http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
웹 기반 방송 프로그램 포맷 공동 창작 시스템의 설계 및 구현
정의승(Eui S. Jung),홍순철(Soon-Chyul Hong),정성욱(Seong-Wook Jeong),손현철(Hyun-Cheol Son),이혜원(Hyewon Lee),하수정(Soo-Jung Ha) 한국콘텐츠학회 2010 한국콘텐츠학회논문지 Vol.10 No.4
최근 국내 방송 업계에서 프로그램 제작 아이디어를 쉽고 빠르게 획득하기 위하여, 방송 프로그램 포맷을 수입하여 프로그램을 제작하여 방영하고 있다. 방송 산업에서 포맷이란 일련의 시리즈물 프로그램에서 각각의 에피소드를 구성하는 가변의 요소들이 시리즈물 내내 변화지 않고 꾸준히 유지되는 프로그램 요소들의 집합을 의미하는 개념으로 사용되고 있다. 예컨대 국내에 방영되고 있는 퀴즈 프로그램인 1:100의 경우, 해외에서 포맷을 수입하여 국내에서 제작한 대표적인 사례라고 할 수 있다. 즉, 포맷이란 프로그램의 독창적인 아이디어와 구성요소를 내포하고 있는 프로그램 기획안과 유사하지만, 더 구체적인 제작 설명서에 가깝다고 할 수 있다. 본 연구는 방송 프로그램의 포맷 창작을 위하여 다수의 사용자가 창의적인 아이디어를 도출하고 확장하여, 이를 포맷 제작에 적합하게 재구성할 수 있도록 하는 시스템을 웹을 기반으로 구현하고, 이를 방송 프로그램 전문가들이 활용할 수 있도록 하고자 하는데 그 목적이 있다. Recently broadcasting production companies have imported a number of broadcast program formats to get ideas quickly and easily. The term format in broadcasting industry is defined as a paper form which includes principal elements throughout each episode of the series in a program to keep consistency. In case of the quiz program titled 1:100 which is being aired in Korea, the domestic company imported the format and produced to broadcast in Korea. In other words, a format includes components of the inherent creative ideas and proposals needed in production a program. The study proposed a web based collaborative system that many users create the format for the broadcast program together. the system is constructed to combine creative ideas to making them a format. Also, production experts will take advantage of the system.
강건 설계기법을 이용한 자동차 게이지 클러스터의 디자인 요소와 고객 감성에 관한 연구
정가훈(Gahun Jung),박성준(Sungjoon Park),김성민(Seong M. Kim),정의승(Eui S. Jung) 대한인간공학회 2010 大韓人間工學會誌 Vol.29 No.1
It is known from consumer surveys that the interior design of cars greatly influences on consumers' affection. Most notably, the instrument panel which occupies the driver's attention while driving would be one of the main components that affect consumer's affection, but the designer does not often put due importance to this design component. The purpose of this study is to define consumers' affection on the instrument cluster panel in terms of its design factors: color of panel lighting and layout of meters as independent factors. Semantic differentials or affective adjectives that are related to the instrument panel were first derived from surveys, existing studies and the available literature. Then, representative affective factors were drawn using factor analysis and multi-dimensional scaling (MDS). Evaluation of the instrument panel was performed and analyzed by Taguchi's robust design to provide more robust results under various noise factors which are color and material of car interior. Experiment revealed that consumers had five affective factors on the instrument panel and luxurious, charming. and visible affections are grouped into a factor and unique and dynamic affections in another factor. Evaluation of the instrument panel by Taguchi's robust design found that the white color of panel lighting and the panel with four meters was the most preferred design in terms of both the affection of luxury and uniqueness.
Wide LCD 모니터의 프레임 형태에 따른 감성 선호도 연구
이한나(Hanna Lee),정의승(Eui S. Jung),최재호(Jae Ho Choe) 대한인간공학회 2009 大韓人間工學會誌 Vol.28 No.4
With increasing needs for affective design, it became an essential part in a product development process to look up quantitative ergonomic data that reflects customers' preferences on design factors in various products. This study looked at wide LCD monitors and analyzed customers' affective preferences regarding monitor's bezel frame size and shape. The monitor's bezel frame depth, size and ratio were selected as independent variables among many design parameters. As dependent variables, customer's subjective preferences were measured. A statistical analysis revealed that monitor's bezel frame depth, size and ratio had significant effects on customer's preferences. Also, it was possible to find a different tendency on affective variables and their levels for 19" and 24" wide LCD monitors. In general, experiments revealed that customers reacted more sensitively in 24" wide LCD monitors to all variables. In 19" wide LCD monitors, only the lower frame bezel size had a significant effect, otherwise, lower, upper and side frame bezels appeared to be effective variables in 24" monitors. In order to reflect customer's affective preferences to new design of wide LCD monitors, this study is expected to provide quantitative ergonomic data and guidelines for the design of wide LCD monitor's bezel frame depth and size.