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통합적 유아국악교육이 유아의 국악 이해도에 미치는 영향
하재은,정대련 동덕여자대학교 2004 생활과학연구 Vol.9 No.-
This study is to verify the effects of Integrated Korean Traditional Music Program on young children`s musical understanding. The experimental program has been performed for 16 weeks from March to July, 2003. The participants of this experiment were 56 5-year-old children taking Korean traditional music lessons at Y preschool in Seoul. A result of this study was that there was no significant difference statistically in the knowledge or performance of Korean traditional music between an experimental group and a control group. Integrated Korean Traditional Music Program for young children had no different effect. However, the other result was that young children`s intimacies and participation were increased through Integrated Korean Traditional Music Program and had a significant meaning statistically.
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하재은,이용석,이해남,박은경 대한암학회 2010 Cancer Research and Treatment Vol.42 No.1
Venous thromboembolism (VTE) is a common complication in patients with malignant disease. Epidemiological studies have demonstrated an increased risk of subsequent cancer in the patients who are diagnosed with idiopathic venous thrombosis. Cancers of the breast, lung and ovary in women and adenocarcinomas of an unknown primary cancer are most strongly associated with thrombosis. Mucin-producing cancers are most often associated with VTE and the highest rates of VTE were found for cases of ovarian cancer, but the absolute risk of cancer after thrombosis is relatively low (about 2%over the first year) and so the benefit of screening for cancer in thrombosis patients seems limited. But as this case, the association between thrombosis and occult cancer shows the importance of this association for patients who have thrombosis that is unresponsive to anticoagulant therapy. Especially, we should recognize that such patients can undergo investigation for an underlying malignancy. Diagnostic laparoscopy of an adnexal mass for confirming cancer in the acute setting of deep vein thrombosis (DVT) was performed for our patient. We report here on a case of a patient with DVT in the upper and lower extremities before the diagnosis of ovarian cancer, and we briefly review of the relevant literature.
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현대음악의 동향 : 그 문제점과 해결점을 중심으로 Problems and Solutions
하재은 한국음악학회 1982 한국음악학회논문집 음악연구 Vol.1 No.1
Every creative composer tries to be innovative in one way or another. Traditional materials, techniques, and attitudes become less decisive factors in the qualitative evaluation of contemporary compositions. Recent history indicates that composers consistently grow less complacent with reproduction of what has been previously achieved, and seek to orient contemporary tastes through stylistic, technical, and aesthetic innovations. Such innovations have been made in the form of serial, microtonal, electronic and aleatoric music since the turn of the century, thereby creating diverse musical syntax for the disposal of able composers. Diversity is what makes a society progress. There is no doubt that such diversity is a necessity for the progress of music as well. Diversity of music is made possible only by the innovative urge of composers. No time in the history of music, there has been so diverse syntax of musical speech as there is today. While one composition may contain much of organization or harmonic plan, another may yield substantially different attitudes in such areas as rhythm, timbre, and idiom, which pertains to personal style and taste. Compositions with an emphasis on pitch organization or harmonic plan and compositions with an emphasis on rhythm, timbre, and idiom have little been explored. Therefore, it is possible to find in much of today's new music a sharp dichotomy between composers content to create within the bounds of has-been technique and those struggling to break out of the straight-jackets imposed by the recent past. Every human behavior carries a rationale and so does one's artistic behavior. Recently this artistic (musical) behavior, more often than not, carries a fliertation with philosophical, literary, and extra musical aspects. Some contemporary philosophical composers are not content with purely musical expression and continually introduce their music as an illustration of philosophical ideas. Paul Henry Lang contends that "these philosophical ideas are presented in a manner so diffuse and abstract that it is only for a handful of initiates that they will have a message." The writer does not propose to make a blanket solution to the technical problems in our compositional procedures. However, the writer likes to propose one thing by quoting Paul Henry Lang, "(The) presence or absence of poetry is the very point upon which the future of music hinges." Let the contemporary music be tonal, atonal, dodecaphonic, aleatoric, electronic and micro-tonal. One thing we, as composers, have to be concerned about is the very existence or non-existence of poetry in our music. Music has to progress and we are sure of that. However, if we think that such progress can only be achieved by negation of poetry in our music, just as some iconoclastic musicians may think, the writer is not guite convinced whether the today's music is heading the right direction.
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