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RISS 인기검색어
- 검색키워드
- 저자 : 한명옥 ( Myung Ok Han ) (검색결과 5 건)
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한명옥 韓國舞踊敎育學會 1998 韓國舞踊敎育學會誌 Vol.9 No.1
Actors, who are required to have a fundamental knowledge and study about their own body as a mean of expression, should display organized and unified body images through intense physical training. A variety of physical training methods as a training method in theater have been developed in the western and oriental. Especially, professional physical training methods among the act training methods which were well organized in 20th have focused on the development to improve the respiration, concentration, physical flexibility and rhythm. The most common part between dancer and actor is to express by using a body and their movements. Many training methods for improving the physical quality of the dancers had been developed because dance was based on the physical movements. These training methods could applied to training the actor for improving their physical expression and recognition. In this study, the necessity and purpose for dance education were studied for the development of physical training methods for actor. The definition and method of physical training for actor were collected and reviewed from the western and oriental theater. In addition, dance training process and dance theory for actors were provided to understand fthe necessity of dance training for actors. Finally, the result of investigations about present status of dance training in university theater programs was presented. In conclusion, further studies must be necessary in near future for developing systemized dance training methods for university theater programs.
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韓明玉 韓國舞踊敎育學會 1992 韓國舞踊敎育學會誌 Vol.2 No.-
The purpose of study on the Butoh Dance, which was created by Hijikata through the period of culture revolution in Japan, lies in the feasible access to the comparison and investigation on the history of Korean Dance in the same era and it's process of transmission thereafter. In addition, pursuing the question of what aspects of Butoh made it win the public recognition in the world, and on the other hand, thinking what type of Korean Dance could be acknowledged as Butoh deserved. I am going to conduct my research on the Butoh. Butoh, which belong to Japan-originated dance as Noh and kabuki, emerged during the late 1950s and early 1960s in order to rebel against this cultural and social ethics. Though it has not been easily accepted in Japan, just as other avant-garde arts have not, it has played an important role in the reformation of dance by expanding and deeping the concept of dance. The aim of Butoh is to disclose the hidden aspects of japanese society and mentality through an attempt to resurrect the deserted and forgotten japanese forms and concepts of dance and beauty. After Hijikata came to Tokyo from Akita in 1948, he learned and studied as many dance as possible including ballet, modem dance, pantomime, flamenco and Japanese traditional dance. But he could not find the dance form and movement which was suitable to his body and mind. After a long trial and experimentation, he could finally reach and create those forms which were peculiar and suitable to the japanese body. In addition, through representing the desire of the ignored people such as the weakened and the dead, Hijikata tried to disclose and attack the deficiency and deception of the "prosperous" and "advanced" Japanese society. Summarizing the achievement made by Hijikata are as followings. 1. He set up the characteristic principles on the choreography and established the individual style of dance for the japanese. 2. He ultimately made Japanese dancers free of their physical disadvantage unsuitable for the western dance. 3. As a typical Japanese modern dance, he gave the Sankai Zuku birth in the world, which is composed of 2nd generation of Butoh. Through this study I confirmed again the remarkable achievements and the endeavors which Hijikata exerted to invent the dance maintaining the contemporary sense based on Japanese's traditional racional traits and characters. In order words, Butoh is an ethnology of japanese indigenous movement and emotion, and an archaeology of their buried one.
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