유방의 낭성과다분비관내암종의 세침흡인 세포학적 소견 - 2예 보고 -

차희정,엄대운,서재희,Cha, Hee-Jeong,Eom, Dae-Woon,Suh, Jae-Hee 대한세포병리학회 2003 대한세포병리학회지 Vol.14 No.1

Cystic hypersecretory carcinoma of the breast is a rare variant of ductal carcinoma of breast, first described in 1984 by Rosen and Scott. Histologically, it is characterized by the formation of dilated ducts and cysts containing an eosinophilic secretory product resembling thyroid colloid. Cytologic findings show a few clusters of atypical ductal epithelial cells in amorphous proteinaceous material with clacking artifact. Differential diagnosis include mucinous carcinoma and benign mucocele-like tumor. We present two cases of fine needle aspiration cytology of cystic hypersecretory intraductal carcinoma of the breast with a review of the literature.

찰옥수수 연구 - VIII. 찰옥수수 대학찰 골드 1호에 대한 파종시기별 주요 작물학적 및 이삭 특성

차희정,최윤표,송인규,복태규,이희봉,Cha, Hui-Jeong,Choi, Yun-Pyo,Song, In-Kyu,Bok, Tae-Gyu,Lee, Hee-Bong 충남대학교 농업과학연구소 2009 농업과학연구 Vol.36 No.2

본 실험은 신품종 대학찰 골드 1호에 대한 파종 시기별 생육 및 이삭 특성에 대한 연구 결과 주요 특성은 다음과 같다. 1. 공시종에 대한 간장은 모든 파종 시기에서 대학찰 골드1호가 찰옥 1호보다 컷으나 찰옥 1호의 개체간에는 생육 차이가 큰 변이를 보였다. 2. 공시종의 평균 개화기는 대조구인 찰옥 1호가 7일 정도 빨랐으나 개체간 차이가 큰 반면에 대학찰 골드 1호의 개화기는 균일하였다. 두 품종 모두 파종시기가 늦어질수록 개화 소요일수가 빨라지는 경향이었다. 3. 공시종에 대한 간장과 착수고의 비율은 파종시기가 빠를수록 두 품종 모두 낮게 나타나 도복 경감 효과가 클 것으로 나타났다. 4. 공시종에 대한 이삭길이 및 착립 상태를 비교한 결과 대학찰 골드 1호를 4월 말에서 5월 초에 파종한 것이 다른 시기에 파종한 것보다 생육 및 이삭 특성이 우수하였다. This study was carried out to gain the informations about seedling transplanting cultivation of Daehakchal Gold 1 which was developed at the Corn Breed. and Genetics Lab., Coll. of Life and Sci., Chungnam Nat'l Univ. in 2009. This hybrid and Check were sowed over four times at intervals of 10 days from 15th April(1st) to 30th May(last) and transplanted at CNU Corn Breed. Farm the 20th seedling cultivated after sowing, respectively. Results obtained from this experiment were as follows; stem height of this hybrid were variable regardless of sowing and transplanting times, while ear height was gradually increased according to delay of sowing times. Ear size and sharp of fresh corn as one of important traits was good at 2nd harvest times, while tip filling of ear harvested at 1st time was not good and also it's size decreased according to delay of transplanting stage. Stability of this hybrid expressed as ratio of stem height to ear height was very good as 50% below. Accordingly, the proper sowing and transplanting times of Daehackchal Gold 1 considered the late in April to early in May as harvesting proper period.

흉막강액에서 진단된 류마티스성 흉막염 - 세포학적 소견 1예 보고 -

차희정,민수기,김준미,주영채,Cha, Hee-Jeung,Min, Soo-Kee,Kim, Joon-Mee,Chu, Young-Chae 대한세포병리학회 1997 대한세포병리학회지 Vol.8 No.1

Patients with rheumatoid arthritis of any degree of severity or duration may develop necrotizing granulomatous pleuritis, a morphologic replica of the inflammatory reaction characteristic of rheumatoid synovitis and rheumatoid nodules. The principal feature is the background composed of granular, amorphous, particulate material or debris of various hues. The material is sometimes eosinophilic sometimes more cyanophilic, or even green in the Papanicolaou stain. Within this background are elongated, fibroblast-like epithelioid cells, numerous multinucleated giant cells and degenerating leukocytes. The combination of the debris, spindle epithelioid ceils, and multinucleated giant cells in fluid is pathognomonic for rheumatoid pleuritis. We experienced a hcase of rheumatoid pleuritis showing these characteristic cytologic findings. The patient was a 63 year-old man with positive rheumatoid factor. The pleual fluid specimen revealed elongated epithelioid cells and multinucleated giant cells on a background of amorphous granular material.

찰옥수수 연구 Ⅷ. 찰옥수수 대학찰 골드 1호에 대한 파종시기별 주요 작물학적 및 이삭 특성

차희정(Hui-Jeong Cha),최윤표(Yun-Pyo Choi),송인규(In-Kyu Song),복태규(Tae-Gyu Bok),이희봉(Hee-Bong Lee) 충남대학교 농업과학연구소 2009 Korean Journal of Agricultural Science Vol.36 No.2

본 실험은 신품종 대학찰 골드 1호에 대한 파종 시기별 생육 및 이삭 특성에 대한 연구 결과 주요 특성은 다음과 같다. 1. 공시종에 대한 간장은 모든 파종 시기에서 대학찰 골드1호가 찰옥 1호보다 컷으나 찰옥 1호의 개체간에는 생육 차이가 큰 변이를 보였다. 2. 공시종의 평균 개화기는 대조구인 찰옥 1호가 7일 정도 빨랐으나 개체간 차이가 큰 반면에 대학찰 골드 1호의 개화기는 균일하였다. 두 품종 모두 파종시기가 늦어질수록 개화 소요일수가 빨라지는 경향이었다. 3. 공시종에 대한 간장과 착수고의 비율은 파종시기가 빠를수록 두 품종 모두 낮게 나타나 도복 경감 효과가 클 것으로 나타났다. 4. 공시종에 대한 이삭길이 및 착립 상태를 비교한 결과 대학찰 골드 1호를 4월 말에서 5월 초에 파종한 것이 다른 시기에 파종한 것보다 생육 및 이삭 특성이 우수하였다. This study was carried out to gain the informations about seedling transplanting cultivation of Daehakchal Gold 1 which was developed at the Corn Breed. and Genetics Lab., Coll. of Life and Sci., Chungnam Nat'l Univ. in 2009. This hybrid and Check were sowed over four times at intervals of 10 days from 15th April(1st) to 30th May(last) and transplanted at CNU Corn Breed. Farm the 20th seedling cultivated after sowing, respectively. Results obtained from this experiment were as follows; stem height of this hybrid were variable regardless of sowing and transplanting times, while ear height was gradually increased according to delay of sowing times. Ear size and sharp of fresh corn as one of important traits was good at 2nd harvest times, while tip filling of ear harvested at 1st time was not good and also it's size decreased according to delay of transplanting stage. Stability of this hybrid expressed as ratio of stem height to ear height was very good as 50% below. Accordingly, the proper sowing and transplanting times of Daehackchal Gold 1 considered the late in April to early in May as harvesting proper period.

뉴질랜드 소년의 동화적 광기 그리고 영웅적 괴물 되기 -데이비드 발렌타인의 반성장 소설 『뒤집힌 시드니 다리』

차희정 ( Heejung Cha ) 한국영미문학페미니즘학회 2015 영미문학페미니즘 Vol.23 No.2

Even though critically acclaimed as one of New Zealand’s greatest writers, David Ballantyne, a literary figure with considerable skills and coherence of vision, has been disregarded until recently. Likewise, his coming-of-age story, Sydney Bridge Upside Down (1968), has been out of print for thirty years but is called one of the great New Zealand literary masterpieces. While introducing Ballantyne, who is unknown to Korean readers, this paper explores his novel, Sydney Bridge Upside Down, which, set in an abandoned slaughterhouse, describes the strange, unpredictable, and sinister story of a New Zealand boy on the edge of the world. It is narrated by the faux-innocent voice of the pre-adolescent boy, Harry, disguising a series of killings in both a remote country and a busy city in which killing, sexual temptation, and violence are overwhelmingly mingled. Its plot is mysterious, with dreamlike stream of consciousness, a general air of suspicion, and a dark sense of humor. By focusing on his fairy tale madness and untamed childhood fantasy related to women in a forbidden and dangerous place, this paper characterizes the extremely troubled young Harry with his burgeoning sexuality and jealousy as a heroic monster who tries to save “a beautiful short-sighted girl from being captured by a hairy monster,” referring to his Mum escaping the country and his cousin Catherine escaping the city.

바깥의 경험과 역동하는 공동체

차희정(Hee Jung Cha) 한국현대소설학회 2014 현대소설연구 Vol.- No.56

This study assumes those who came or returned to the South during the liberation period as ``the immigrants of the liberation period`` to identify characters of the immigrants by focusing on the life of the immigrants in novels during the liberation period and exploring their reality and experience. Reality of immigrants during the liberation period was so threatening that the most basic level of morality could be destroyed due to severe hunger after migration. This shows in the main character of <Seonggeun``s> who had to risk his life to cross the 38th parallel to return to the North; characters in <When Spring Comes> and <Bro-ker> also show extinction of a sense of morality. In <The Face>, <Apple> and <Homeless> however, the immigrants were not buried by the threatening reality but internalized to protect themselves from it. <Glory of sorrow and suffering>, <Barrier> and <Hyelgeobujok> show that the discourse on liberation, independence and the nation formed and transformed by the force during the liberation period was suspended, rejected and therefore facing ``outside``. As Blanchot said, the individual principle of life shows possibilities through encounter outside to confirm individual existence. Immigrants during the liberation period assume the sameness of ``we`` and ``compatriots`` as an intimate community, immobilizing the members and resisting the force. They were a dynamic community that tried to exist as a ``familiar`` community, beyond ``unidentified community`` and familiar community paradoxically continued through discovery of the other and the difference from the other.

논문 : 위티 이히마에라의 『고래 타는 사람』에 그려진 신화적 경계 허물기와 귀향

차희정 ( Hee Jung Cha ) 한국영어영문학회 2010 영어 영문학 Vol.56 No.2

산드라 시스네로스의 『까라메로』와 크리스티나 가르시아의 『쿠바어로 꿈꾸기』에서 그려지는 라틴계 미국여성 되기

차희정 ( Hee Jung Cha ) 한국비교문학회 2011 比較文學 Vol.54 No.-

This study is based on historicized, analytical, and discursive readings of the coming of age stories by American women writers, geographically, historically, culturally, and politically grounded. I delve into the developmental processes of daughter-narrators to become American Latinas in Mexican American writer Sandra Cisneros`s Caramelo (2002) and Cuban American writer Cristina Garcia`s Dreaming in Cuban (1992). In terms of becoming an American Latina, as "border women" or "subaltern women," the daughter-narrators, Mexican daughter Celaya and Cuban daughter Pilar, come to realize the internally and institutionally marginalized self and undergo an ongoing transformation. The process of becoming an American Latina is cultural, subversive, ongoing, and transformative. In other words, a sense of Latina-self in American society is not fundamentally secured but critically transformative in relation to (grand)mothers and in historical, political, and cultural shifts. First of all, I discuss a brief history of Mexico and Cuba in relation to the United States in order to more fully understand Latino/a sensibility and position in American society. Even though I do not attempt to provide a comprehensive history, given the complexity and scoop of such an endeavor, my attempt to present a brief history should be considered provisional. By rewriting the stories of diaspora family histories and raising the questions of identity, memory, and home, the daughter-narrators challenge the racial and sexual stereotypes produced by dominated historical and cultural account in a white-centered society. Their becoming processes are not limited by cultural and historical boundaries; their ongoing journeys revolve around the fact that home is a symbolic, representative, imaginative, and material metaphor. In the end, throughout this study, drawing on the developmental narratives in dynamic contexts of cultural shifts and political economic changes, I strive to point up the ongoing transformations and the creative articulations of American Latinas in struggling and resisting the politics of race, class, gender, and sexuality that limit their opportunities for self-development to be active speaking subjects in a feminist sense.

새로운 인간의 탄생: 소설 『프랑켄슈타인』에서 영화 〈엑스 마키나〉로

차희정(Cha, Heejung) 새한영어영문학회 2022 새한영어영문학 Vol.64 No.4

가족도, 화나우도 아니다. . . 우리를 표현할 말이이렇게도 없단 말인가?: 케리 흄의 『태초의 사람들』이그려내는 귀향 그리고 새로운 가족의 탄생

차희정 ( Hee Jung Cha ) 한국영미문학페미니즘학회 2013 영미문학페미니즘 Vol.21 No.2

This paper explores Keri Hulme`s globally-recognized novel, The Bone People, which deftly combines the themes of family violence, exploitation of natural resources, and the regeneration of Maoritanga. Set in the harsh environment of island beaches, The Bone People is an emotionally powerful story of love and friendship among three alienated outcasts: a reclusive female artist of mixed heritage Kerewin Holmes, a widowed Maori factory worker Joseph Gillayley, and a mute white child Simon. Self-isolated in a spiral-shaped tower, Kerewin is intellectual, eccentric, fish-obsessed, and asexual. Joe seems to be a hardworking and caring father, but he is an alcoholic and abusive father to his foster son. Simon is known as a manipulative, wicked child with an unknown past washed ashore in a shipwreck and rescued by Joe. The three characters are family-less and homeless. They treat each other with a perturbing mixture of tenderness and brutality. Concerning this point, the paper focuses on their homing process and complicated relationship which brings the characters together in the name of a new family. The unorthodox trinity of mother, father, and son represents the utopian landscape of family where Maori and Pakeha meet, clash, and merge.