and he introduced the institution of Zen Buddhism temple of Yuan dynasty(1271-1368) in China. And in 13-14 century, many Zen Buddhism temple were built in east Asia, like China, Japan, Korea and so on. Hoe-amsa temple became to be ruined in the middle years of Joseon dynasty(1392-1910), and the ruin was excavated recently. The purpose of this study is to make a searching examination the history of Hoe-amsa temple by analyzing the historic records and excavation relics, and to clarify the function of Jeongcheong, east Bang-jang and west Bang-jang of Hoe-amsa temple, by comparative analysis with Bang-jang architecture of Zen Buddhism temple of Yuan dynasty. As the result of this study it can be said like follow. Hoe-amsa temple maintained the form made by priest Na-ong in spite of several times of repair in Joseon dynasty, and it was reflected in excavation relics of now. The Jeongcheon of Hoe-amsa temple was the space called Chimdang where the chief priest performed lectures and ceremony, the west Bang-jang was the living space of chief priest, and the east Bang-jang was lodging for honored guest. The architecture composed by Jeongcheong, east Bang-jang and west Bang-jang was the adaptation of institution of Bang-jang architecture of Zen Buddhism temple in Yuan dynasty, on the base of general architecture form of Goryeo dynasty.

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