주세페 투치의 동양을 보는 관점에 대한 논란과 평가

최병진,ZIMBARDO MARTA 서울대학교 인문학연구원 2020 인문논총 Vol.77 No.2

20세기 석학으로서 티베트를 연구하며 동양학을 발전시켰던 주세페투치는 약 400여 점 이상의 방대한 연구와 저술을 남겼으며, 그가 연구하는 중에 수집한 유산을 박물관에 기증하며 동양학 연구에 기여했다. 본 논문에서는 동양학의 변화 속에서 투치의 삶에 대한 개요와 동양학자로서 그의 작업에 대한 관점과 평가를 살펴보았다. 특히 이 과정에서1978년 에드워드 사이드가 정의했던 ‘오리엔탈리즘’의 영향 속에서 투치에 대한 연구를 다루고 평가했던 내용을 다시 분석했다. 이를 통해 본연구는 투치에 대한 비판을 다루는 평론과 반론들을 중심으로 그의 글과 여러 시대의 사회, 문화, 정치적 맥락의 관계성을 검토하며 투치가남긴 유산에 대한 종합적인 평가에 기여하고자 한다. Giuseppe Tucci, the most prominent Tibetologist of the twentieth century, has made a very substantial contribution in Asian Studies through his research, writings (that exceed several hundreds), and the objects that he has brought from the East. This paper will present an overview of Tucci’s life and work as an Italian Orientalist, with a particular focus upon the evaluations and criticism levelled at his work in relation to “Orientalism”, as defined by Edward Said in his equally entitled book of 1978. In analysing the criticism of Tucci’s work, and the reactions and responses to it, this paper aims to provide some suggestions for a comprehensive evaluation of the legacy that he has left.

Luigi Pirandello의 예술개념과 적용의 방식

최병진 한국외국어대학교 대학원 학술연구연합 2000 외학연논문집 Vol.2000 No.1

바로크와 로코코 사이: 공간과 양식의 상호 연관성을 중심으로

최병진 한국바로크학회 2024 바로크연구 Vol.7 No.1

본 연구에서는 바로크와 로코코 양식의 특성이 공간을 중심으로 다뤄지는 과정에서 유사성을 가지고 있다는 점을 공간 유형의 분화 과정과 미술품, 혹은 사물에 적용된 장식의 사례들을 토대로 상호 비교하며 검토했다. 이 같은 관점에서 보면 공간의 사회적 기능, 즉 공적 영역과 사적 영역의 공간에서 비롯되는 메시지의 강도와 서사의 위계는 기능에 따라 차이점을 지니고 있다. 하지만 두 양식은 모두 미술품이나 사물이 공간과 상호 작용을 통해 이용자의 경험을 확장하고, 공간감을 확장하는 과정에서 분화된 표현이라는 점에서 유사성을 지닌다. 즉, 17세기 말 이후 공간의 경계를 넘어 이용자에게 장소의 경험을 확장하기 위한 새로운 시도는 끊임없이 분화되는 바로크와 로코코 양식의 공간적 특성에 적용할 수 있다. This study examines the similarity between Baroque and Rococo styles Interrelationship of their treatment of space, based on comparisons of spatial typologies and decorative applications in artworks or objects. From this perspective, differences in the intensity of messages and narrative hierarchy, originating from the social functions of space— public and private domains — are noted. However, both styles exhibit similarity in their ability to extend user experiences and expand spatial perception through the interaction of artworks or objects with space. Thus, post-late 17th-century attempts to expand user experiences beyond spatial boundaries can be applied to the evolving spatial characteristics of Baroque and Rococo styles.

울리세 알드로반디(Ulisse Aldrovandi) 컬렉션의 원본과 자전(自傳): 컬렉터의 의도와 백과사전적 박물관에 끼친 문화적 영향

최병진 중앙대학교 외국학연구소 2016 외국학연구 Vol.- No.37

Ulisse Aldrovandi, one of the leading collectors and intellectuals of the Renaissance, played an important role in the progress and diffusion of knowledge in the cultural atmosphere between the late seventeenth and the early eighteenth century. He was also the protagonist who made the transition from the collection’s private dimension to the public, one of the highest enterprises on modernity. Aldrovandi’s idea came at a critical point of scientific thought and influenced the fantasy and illusion of the Baroque visual culture. Although it was maintained after his death by the terms of his will, relatively little remained of Aldrovandi’s collection by the nineteenth century. Nonetheless, it is important material for the study of the cultural paradigm shift in Early Modern Europe. In this testament, at 1603, Aldrovandi tends to avoid dispersion and encourages any possible interference among the elements of the system creating the museographic disposition of the encyclopedic syntaxes. In this manner, the Renaissance notion of museum defined imaginary space that codifies the intellectual experience of the self-proclaimed collector became the explicit identification of a museum with encyclopedic paradigms. For Aldrovandi, the encyclopedia was located neither in the text nor in the objects; instead, it was the dialectic between the educational models and the text of the research that defined the universality of this project.

Stochastic Integral of Processes Taking Values of Generalized Operators

최병진,최진필,지운식 한국전산응용수학회 2016 Journal of applied mathematics & informatics Vol.34 No.1

In this paper, we study the stochastic integral of processes taking values of generalized operators based on a triple $E \subset H \subset E^*$, where $H$ is a Hilbert space, $E$ is a countable Hilbert space and $E^*$ is the strong dual space of $E$. For our purpose, we study $E$-valued Wiener processes and then introduce the stochastic integral of $\mathcal{L}(E,F^*)$-valued process with respect to an $E$-valued Wiener process, where $F^*$ is the strong dual space of another countable Hilbert space $F$.

WEAK LAW OF LARGE NUMBERS FOR WEIGHTED SUMS IN NONCOMMUTATIVE LORENTZ SPACE

최병진,지운식 충청수학회 2013 충청수학회지 Vol.26 No.3

In this paper, we prove the weak law of large numbers for weighted sums of noncommutative random variables in noncommutative Lorentz space under weaker conditions than the conditions in [7].

오마이(Omai)의 초상 : 공간적 타자와 역사적 상상력

최병진 한국미술이론학회 2016 미술이론과 현장 Vol.0 No.22

본 논문은 1776년 5월 8번째 왕립 아카데미 전시회에 출품되었으며 18세기 식민지와 연관된타자의 관점을 보여주는 <오마이의 초상>을 다루고 있다. ‘고귀한 야만’이라는 개념과 연관해서 유럽의 역사에 대한 인식을 바탕으로 타자를 그리스 시대의 인물처럼 표현하고 있는 이 작품은 영국왕립 아카데미의 예술에 대한 양식과 결합해서 보편적 시민처럼 타히티의 원주민인 오마이를 묘사하고 있다. 그리고 이후 오마이는 영국에서 타자의 문화적 상징처럼 다뤄지고 이후 오키프의 『오마이: 혹은 세계 일주』에서 관찰할 수 있는 것처럼 민속지학적 관점에서 분석되었다. 본 논문은 이러한 전개와 이후 영국과 식민지의 관계를 둘러싼 사회적 담론으로 확장되는 과정들을 분석한다. This paper analyses Sir Joshua Reynolds’ Portrait of Omai, one of the most important paintings of the eighteenth century that deal with concerns of imperialism and its view of cultural otherness (Polynesian subject). This portrait was first displayed in May 1776, at the Royal Academy‘s eighth exhibition, and soon became accepted by the public as an iconic image of what they saw as culturally alien. Such a public reception was gained largely by the way in which the artist deploys for his model the concept or image of Nobel Savage, a Romanticized stereotype of otherness as projected by European imagination. The paper argues that the European perception staged in the painting plays a critical role in occasioning and disseminating discourses of imperialism. Seen in this perspective, John Okeeffe’s pantomime Omai: the travel around the worlds (1785) can be seen as a particular locale in the expansion of imperialist hegemony, in which the same orientalist image evolves into a kind of cultural folklore, further strengthening the distinction between Europe and its colonial other.

<오마이의 초상> : 공간적 타자와 역사적 상상력

최병진 한국미술이론학회 2016 한국미술이론학회 학술대회 Vol.2016 No.10

사업장 내 유해화학물질 누출 사고 시 대기확산모델 피해영향범위 예측

최병진,정용호,최두성 한국생활환경학회 2023 한국생활환경학회지 Vol.30 No.6

This paper compared and analyzed the extent of damage based on the ERPG Level by using ALOHA as the worst-case accident scenario condition and the CALPUFF model as the accident preparedness scenario condition in case of a leak accident at a hazardous chemical handling business. ALOHA's input information is nearby weather conditions such as temperature, humidity, wind speed, main wind direction, and atmospheric stability. Ground Roughness simulates atmospheric diffusion in an urban setting, and the CALPUFF model provides temperature, humidity, wind direction, and wind speed observed within a business site on a minute-by-minute basis. Atmospheric diffusion was simulated using meteorological conditions, 30 m grid of 2 km × 2 km area. The CALPUFF model has a longer damage distance than the ALOHA due to the reflection of actual weather change conditions and terrain conditions, and it is difficult to predict the damage area for the ALOHA. The CALPUFF model can predict the damage area, and the damage area for hazardous substances is It can be even more harmful to vulnerable residents such as children and the elderly. In the event of a leak, it is necessary to apply a model that can reflect weather conditions in real time.

The Effects of Floral Arrangement on the Stress Index of the Elderly with Chronic Diseases and Its Correlation with Cognition

최병진,김연희,윤숙영 인간식물환경학회 2019 인간식물환경학회지 Vol.22 No.3

This study aims to see what changes flower arrangement programs bring to the stress index of elderly people with chronic diseases and its correlation with cognition. Furthermore, seniors from a day care center and a nursing home were compared for the purpose of identifying the effectiveness of flower arrangement activities as a supplementary remedy designed to relieve the symptoms and improve the quality of life of patients with chronic diseases. In this study, 24 seniors with chronic diseases were divided into two groups: Group A consists of 15 seniors from a day care center and Group B consists of nine seniors from a nursing home. Both groups participated in simple flower arrangement activities in 10 sessions. In each session, red and green cut flowers that were preferred by the elderly were provided to elicit and develop their thoughts and behaviors. The results showed that the overall average stress index was significantly reduced from 58.0±11.6 before the program to 50.6±17.1 after the program (p = .037). This study examined that the program was more effective for Group A (p = .021) than for Group B (p = .678). Results of the correlation analysis showed that there was no correlation between cognitive function and stress index (p = .569), but that the activity was more effective for Group A. This study shows that arranging flowers effectively lowers the stress index of elderly people with chronic diseases. Also, sharing the outcomes of such activities with others or continuously caring for the flowers even after the activity can maximize the effectiveness of the therapy and rehabilitation. Thus, the study concluded that the program needs to be applied continuously, not in the short-term, in order to relieve or treat the symptoms of elderly patients with chronic diseases.