[세 노래로 찬양을] 한국찬송가의 정체성확립

하재은 새가정사 2009 새가정 Vol.- No.-

시편 95편

하재은 연세대학교 음악연구소 2000 성가합창곡 Vol.3 No.-

교회 음악의 사상적 배경

하재은 연세대학교 음악연구소 1995 음악이론포럼 Vol.3 No.-

More than a century has been elapsed since the Protestant Church Music had laid its root on Korean soil with the arrival of two American missionaries, H. G. Underwood and H. G. Appenzeller, in 1885. The two hymn books they carried with them may properly be acknowledged that Korean Protestant Churches first came in contact with formal Western church music, with the exception of Catholic Church Music which precedes protestant church music by another century, The Word and music were given to Korean churches simultaneously. The ministry of the Word has been unprecedently and unimaginably successful in Korea that churches all over the world took the Korean Churches as the model for a case study for its overwhelmingly rapid revival and growth in such a short period of tie. The Korean churches, however, are now undergoing experience of the aftermath of unbalanced diet of spiritual food, the Word and music. The church is founded on the Word and music. Many church fathers emphasized the importance of music, and the spiritual and moral impact music has on Christians not only in worship services but also in their everyday life. The Korean Churches, however, have concentrated only on the ministry of the Word neglecting, if not ignoring, music as a whole. This does not mean to say that music has not been used in churches at all, but, rather, the development of church music has not been kept abreast with, that of the ministry of the Word. In other words, the theology of the Word at the cost of the theology of music took the priority, thereth leaving Korean Churches crippled to cope with the churches world -wide. For Martin Luther, music was a "noble, wholesome, and joyful creation," a gift of God to the chruch, only next to theology in importance. For Luther to "say and sing" was a single concept resulting from the inevitable erruption of joyful song in the heart of the redeemed. Philip Melanchton, who assisted Luther in the reformation movement, supported Luther's view of church music saying, "When church music ceases to sound, doctrine will disintegrate. Religious music applied to life is a sanctification of life." The intertwining duet of music and theology forms the substance of Biblical theology. Although there is no specific chapter and verse in which is to be found a clear theological statement concerning the nature and function of music, there is nevertheless hardly a page of the Bible from which some musical inference cannot be drawn. As the Bible unfolds the records of the acts of God the continuous sound of music is heard. Johann Walter, who assisted Luther with his musical expertise, emphasized the organic unity between music and theology. He thought that music, "practically and inheritantly," belongs to theology. He believed that "music is intertwined and shackled to theology that anyone who disires, researches, and studies theology, must have an understanding of the art of music even though he does not read, feel, and know music." It appears to the writer that the overwhelming number of Korean ministers and theologians have overlooked, knowingly or unknowingly, the importance of the role of music in the worship service for the past century due to the lack of theology and philosophy of church music. Should we admit that late is better than never, there should be an enlightening effort on the part of every concerned ministers, permanantly retarded or handicapped by lopsided diet in our Christian Life. If the two ends of a scale, the word and music, be held in equilibrium in Korean churches, the true evaluation of the growth of the Korean Church, not only physical and quantitative growth but also spiritual and qualitative growth, may well take its much desired due place in the future.

[새 노래로 찬양을] 보아라 저 하늘에

하재은 새가정사 2009 새가정 Vol.- No.-

이 마음 품으라

하재은 연세대학교 음악연구소 2001 성가합창곡 Vol.4 No.-

Diagnostic Laparoscopy of Patient with Deep Vein Thrombosis before Diagnosis of Ovarian Cancer : A Case Report

하재은,이용석,이해남,박은경 대한암학회 2010 Cancer Research and Treatment Vol.42 No.1

Venous thromboembolism (VTE) is a common complication in patients with malignant disease. Epidemiological studies have demonstrated an increased risk of subsequent cancer in the patients who are diagnosed with idiopathic venous thrombosis. Cancers of the breast, lung and ovary in women and adenocarcinomas of an unknown primary cancer are most strongly associated with thrombosis. Mucin-producing cancers are most often associated with VTE and the highest rates of VTE were found for cases of ovarian cancer, but the absolute risk of cancer after thrombosis is relatively low (about 2%over the first year) and so the benefit of screening for cancer in thrombosis patients seems limited. But as this case, the association between thrombosis and occult cancer shows the importance of this association for patients who have thrombosis that is unresponsive to anticoagulant therapy. Especially, we should recognize that such patients can undergo investigation for an underlying malignancy. Diagnostic laparoscopy of an adnexal mass for confirming cancer in the acute setting of deep vein thrombosis (DVT) was performed for our patient. We report here on a case of a patient with DVT in the upper and lower extremities before the diagnosis of ovarian cancer, and we briefly review of the relevant literature.

통합적 유아국악교육이 유아의 국악 이해도에 미치는 영향

하재은,정대련 동덕여자대학교 2004 생활과학연구 Vol.9 No.-

This study is to verify the effects of Integrated Korean Traditional Music Program on young children`s musical understanding. The experimental program has been performed for 16 weeks from March to July, 2003. The participants of this experiment were 56 5-year-old children taking Korean traditional music lessons at Y preschool in Seoul. A result of this study was that there was no significant difference statistically in the knowledge or performance of Korean traditional music between an experimental group and a control group. Integrated Korean Traditional Music Program for young children had no different effect. However, the other result was that young children`s intimacies and participation were increased through Integrated Korean Traditional Music Program and had a significant meaning statistically.

George Crumb의 「어린이의 옛 목소리」에 관한 분석연구

하재은 연세대학교 음악연구소 1989 음악이론포럼 Vol.1 No.-

교회음악의 복음화와 세속화

하재은 한신대학교 한신신학연구소 2002 신학연구 Vol.43 No.-

음악언어가 갖는 표현성의 실체와 인성에 미치는 영향

하재은 국제기독교언어문화연구원 2007 기독교언어문화논집 Vol.11 No.-

The expression that "music is a universal language" is a world widely accepted catch phrase to which no one shows any objections. Music and language are universal, innate expressions of human cognition and communication, yet they have different goals. While the primary aim of language is to communicate thought, one of the main goals of music is to heighten emotions and express them aesthetically. Music is born out of the need to express ourselves and express them aesthetically through the abstractness and the characteristics of sound. There are two sides of opinion that music is either expressive or music is expressive of nothing. The so-called structuralists or formalists such as Hanslick, Stravinsky, and Hindemith, among others, are of the opinion that music is, by its very nature, powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. They say that music rather, by its own nature, appears to express only an illusion, and not a reality. They defend the view that music only includes just formal, syntactic qualities and relations, such as its tempo and/or its tonal plan. On the other hand, the good many numbers of music philosophers and scholars, including composers, are of the opinion that music possesses expressive and emotive qualities, such as foreboding, melancholy, that the listener recognizes there. Given that both sides do have their grounds to hold, the writer is very much inclined to take side with the latter, the emotional reactions which music may arouse are as numerous as the individuals reacting, and the subjectivity of emotional experiences which is reflected in all this variahility is the core of music as expressive language. Music therapy emerged first as behavioral science, the objective being to change or alter unhealthy human behavor. In recent years, music therapists have moved into the hard scientific realm of physiological and biological researches to prove the fact that therapeutical power of music works positively cm. both human beings as well as all other living creatures with visibly productive results. Church music exists to serve the purposes of God in the activity of the church. Though music is created by human beings, it is intended to be, in some sense, an expression of God, as it is reflected in the Scriptures from Genesis to Revelation. Though this statement may sound pretentious and almost blasphemous, church music should include the best-possible human expression of what a culture perceives to be God's self-revelation to humankind. Music, like words, may reveal God, but it does so in symbolic languages created and used by human beings. It is not that easy to give a clear answer to the question of 'what is music?' The question has been asked over and over again throughout the history. The answers given never seem entirely satisfactory for the reason that the boundaries of music are much too extensive and its effects too manifold to be containable within a single definition. Merely to describe its physical impact upon us is none too easy. Only one thing is certain however arrived at, the process of music and the process of life will always be closely conjoined. So long as the human spirit thrives an this planet, music in some living form will accompany and sustain it and give it expressive meaning.