가치구조에 있어서 표현체계의 가치요소에 관한 연구

장정제(Jang Jung-Jae),차상모(Cha Sang-Mo) 대한건축학회 2009 대한건축학회논문집 Vol.25 No.2

The purpose of this study is to analyse the value elements of the expressive system in the value structure. The value structure can reveal the principles of organizations of the meaning in the relations of communications between components. The value structure have the interrelationships through expressive system, interpretational system, and communicative system. expressive system and interpretational system contain inner systems called as behavior system, aesthetic system, metaphysical system and symbolic system. These inner systems make the separative meaning reproduced according to meditation of the value elements. The value elements are ego(moi), the other(autre), substance, architect, interpreter, and architecture. The value elements of the expressive system mean the capability, the desire and the form. These meanings makes the concepts in the history of architecture.

건축 디자인 도구의 발전과 건축 언어의 상관성에 관한 연구

장정제(Jang, Jung-Jae) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.6

The purpose of this study is to analyse the interrelationship between the development of architectural design tools and architectural languages. The architectural design tools contain sketches, drawings, drawing instruments, perspectives, diagram, program, computer, digital software and so on. Most of all, these tools assist architectural design processes and problem-solving strategies so as to create the informal architecture of the new paradigms. The new paradigms are influenced by the development of architectural design tools. Such tendencies in contemporary architecture are came from the development of the industrial production and technics, architectural Zeitlichkeit and sequences built with the user movements, artistic concepts and perceptions. And from modern art movement, and philosophical researches into the existences of places.

현대 건축디자인의 패러다임과 개념의 체계에 관한 연구 - 거시적 관점에 의한 역사적 변화를 중심으로 -

장정제(Jang, Jung-Jae) 한국실내디자인학회 2021 한국실내디자인학회논문집 Vol.30 No.4

The purpose of this study is to analyse paradigm and concepts of the contemporary architectures from the macrosopic viewpoints of the architectural history. This study is to understand the constructive expression method and paradigm of contemporary architecture by illuminating macroscopically how the meaning of the architectural system in architecture has developed and changed through the history. This course examines theoretically how architectural systems have changed in the physical properties of structural systems and materials, in the aesthetics of forms, in the design process, in the establishment of the concept of space, and in symbolism and artistry. By analyzing the physical development, change of meaning, and expression system of architectural design from the classical to the contemporary architecture, This study can more clearly reveal the complex and informal paradigm of contemporary architectural design and the phenomena. In terms of content, architectural aspects and design changes were analyzed around former six categories ; structural system, form aesthetics, structurizinng of concepts, acceptance and control of architectural needs, theorizing space, art of symbol and sense. These analysis was presented as a diagram of architectural language, focusing on architectural theories and concepts, isms, and paradigms. Through the diagram, the elements that have the greatest influence on modern architecture were drawn across six categories. The driving forces of contemporary architectural design can be summarized as hybridization, dynamic energy, application to the environment, aesthetics of a new sense, computer and digital architecture, and atypical organism.

확장기호체계에 의한 가치체계의 분화와 수렴에 관한 연구

장정제(Jang Jung-Jae) 대한건축학회 2008 대한건축학회논문집 Vol.24 No.4

The purpose of this study is to analyse the specialization and the convergence of the value systems through the interactive symbolic systems. The value structure can reveal the principles of organizations of the meaning in the relations of communications between components. The value structure have the interrelationships through expressive system, interpretational system, and communicative system. Expressive system and interpretational system contain inner systems called as behavior system, aesthetic system, metaphysical system and symbolic system. These inner systems make the separative meaning reproduced according to meditation of the value elements. The value elements are ego(moi), the other(autre), substance, architect, interpreter, and architecture. Architectural meanings and values change in consequence of the specialization and the convergence of the value systems.

건축 디자인의 기하학적 형태의 변화에 관한 연구

장정제(Jang, Jung-Jae) 한국실내디자인학회 2021 한국실내디자인학회논문집 Vol.30 No.5

This study aims to theoretically analyze the aspects of geometrical form expression following classical and modern architecture and modern architecture, and to understand the principles and modification of architectural form. Furthermore, the difference and continuity of classical, modern, and modern architecture are presented as diagrams through the background and principle that induces geometrical change. The purpose of this study is to understand the history of architecture in terms of geometrical change and to interpret what it means. This study examines the sense of classical architecture, modern architecture, and geometrical form of modern architecture, that is, the principle of geometric composition. The senses and expressions appearing in the principles of geometrical form construction are presented, and the system of expression is analysed. The process of convergence and change of such architectural geometric design development into contemporary morphological expression is presented in a systematic diagram. Chapter 2 defines the sense of form in detail and presents the categories that reveal the sense of form. In the geometrical aspect, the developed process and principles of classical architecture are presented. Chapter 3 analyzes the geometrical configuration principle of modern architecture and the detailed system. Chapter 4 comprehensively summarizes the sense and expression of geometrical forms in modern atypical architecture, and the conclusion is summarized in Chapter 5.

건축공간의 형상과 경계의 변화에 관한 연구

장정제(Jang, Jung-Jae) 한국실내디자인학회 2021 한국실내디자인학회논문집 Vol.30 No.5

This study macroscopically examines the modification in architectural space and attempts to systematically suggest what kind of process the contemporary architectural space has developed in terms of shape and boundary. Furthermore, in order to analyze the categories of architectural systems that stimulated and induced changes in the shape and boundaries of architectural spaces in terms of architectural structures, forms, materials, experiences, design tools, various theories, and artistic needs, the flow of change in the shape of space is presented in diagrams. Through important examples, the geometrical shape and effect of architectural space were presented. The case was presented as a plan, elevation, cross-section, and internal and external images, and the change of space was visually refined. The shape and boundary change of these spaces were integrated into a conceptual language and diagrammed. Finally, the modern architectural space was reconstructed through heterogeneity, diversity, and dynamism, and it developed into the trends of folding, landscape, and metamorphosis, which is an effort to define space organically, and the value of space through communication with nature and living energy.

현대 랜드스케이프 아키텍쳐의 디자인 전략에 관한 연구

장정제(Jang, Jung-Jae) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.12

The purpose of this study is to analyse the design strategies of contemporary landscape architecture. This explains the steps through which contemporary landscape architecture can be developed. And how the theory of landscape architecture can be found by architects. Through the etymological studies, the semantic studies and studies of the theory of the residence, the concepts of landscape architecture can be defined. Through this research the foraging-ground and the nesting-place is redefined. Links and differentiations of the two area make and develop the variations of concepts about landscape. Contemporary landscape architecture is the result from differences and diversities of our societies and architectural properties. And from the thoughts of art and philosophy, the developments of science and technologies and the design by the digital softwares. Finally, The design strategies are categorized into the relations of the materiality, organic forms, eventual networks and redeterminations of senses.

현대 건축에 있어서 신체의 의미와 디자인 적용에 관한 연구

장정제(Jang, Jung-Jae) 한국실내디자인학회 2013 한국실내디자인학회논문집 Vol.22 No.4

This study is aimed to specify the meaning of the body and the design trends in contemporary architecture. Architecture is based on the human life of various meaning, events, experiences, images, senses and interactions through the body. Thoughts, behaviors, and senses of human are interrelated in architectural experiences. Individuals experience the built environments and space, not through the ideas but through the senses and movements of the body. So, bodies make the real space of architecture. Contemporary architecture accepts the theory of phenomenology and places on the thoughts of Maurice Merleau-Ponty, Heidegger, Nroberg Schulz and so on. Such researches effect on the architectural trends to make design processes works on the programs in views of the expansion and the structuralization of human body. In detail, the aim of this study is to analyse the architecture as the fields of the subject with body as the center, design processes and principles changed form metaphysical thought to phenomenological discourse, and the design trends in contemporary architecture at last. In process of movements, vision centered architecture moves into the bodily experienced architecture and changed the trends from absolute form design to design of relative processes. In conclusion, architectural formation-dissolution-reconstitution of body creates the architectural thoughts such as human proportions, perspective space, ergonomics, modular, organic architecture, experience space, synesthesia, event architecture, fashion-invoked architecture, interactive surfaces, metamorphosis, and others.

현대 폴딩 건축의 형성과 표현체계에 관한 연구

장정제(Jang, Jung-Jae) 한국실내디자인학회 2021 한국실내디자인학회논문집 Vol.30 No.4

This study analyzed how contemporary folding architecture was theoretically established and what kind of expression system the architectural design and architectural system have. Folding architecture developed from the basis of the morphological meaning that begins with folding, as the independent expression of various structural elements became possible through the development of the structural system. The use of various design tools and computers in modern architecture made it more liberal in the theory of folding architecture and the method of architectural design. Derrida and Deleuze"s architectural discusions, folding, folds, rhizomes, and events have transferred the theoretical basis of folding from form and space to the structure of events. The classical concepts of beauty, balance, proportion, and order have limitations that cannot be applied to atypical non-Euclidean forms. Through this study, the manipulation of folding, cutting, tilting, crumpling, and piercing of folding is designed to transfer architectural intentions and concepts to architectural forms, spaces and programs, and to express the architect"s design concepts, architectural demands, and symbols. It has been proven to be a powerful tool. Therefore, the manipulation method of folding architecture is valuable in applying meaning and system to the free form of architectural design Through this study, the development process of folding architecture, differentiation and conception, paradigms of various aspects, manipulation and architectural application of the actual design process, and transformation of the form and space of folding architecture were analyzed. Above all, it was confirmed that folding architecture is a tool for manipulating, transforming, and controlling modern atypical forms and spaces, sensations and programs of events.

현대 건축 공간에 나타나는 시간의 감각과 표현에 관한 연구

장정제(Jang, Jung-Jae) 한국실내디자인학회 2013 한국실내디자인학회논문집 Vol.22 No.1

This study is aimed to identify the expression and the sense of time in contemporary architectural space. And to classify the system and elements of Zeitlichkeit in the contemporary architectural design. The concept of time can be divided into two meaningful perceptions. Those are the concept of realistic time and the concept of subjective time. These tendencies of theories of architectural space has borrowed from innovations in the sciences, and the whole idea of space?time within art and architecture. Those notions developed through the researches of Bauhaus, Postmodernism, Landscape architecture, Digital Architecture and so forth. The result of this study is that the concepts of time are one of the most important strategies of architectural design and have the various languages which there was not in the past. At the point of the transformation in contemporary architecture, the The concepts of space?time are classified into those from the orders of form and space, from dynamic of the image in the dissolution of architectural form, from traces and steps of movement in dynamic form, and from the systems of commands in the digital softwares. As such, Zeitlichkeit in contemporary architecture means that the architecture moves from the construction of the sensual design elements into Art of life through events and contents which human can experience and recognize. These theories and researches reveal that contemporary architectural movements insert the meaningful stories into architectural space through programs and diagrams.