Engene O'Neill 극에 나타난 환상 벗기기

채수경 한국강원영어영문학회 1997 영어영문학 Vol.16 No.1

현실도피로서의 환상의 추구는 0'Neill의 거의 모든 극에서 비극적 동기를 이루고 있다. 초기 작품인 Bound East for Cardiff에서 그의 말년 작이며 사후에 발표되었던 Long Day's Journey Into Night에 이르기까지, 환상을 갖지 않고는 살아나갈 수 없는 현실 부적응자들의 삶의 양상이 다양하게 제시 된다. 비록 0'Neill이 실존주의 철학자들이나 부조리 극작가들의 계열에서 극을 쓴 것은 아닐지라도, 그가 작품 속에서 다루고 있는 주제는 낭만적 꿈의 좌절, 부적응자의 비극, 소외, 소속감의 상실, 정체성 추구, 삶을 통제하는 불가해한 힘들의 폭로, 환상과 현실의 갈등 등 부조리성과 관련된 것들이다. 그는 작품활동 초기부터 인간의 삶 이면에 도사리고 있는, 인간의 의지와는 상관없이 여러 가지 모습으로 가장하여 인간의 삶을 간섭하는, 어떤 불가해한 힘(The Force Behind)을 인식한다 작가의 삶에 대한 이러한 태도는 초기극에서의 나약한 인간 군상들의 비극적 운명이라는 결과를 낳는다. 그러나 후기로 가면서 현실과 환상의 갈등 양상은 다르게 나타나고 있다. 해양극을 비롯한 초기극에서는 주인공들이 현실 속에서 이를 수 없는 낭만적인 환상에 사로잡혀 있는 반면에, 후기극으로 가면서 자신들의 환상 상태를 인식함과 동시에 환상 깨기의 다양한 시도가 이루어지고 있다. 고통스런 현실에서 벗어나기 위해 미지의 것을 꿈꾸던 초기에서 현실 인식의 불가피성을 깨닫게 되는 후기극으로의 변화는, 비록 여전히 비극적인 요소가 지배적이라 할지라도, 인생에 대한 작가 자신의 보다 성숙된 의식의 변화를 반영하는 것이기도 하다. 본 논문에서는 0'Neill의 초기작에서 마지막 작품에 이르기까지, 환상과 현실의 갈등 모티프가 가장 잘 나타나고 있는 작품들을 중심으로 환상 벗기기의 문제를 살펴보았다 0'Neill은 극의 형식에 있어 다양한 실험을 시도한 실험 연극의 선구자라 불릴 수 있는 극작가이다. 그는 자신의 주제를 보다 효과적으로 전달하기 위해 해양극에서 주로 시도된 자연주의, 표현주의, 가면, 소설에서의 의식의 흐름에 버금가는 내적 독백과 방백, 신화적 구성과 형식의 도입, 심리주의 수법 등 여러 가지 방법을 창조한다. 그러나 현실과 이상 속에서 갈등하는 인물들의 갈등구조는 후기극으로 가면서 점차로 사실주의극에서 다루어진다. 이는 작가가 그의 작품을 통해 추구한 것이, 궁극적으로는 현실에 맞서지 못하고 환상에 의존하는 인간의 모습이라기 보다는 자신들의 환상을 깨닫고 어떤 식으로든 현실로 돌아올 수 밖에 없는 삶의 당위성임을 시사한다. 작가는 30년이 넘는 의욕적인 극작활동을 통해, 의미 있는 삶이란 환상에서 깨어나 현실과 맞설 매에만 가능함을 강조한다.

에타놀, 고온 생리 식염수 및 고농도 식염수를 백서 간에 주입 후 조직학적 변화

채수경,이종범,이경효,주상신,이화연,임상준,송인섭,이용철,박언섭 대한영상의학회 1997 대한영상의학회지 Vol.36 No.2

Purpose : The purpose of this study was to evaluate the degree of liver injury after injection of ethanol, hot normal saline and hot hypertonic saline into normal rat liver. Materials and Methods : Sixty white rats weighing 200-300g were used. There were three groups (ethanol, hot normal saline, and hot hypertonic saline), and these were divided into subgroups (5 rats in each) according to amount of injected material and duration. Under ether anesthesia, each drug (ethanol -0.05ml, 0.1ml, 0.2ml ; hot normal saline -0.1ml, 0.2ml, 0.4ml ; hot hypertonic saline -0.1ml, 0.2ml, 0.4ml) was introduced directly into the liver. Pathologic specimens were obtained 7 and 14 days after injection. Results : With regard to histologic change after 7 days, the ethanol group showed less tissue damage such as coagulation necrosis and inflammatory infiltration-than the hot saline group. There was however, no significant difference among the three groups in tissue damage at 14 days. Nor was there any significant histologic difference between the different saline concentration groups. Conclusion : Histologically, there was no significant difference among the three groups in tissue damage at 14 days, and it is suggested that this is due to irreversible change in damaged tissue. Tissue damage was caused mainly by the high temperature of saline rather than by high osmolarity.

Strange Interlude 에 나타난 신화화된 여성인물 : 페미니즘의 관점에서

채수경 한국강원영어영문학회 2000 영어영문학 Vol.19 No.2

Although the female characters clearly play important roles in O'Neill's plays, they either play the roles of $quot;a mirror$quot; to reflect power, identity, and autonomy to the male characters or an object whom the male characters idealize. The woman then is the $quot;other$quot; of man, a mere extension, who is not regarded as an autonomous being, and is defined and differentiated through reference to a man. As a result, the women characters in O'Neill's works reflect distorted images of women rather than their real nature. In one of the middle plays, Strange Interlude, the heroin is idealized and mythologized. The images of the Earth Mother and the golden-minded prostitutes are favorite stereotypes of O'Neill. The heroine, Nina, represents the Earth Mother who pursues the impulse of a mother wanting to possess her children. However, the main reason why this play is not $quot;a woman play,$quot; as O'Neill calls it, is evident in the conclusion of the play. Nina, who dominates and possesses several men in her life, finally surrenders to the law of the father, the law of the patriarchy. In other words, after struggling for power over her men, in the end she needs a man she entrusts herself to. In this sense, she is idealized only within the law of the patriarchy. Ultimately, the attempt to read the female character in Strange Interlude from a feminist perspective leads us to the conclusion that a male-centered focus tends to distort greatly the image of women and the representation of women by male authors reflects a patriarchal ideology.

Ovidian Narrative and Shakespeare’s Subversion of the Genre

채수경 한국중앙영어영문학회 2010 영어영문학연구 Vol.52 No.2

Ovidian Narrative is one of the most popular literary genres marking the Elizabethan England and has a significant influence on Elizabethan writers such as Thomas Lodge, Christopher Marlowe, and William Shakespeare. When one examines Ovidian narrative as a popular genre in the sixteenth-century England, there are two directions. First, the writers such as Thomas Lodge and Christopher Marlowe follow the formal features of Ovidian narrative, in particular, the three ones outlined by William Keach: “the self-conscious presentation of an already familiar myth,” “sexual ambivalence,” and “stylistic virtuosity.” However, Shakespeare subverts and rewrites the genre in his poem Venus and Adonis. Indeed, Shakespeare subverts the genre beyond formal bounds set out by Ovidian narrative. In order to discuss the ways in which Shakespeare’s Venus and Adonis subverts the genre of Ovidian narrative, this paper examines and compares the work of Ovid himself, Metamorphoses, and the works of the key writers of Elizabethan Ovidian narratives, Lodge’s Scillaes Metamorphosis and Marlowe’s Hero and Leander. Venus and Adonis shares the same qualities with Ovid as the works of Lodge and Marlowe, but in the sense of class, gender, sexuality, and rhetoric, the poem subverts the boundaries of the genre as Ovid, Lodge, and Marlowe define them. The generic study of these poems, indeed, makes it easier to understand Elizabethan England as “social codes.”

『느릅나무 밑의 욕망』의 여성적 글 읽기: “알래스카 같은 곳”

채수경 한국중앙영어영문학회 2008 영어영문학연구 Vol.50 No.1

The physical and psychological landscape of the home portrayed in Eugene O'Neill’s Desire Under the Elms is similar to the landscape that Harold Pinter places the heroin Deborah in his play, A Kind of Alaska. Pinter’s Deborah functions as the object of the male look and desire, and her true nature is denied. Deborah lives in “a kind of Alaska” where she is more like an ice marble, a voiceless sculpture in a patriarch world. Likewise, in Desire Under the Elms, the dead wife of Cabot, whose name we never know, is also oppressed in a patriarchal home. The namelessness of the unnamed woman is a symbol of denying her identity. In life and even in death, she was/is only Cabot’s wife or Eben’s mother. She is located off stage, already dead from the beginning of the play. She too once lived in the frozen landscape of the law of father, the law of patriarchy that the icy man Cabot backed up. She is given no voice of her own, and is heard only through the false and distorted utterances of the male characters. Her absence and silence force her into a position of the insignificant Other in patriarchal space, never allowed to express any of her desires and sufferings. If the unnamed woman were to awake from her sleeping-death like Deborah, she would also cry out for her own voice and identity, denying the place of the Other in “a kind of Alaska,” and shattering the false male mirror. Therefore, the reader/audience must reread/re-see the female characters represented in male authors’ works with the attitude of the “resisting reader/audience.” If one uses the method of a feminine reading, new voice, where no voice was present before, will emerge: the voice of women oppression and awakening.

Thin and large free-standing PDMS membrane by using polystyrene Petri dish

채수경,Ji-Hee Ryoo,이상훈 한국바이오칩학회 2012 BioChip Journal Vol.6 No.2

In this technical report, we describe the use of a polystyrene Petri dish to fabricate thin, freestanding polydimethylsiloxane (PDMS) membranes without using a sacrificial layer. We hypothesized that the low work of adhesion between the membrane and the substrate enabled the easy separation of large area thin membranes without extra treatment. To demonstrate this principle, we prepared four substrates with different surface properties: a bare silicon (Si) wafer, a polystyrene (PS) Petri dish, a Si wafer coated with SU-8, and a Si wafer coated with an AZ1512 sacrificial layer. The PDMS had the lowest work of adhesion to the PS Petri dish, which was verified by the Harmonic mean method. Unlike the others three substrates, the thin PDMS membrane on the PS Petri dish could be easily separated without the need for organic solvents and a sacrificial layer. The thickness of produced membrane was measured by scanning electron microscopy (SEM) and atomic force microscopy (AFM). Also, we demonstrated that the high stretching property of thin and large free-standing PDMS membranes enabled the production of arrayed diverse micro-patterned 3D curved structures with a high aspect ratio.

한국기업의 전략적 인사평가 방법에 관한 서설적 연구

채수경 경인여자대학 2003 경인논집 Vol.- No.10

The purpose of this article is to examine the efficiency of employee's competency evaluation methods and sources. This paper is aimed at presenting a new direction of the personal appraisal with swift applying to the change of employees' roles and through finding rationalization plan for the establishment of the personal appraisal system suitable to present organization situation. This study suggests a new concept for combining different methods of employee's competency evaluation systems and thus enhancing the ability of managers to assess employees' competency in the organization. It is critical to concern the new evaluation methods and multiple sources, a new trends in the fields of Human Resources Management that has emerged in order to adapt to the changes in the environment, is rapidly expanding in its application. However, academic research on the subject is still very far behind in comparison with the rapidity with which it is spreading in the business world. Thus, as a groundwork research for effective use of the new evaluation methods this research has probed the characteristics of the efficient employee's competency evaluation system.

정상인과 뇌손상 환자간의 시지각 비교연구

채수경 대한작업치료학회 2000 대한작업치료학회지 Vol.8 No.1

The purposes of this study were to identify the influence of visual perception disorder to brain demaged patients and to found out the interrelationship between the lesion of brains and MVPT items. The subjects were 50 brain demaged patients and 29 normal people. Motor-free Visual Perception Test(MVPT) and Mini-Mental Status Examination (MMSE) were used to evaluate the visual perceptions of the both. The data were collected from January 1998 to March 1999. Compare the results of raw scores the among MVPT items of normal group & the brain demaged patients groups, significant differences were found in all level of age group. The difference of raw score in the third age group (70∼80) most significant. The results also indicated that there were some differences in the scores of Korean normal grops and the standard of MVPT suggested by AJOT. The result suggest , There is a need to develope MVPT that is suitable for Korean sujects.

『세일즈맨의 죽음』에 나타난 생태학 코드녹색 읽기

채수경 한국중앙영어영문학회 2013 영어영문학연구 Vol.55 No.3

This paper explores the ecological codes of Arthur Miller’s Death of a Salesman through the lens of ecocriticism, in particular, social ecofeminism. The play has been criticized from various critical vantage points such as Willy’s character, his family relations, and social problems, etc. Ecological matters, however, have rarely been investigated since the play was produced in 1949. It is meaningful and long overdue to find ecological codes in the work. So in green reading the cannonical work, numerous ecological messages can be found in this time of the serious ecological crisis. Social ecofeminism insists that patriarchy ideology is the seed of the domination in a family, a society, and at last, an ecological world. The notion that man dominates woman in a family and dominates other men in a society extends to the idea that man has a right to dominate nature. Willy is a traditional patriarchal man in his family. But ironically, he is dominated by another man, his boss in the patriarchal capitalist society. The American dream and the frontier myth he has desired during his whole life are also the outcomes of the domination ideology. The landscape of the play very poignantly represents the domination of nature by man such as environmental pollution and destruction of ecosystem. Willy’s destruction is identified with that of nature throughout the play. Ecologically, therefore, Willy’s dreams are estimated as “the wrong dreams.” We have to pay ecological attention to the healing, recovery and preservation of nature to survive together in the house of the globe.

장자의 물화사상으로 읽는 『한여름 밤의 꿈』

채수경 한국동서비교문학학회 2018 동서 비교문학저널 Vol.0 No.46

The purpose of this paper is to interpret Shakespeare’s A Midsummer Night’s Dream using Chuang-Tzu’s ‘wuhua’ philosophy. Chuang-Tzu’s ‘wuhua’ represents the mutual and symbolic transformation of Chuang-Tzu and a butterfly, in particular, in his allegory of ‘A Dream of a Butterfly.’ He insists on deconstructing the boundaries of all dichotomic beings in order to achieve harmony and communication via contacting with other wu through a change. There are also dichotomic divisions such as the old generation and the new one, men and women, human beings and fairies, and a city and a forest in the play. They create conflicts and discord among characters at the beginning of the play. As the play develops, however, four young lovers and a craftsman Bottom are transformed by the spirit king’s magic intervention in the forest. Finally, the play ends with a festival in which fairies sing and dance to bless the wedding of the three couples and their happy lives. The festival embodies Chuang-Tzu’s ‘wuhua’ by which all beings come to a mutual understanding, are mutually dependent on, and are in cosmo-harmony without any distinction beyond the dichotomic boundary of the world.