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흉막강액에서 진단된 류마티스성 흉막염 - 세포학적 소견 1예 보고 -
차희정,민수기,김준미,주영채,Cha, Hee-Jeung,Min, Soo-Kee,Kim, Joon-Mee,Chu, Young-Chae 대한세포병리학회 1997 대한세포병리학회지 Vol.8 No.1
Patients with rheumatoid arthritis of any degree of severity or duration may develop necrotizing granulomatous pleuritis, a morphologic replica of the inflammatory reaction characteristic of rheumatoid synovitis and rheumatoid nodules. The principal feature is the background composed of granular, amorphous, particulate material or debris of various hues. The material is sometimes eosinophilic sometimes more cyanophilic, or even green in the Papanicolaou stain. Within this background are elongated, fibroblast-like epithelioid cells, numerous multinucleated giant cells and degenerating leukocytes. The combination of the debris, spindle epithelioid ceils, and multinucleated giant cells in fluid is pathognomonic for rheumatoid pleuritis. We experienced a hcase of rheumatoid pleuritis showing these characteristic cytologic findings. The patient was a 63 year-old man with positive rheumatoid factor. The pleual fluid specimen revealed elongated epithelioid cells and multinucleated giant cells on a background of amorphous granular material.
찰옥수수 연구 - VIII. 찰옥수수 대학찰 골드 1호에 대한 파종시기별 주요 작물학적 및 이삭 특성
차희정,최윤표,송인규,복태규,이희봉,Cha, Hui-Jeong,Choi, Yun-Pyo,Song, In-Kyu,Bok, Tae-Gyu,Lee, Hee-Bong 충남대학교 농업과학연구소 2009 Korean Journal of Agricultural Science Vol.36 No.2
This study was carried out to gain the informations about seedling transplanting cultivation of Daehakchal Gold 1 which was developed at the Corn Breed. and Genetics Lab., Coll. of Life and Sci., Chungnam Nat'l Univ. in 2009. This hybrid and Check were sowed over four times at intervals of 10 days from 15th April(1st) to 30th May(last) and transplanted at CNU Corn Breed. Farm the 20th seedling cultivated after sowing, respectively. Results obtained from this experiment were as follows; stem height of this hybrid were variable regardless of sowing and transplanting times, while ear height was gradually increased according to delay of sowing times. Ear size and sharp of fresh corn as one of important traits was good at 2nd harvest times, while tip filling of ear harvested at 1st time was not good and also it's size decreased according to delay of transplanting stage. Stability of this hybrid expressed as ratio of stem height to ear height was very good as 50% below. Accordingly, the proper sowing and transplanting times of Daehackchal Gold 1 considered the late in April to early in May as harvesting proper period.
유방의 낭성과다분비관내암종의 세침흡인 세포학적 소견 - 2예 보고 -
차희정,엄대운,서재희,Cha, Hee-Jeong,Eom, Dae-Woon,Suh, Jae-Hee 대한세포병리학회 2003 대한세포병리학회지 Vol.14 No.1
Cystic hypersecretory carcinoma of the breast is a rare variant of ductal carcinoma of breast, first described in 1984 by Rosen and Scott. Histologically, it is characterized by the formation of dilated ducts and cysts containing an eosinophilic secretory product resembling thyroid colloid. Cytologic findings show a few clusters of atypical ductal epithelial cells in amorphous proteinaceous material with clacking artifact. Differential diagnosis include mucinous carcinoma and benign mucocele-like tumor. We present two cases of fine needle aspiration cytology of cystic hypersecretory intraductal carcinoma of the breast with a review of the literature.
수단 여성의 미니스커트에서 히잡으로: 레일라 아부렐라의 『사원의 첨탑』
차희정(Hee jung Cha) 한국영미어문학회 2018 영미어문학 Vol.- No.130
This paper explores Minaret (2005) written by a muslim writer, Leila Aboulela, from a feminist perspective. This thought-provoking and disturbing novel revolves around the transforming process of a muslim woman from innocence to maturity along with her movement from Khartoum, Sudan to London, UK. The paper discusses the physical and spiritual journey of the narrator in relation to diaspora movement and cultural experience of in- betweenness. Aboulela brilliantly illustrates the religious conversion of the westernized modern woman who struggles with male characters such as her executed father, drug-addicted brother, egoistic socialist boyfriend, and immature fundamentalist lover and comes to gain religious spirituality as a redemptive power with the help of a transnational group of muslim women. In doing so, she endeavors to resist anti-Islam stereotyping and to represent a different, if not positive, portrayal of a muslim woman who is not merely victimized but independent, educated, and articulate.
차희정(Cha, Hee-Jung) 한국현대소설학회 2016 현대소설연구 Vol.- No.64
Assimilation of universal benevolence, the ideology of Japanese colonial government, had dual intention that discriminated Chosun people. The Kim Yu- jeongs novel becomes the background. Main characters in Kim Yu-jeongs novel are shameless and stubborn poor farmers who showed their desire for money and gold. But their desire creates humor due to lack of information, no ability and will to gather information, imprudence, reversion of values and distortion. Humor emerges through disharmonious and order-destroying people and events and presents beauty and values within contradictions and disorder. Chunho in ‘A Sudden Shower’ shows desire for getting rich quick in Seoul by gambling which creates humor of no plan and disorder, yet generates chaos. In ‘Pea Patch of Gold’, desires of Yeongsik and his wife clash and create foolishness and humor portraying futility and corruption of the gold fever in the 1930s. Eungchil in ‘Manmubang’ voluntarily ignores all orders in the reality and is not limited by anything. It is because Eungchil reenacts the destroyed order and false in reality of Japanese colonial government. Get-rich-quick desire and its realization by the foolish and weak characters in the novel imply the intention of disturbing reality and order of the colony.
개혁개방기 중국 조선족 아동문학에 나타난 조선족 공동체 의식과 탈구(disjuncture) -류원무의 <우리 선생님>을 중심으로-
차희정 ( Hee Jeong Cha ) 한국문학언어학회 2010 어문론총 Vol.52 No.-
This study is to examine the reality of reformation/opening period in China portrayed in children`s literature of Korean Chinese, especially in <Our Teacher> by Wonmu Ryu, to review the change in the community and its significance. Children`s literature is to show children how Koreans are living in China and what their goals are; therefore it shows ideas and changes of Korean Chinese community more specifically. This study interprets the encouragement for Korean Chinese children to become true person or leader of the country that the reality of reformation/opening in China needs as the will of community to switch their focus from agricultural community to social/economic community. Therefore importance of labor and education is more emphasized. In addition, migration to other places, moving from farm villages to cities since the freedom of migration was restored proves that Korean Chinese community forms community disjuncture that forms the community in alternative shape. Lastly, all of these are significant in terms of the will for reorientation of Korean Chinese for the future.
근대 고딕소설의 괴물 사냥꾼과 폭력의 이미지- 『프랑켄슈타인』과 『드라큘라』를 중심으로
차희정 ( Hee Jung Cha ) 21세기영어영문학회 2012 영어영문학21 Vol.25 No.4
While exploring the historical, cultural, political contexts of the Victorian society, this paper pays a special attention to monster hunters in relation to monsters in Mary Shelley`s Frankenstein (1818) and Bram Stoker`s Dracula (1897). As the world`s first industrial nation, Britain in the 19th century was tremendously diverse and complex. The society underwent the agricultural and industrial revolutions resulting in a burgeoning middle class which triggered major changes to the social strata itself. Thus, the Victorian era was understood as a time of peace, prosperity, social, political and religious movements, great imperial expansion, and unprecedented demographic increase. Culturally, various artistic styles and literary schools flourished. The popularity of the Gothic revival architecture grew rapidly, and the novel continued to thrive through this period. Interestingly, the Gothic pervaded Victorian literature. Even though the definition of the Gothic novel as a mixed genre has long been debated, without a doubt, it is strongly associated with something uncanny. Shelley`s Frankenstein and Stoker`s Dracula based on the supernatural phenomena and the prevailing morbid atmosphere are representatives of the Victorian Gothic novel in which Gothicism is closely related to romanticism. In spite of the fact that the Gothic novel has been disregarded as "un-academic," indeed, the influence of these most well-known Gothic romances are still evident today in modern popular culture. In essence, the fascinating and horrifying novels full of violent images ask the religious, political, and cultural question, "what is a human being?" While Frankenstein`s creature and Count Dracula become the archetypes of gruesome monsters which evoke a sense of anxiety, fear, and dread, Bourgeois white monster hunters are admired for their gentlemanship, goodness, cultivation, and faithfulness. Meanwhile, Victorian women are objectified and terrified by horrible violence exerted by both the monsters and monster hunters. Eventually, this paper demonstrates that in these novels, the uncanny monsters and rational monster hunters, who embody the images of modernity and justify their violent work, are grotesquely ambivalent in terms of monstrosity, violence, morality, and humanity beyond the religious boundaries of good and evil.
한중 여성 장애인 창작 소설에 나타난 자의식 발현 양상 비교 연구
차희정(Cha, Hee-Jung) 한국현대소설학회 2018 현대소설연구 Vol.- No.71
This article explores how self-consciousness is expressed in the autobiographical novels, “Firework Dance” and “The Dream of a Wheelchair”, of Korean and Chinese women with disabilities. It examines how this self-consciousness in women with disabilities has been formed, as well as how this has been expressed and revealed to the reader. In “Fireworks Dance”, Minseong’s idealist father is murdered in the Geoje island prison camp. Through this experience, Minseong experiences ideological conflicts as well as deep grief for the loss of her father. She is healed through reuniting with her cousin, ‘Minjin’, who had disappeared during the 5.18 Kwangju Uprising. Minjin’s disability plays a sacrificial role in eliminating conflict and segregation as well as acting as a mediator in the rise of a new area of a typical life. ‘Bangdan’ in “The Dream of a Wheelchair” consistently thinks of her disability as an obstacle she must overcome. During the Cultural Revolution, her desire to become someone ‘useful’ actively shapes her identity. Her self-consciousness, as depicted by her disability, finds its meaning through reconnecting conflict divided communities as well as recognizing and highlighting the potential in an uncertain future. In addition, the self-narrative style of writing used in the novel plays a significant role in questioning and confronting the dominant power relations and state of the culture. The two novels are common in the way in which the lead character’s disability helps to resolve conflicts and creates hope for a positive future. However, the novels are different in the way they respond to authoritarian ideologies.
유목적 난민의 다시 뿌리 내리기 - 앵글로-아랍 여성 작가 나다 아와르 자라르의 『좋은 땅』 -
차희정 ( Cha Hee-jung ) 조선대학교 인문학연구원 2021 인문학연구 Vol.- No.62
Set before and after Israel’s bombing of Beirut, Lebanon, Anglo-Arab woman writer Nada Awar Jarrar’s anti-war novel A Good Land (2010) narrates the precarious lives of various people. This paper defines the main characters with different nationalities, races, religions, and genders as displaced people, i.e. nomadic refugees. The term nomadic refugee is based on postmodern feminist philosopher Rosi Braidotti’s concept of nomadism. The refugee situation in Beirut means that the space of life is shaken at the root by constant violences and ongoing wars. All the characters go through refugee experiences, and their diasporic lives are interrelated and interactive. In other words, the paper explores the nomadic and non- hierarchical relationships among Christian Layla, Muslim Fouad, Palestinian Kamal, and Jewish Margo, whose daily lives are threatened in Beirut, which has become a battlefield. As a result, the paper demonstrates that Jarrar’s third novel, which combines microscopic personal history and macroscopic global history, strongly expresses the contagiousness of violence and the message of anti-war, and thus argues for political and social changes in the Middle East. In addition, it analyzes the ways Jarrar represents organic interconnectedness beyond the boundaries of race, religion, and culture and constructive relationships in spite of the violent, destructive, and tragic reality.
차희정(Hee Jung Cha) 한국현대소설학회 2014 현대소설연구 Vol.- No.56
This study assumes those who came or returned to the South during the liberation period as ``the immigrants of the liberation period`` to identify characters of the immigrants by focusing on the life of the immigrants in novels during the liberation period and exploring their reality and experience. Reality of immigrants during the liberation period was so threatening that the most basic level of morality could be destroyed due to severe hunger after migration. This shows in the main character of <Seonggeun``s> who had to risk his life to cross the 38th parallel to return to the North; characters in <When Spring Comes> and <Bro-ker> also show extinction of a sense of morality. In <The Face>, <Apple> and <Homeless> however, the immigrants were not buried by the threatening reality but internalized to protect themselves from it. <Glory of sorrow and suffering>, <Barrier> and <Hyelgeobujok> show that the discourse on liberation, independence and the nation formed and transformed by the force during the liberation period was suspended, rejected and therefore facing ``outside``. As Blanchot said, the individual principle of life shows possibilities through encounter outside to confirm individual existence. Immigrants during the liberation period assume the sameness of ``we`` and ``compatriots`` as an intimate community, immobilizing the members and resisting the force. They were a dynamic community that tried to exist as a ``familiar`` community, beyond ``unidentified community`` and familiar community paradoxically continued through discovery of the other and the difference from the other.