http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
1953년 전시 “삶과 예술의 평행”의 이미지 체계와 교차 관계 - 스미슨의 ‘발견한 이미지들’의 공간적 병치를 통해 건축된 ‘새로운 풍경’-
전태규(Jun, Tae Gue),남성택(Nam, Sung-Taeg) 대한건축학회 2021 대한건축학회논문집 Vol.37 No.6
The Exhibition “Parallel of Life and Art”, held by Alison and Peter Smithson, Nigel Henderson and Eduardo Paolozzi, is one part of the early Brutalism discourse with House in Soho and Hunstanton middle school. The 122 unfamiliar image panels were hung in the exhibition, ICA in London. The editors of the exhibition, selected and arranged images and there were certain ‘photographic image system’. This system constructs a series of cross relationships and creates ‘the new landscape’. This study analyses Smithsons’ discussions on Parallel of Life and Art, especially with ‘Document 53’, and examines how the exhibition worked as a manifesto for the New Brutalism.
스미슨과 밴함의 뉴 브루탈리즘에 관한 연구 - 다양한 기원과 그 영향을 중심으로 -
전태규(Jun, Tae Gue),남성택(Nam, Sung-Taeg) 대한건축학회 2020 대한건축학회 학술발표대회 논문집 Vol.40 No.1
Today, the expression “Brutalism” in architecture is used in a variety of ways, different from the meaning when it first appeared. The concept of ‘New Brutalism’ developed around the Smithsons in England in the 1950s and became widely known in the essay ‘The New Brutalism’ published in 1955 by Reyner Banham. However, the brutalism we recognize today is more related to Le Corbusier"s concept of exposed concrete, ‘Béton Brut’. The various etymological backgrounds of New Brutalism are the reasons for not clearly recognizing New Brutalism architecture. Therefore, in this paper, we reveal various etymological backgrounds of New Brutalism and then discuss Brutalism as a style that is spread and recognized. Then, it reveals the link between various etymological backgrounds and perceptions of Brutalism as style. In conclusion, the complex etymological background of New Brutalism confuses the essence and argues that the emergence of stylized Brutalism developed around the concept of Béton Brut’
뉴 브루탈리즘을 위한 시각적 선언으로서의 이미지 전시 - “삶과 예술의 평행”의 사진 이미지 체계와 교차 관계 연구 -
전태규(Jun, Tae Gue),남성택(Nam, Sung-Taeg) 대한건축학회 2020 대한건축학회 학술발표대회 논문집 Vol.40 No.2
The Exhibition “Parallel of Life and Art”, held by Alison and Peter Smithson, Nigel Henderson and Eduardo Paolozzi, is one part of the early new brutalism discourse with Soho house project and Hunstanton middle school. the 122 unfamiliar image panels were hung in the exhibition, ICA in London. The editors of the exhibition, they selected and arranged images and there were certain ‘photographic image system’. This system constructs a series of cross relationships and creates ‘the new landscape’. this study analysis Smithsons’ discussions on Parallel of Life and Art, especially with ‘Document 53’, and examine how the exhibition worked as a manifesto for the New Brutalism.
르 코르뷔지에의 빌라 사라바이에서 드러난 경계 모호성 연구 - 빌라 사보아와의 비교 분석 -
전태규(Jun, Tae Gue),남성택(Nam, Sung-Taeg) 대한건축학회 2019 대한건축학회 학술발표대회 논문집 Vol.39 No.2
The purpose of this study was to analyze the boundary ambiguitiy of Villa Sarabhai with Comparative analysis with Villa Savoye. As studying Villa Sarahai, Le Corbusier"s housing work, which is in harmony with nature, give a glimpse of Le Corbusier"s architectural inclinations after the 1940s. In this study, we could analysis ambiguious boundary of Villa Sarabhai by comparison with Villa Savoye. In result, Villa Sarabhai shows boundary ambiguity in the relationship between outside and inside, structure and function. At the end, we bring to the conclution that boundary ambiguity is the property of "another free plan", which is different from Villa Savoye"s "free plan".