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기호학적 방법을 통한 영화(코리아)에 내재된 스포츠 이데올로기 분석
전우성(Woo Seong Jeon),김인형(In Hyung Kim) 한국여성체육학회 2013 한국여성체육학회지 Vol.27 No.2
The purpose of this study was to examine the reemergence and meaning of sports ideology in the film <As One>. The integrated analysis and paradigmatic analysis of semiotics were applied for analysis. The results were as follows. First, as results of syntagmatic analysis, the narrative structure showed that there was a gradual development from the stage of opposition which the conflict has been observed between North Korean and South Korean players at first to the stage of harmony which they are reunited derived from ethnicity affection and it develops finally into the championship. Second, through paradigmatic analysis, confrontational structure was found among characteristics between South and North Korean players in liberalism and socialism, sport recognition between hierarchy and subject and attitude between champion and challenger. Third, through aggregating syntagmatic and paradigmatic analysis, sport ideologies such as instrumentalism, spreadeagleism and nationalism were reflected in the film ``As One``. Among them, nationalism was the most emphasized sport ideology, and it played a role to enforce tension lessening and kinship recovery between two countries.