Spontaneous Intraperitoneal Bladder Perforation Associated with Urothelial Carcinoma with Divergent Histologic Differentiation, Diagnosed by CT Cystography

이지한,유현욱,이충현 대한비뇨의학회 2010 Investigative and Clinical Urology Vol.51 No.4

Spontaneous bladder perforation is a very rare event. Prompt diagnosis of this injury is very important, particularly with intraperitoneal perforation, because mortality increases if surgical repair is delayed. Previous studies have reported that plain cystography is the primary modality of imaging study rather than relatively insensitive computed tomography (CT) when bladder perforation is suspected. We report here a rare case of spontaneous intraperitoneal perforation of the bladder associated with urothelial carcinoma with divergent histologic differentiation, as diagnosed with CT cystography.

한류를 바라보는 두 개의 시선 ― 한국의 문화산업과 중국의 문화안보

이지한 대한중국학회 2018 중국학 Vol.65 No.-

한류를 바라보는 두 개의 시선이 있다. 한국 문화산업의 성공신화로서 한류와 중국 문화안 보의 대상으로서 한류이다. 그리고 우리가 외면해 왔던 사실, 이 두 개의 시선은 반비례 관계 의 함수이다. 2016년 한국 내 사드배치 결정으로 촉발된 중국정부의 비공식적인 한류 규제정책 ‘한한령(限韓令)’은 1990년대 후반부터 중국정부의 한류에 대한 일관된 인식을 압축적으로 보여준다. 우리 문화산업의 성공신화인 한류는 중국 문화안보의 대상이었다. 중국의 문화안보 에는 타국 문화산업에 대한 ‘방어’와 중국문화산업의 대외적 ‘확산’이라는 두 측면이 있다. 이를 통해 한류는 중국정부에 의해 서구문화 확산에 대한 방어기제로 수용되었으며, 중국문화 산업의 대외적 확산을 위한 가이드 역할까지만 허용된 것이었다. 이처럼 우리 문화산업 성공 신화에 적혀 있지 않은 중국 문화안보의 시선을 전제하여야만, 단순 소비자에서 자본의 투자 자로, 그리고 통제자로서 한한령을 발동한 중국을 이해할 수 있다. 그리고 이것이 바로 한류의 지속성장을 위한 탐색의 첫걸음이다. There are two views on the Korean Wave: One is the Korean Wave as a success story of the Korean cultural industry and the other is the Korean Wave as a subject of Chinese cultural security. And the fact that we have turned away, these two views are a function of the inverse relationship. In 2016, since South Korea and the US government decided to deploy the THAAD in Korea, the Chinese government's unofficial ‘Hallyu regulatory policy(限韓令)’ began. This shows the Chinese government’s consistent position on the Korean wave since the late 1990s. The Korean Wave is a success story of our cultural industry and the theme of Chinese cultural security. Chinese cultural security has two aspects: the “defense” of other cultural industries and the “expansion” of Chinese cultural industries. The Korean Wave was accepted as a defense of the spread of Western culture in China and allowed it to play a role in helping the Chinese cultural industry to spread abroad. In order to understand why the Chinese government start ‘Hallyu regulatory policy(限韓令)’, we have to learn about the view of Chinese cultural security. China has transformed from a simple consumer to a capital investor of the Korean wave and has become a its controller. This is the first step in exploring the sustainable development of the Korean Wave.

한⋅중 실록에 기록된 소설의 개념 및 인식 -조선⋅명⋅청을 중심으로-

이지한 중국학연구회 2022 중국학연구 Vol.- No.102

서구화에 따른 소설이라는 용어의 ‘의미변화’에 대한 관심에서 본 연구가 시작되었다. 우선 서구화 전후 시대로서 조선과 명 그리고 청을 선택하였다. 그리고 이들 세 왕조를 관통하는 국가기록물로서 당시의 국정과 지배층의 인식을 담지하고 있는 객관적 자료이자 사료인 실록을 연구범주로 설정하였다. 이 글의 연구주제는 크게 두 가지이다. 첫 번째는 조선과 명ㆍ청의 실록에 기록된 소설의 개념 고찰이다. 두 번째는 실록 속에 기록된 소설의 다양한 개념 중 서사 장르에 초점을 맞추어, 소설에 대한 세 왕조의 공식적인 인식을 다양한 기사들을 통해 상호 비교하는 것이다. 고찰을 통해 소설이라는 용어는 점차 서사 장르를 지칭하는 방향으로 의미가 전환되고 있었음을 알 수 있었다. 그리고 유가적 통치이념을 공유하였으나, 각 왕조의 和而不同한 사회적 문화적 차이가 소설에 대한 인식의 차이로 이어져, 조선은 ‘稗’, 청은 ‘淫’ 그리고 명은 그 어느 속성에도 주목하지 않았음을 알 수 있었다. 이 밖에도 이러한 인식의 차이로 인해 이들 왕조에서는 각기 다른 방식의 소설규제가 시행되었음도 알 수 있었다.

이사의 채권자 보호의무에 관한 영국법원의 해석

이지한 영남대학교 법학연구소 1999 영남법학 Vol.5 No.1-2

불화수소산 노출 환자에서 동맥 내 글루콘 산 칼슘 주입 치료 후 조직 손상의 정도와 임상지표 간의 비교 분석

이지한,인용남,강준호,한규홍,민진홍,박정수,김훈,이석우 대한응급의학회 2014 대한응급의학회지 Vol.25 No.3

Purpose: Hydrofluoric acid (HFA) causes injury via tissuepenetration by the free fluoride ion. Methods for treatmentof HFA burns include continuous intra-arterial infusion ofcalcium gluconate, which is especially useful for patientswith dermal burns of the digits caused by HFA. However,no comparative study of tissue injury grade with clinical factorsamong patients with HFA burns treated with continuousintra-arterial infusion of calcium gluconate has been conductedin Korea. Methods: We conducted a prospective study at the emergencydepartment of a university teaching hospital betweenJanuary 2011 and June 2013. The subjects enrolled in thisstudy consisted of 33 patients with HFA burns. After completionof treatment, we divided the patients into threegroups according to the type of skin lesions. Patients requiringa skin graft or surgical flap were included in the pooroutcome group, those who had to undergo incision anddrainage in the moderate outcome group, and those whodid not require further treatment in the good outcome group. Results: After completion of all treatments, 22 of the 33patients were included in the good outcome group andseven in the moderate outcome group; the remaining fourpatients were included in the poor outcome group, as theymet the above-mentioned criteria, experienced longer-lastingpain, and were more frequently treated with injection incomparison with the other patients. Conclusion: Patients with HFA burns with long-term painwho need frequent arterial injections despite undergoingintra-arterial calcium gluconate treatment are likely to havepoor outcome; therefore, they require more proactive interventions.

홍루몽의 심리언어 고찰

이지한 한국외국어대학교 중국연구소 2006 中國硏究 Vol.37 No.-

The Studies of Language of Psychological State of The Dream of the Red Chamber Lee, Chi-han 『The dream of the Red chamber』 not only in its meaning and content, but also in its artistic way of expression, achieved immense success. Talking about the artistic value, the most important characteristic is that narrating and depicting reminds one of life itself, so abundant, profound, rich and true to life. Successfully applied "living" method of expression helped the novel to achieve great success. In fact, the critical acclaim awarded 『The dream of the Red chamber』 as the paradigm of Chinese classical novels can be traced back to Cao Xueqin's unparalleled success in using this method of writing.In this report, the main focus is on the characters' psychology, using "ravings", "monologue" and "inner monologue" foundation for numerous studies of the 『The dream of the Red chamber』's literal language."Monologue", "inner monologue" and "ravings" are means of building the novel's structure and revealing the essence of the characters' emotions. Thanks to the successfully use of various kinds of the language of psychological state expression and its numerous functions, this novel has achieved the artistic success which it had never achieved before.

Ultrasound for trauma life support

이지한 대한응급의학회 2023 대한응급의학회 학술대회초록집 Vol.2023 No.1

한류를 바라보는 두 개의 시선 ― 한국의 문화산업과 중국의 문화안보

이지한 대한중국학회 2018 중국학 Vol.64 No.-

There are two views on the Korean Wave: One is the Korean Wave as a success story of the Korean cultural industry and the other is the Korean Wave as a subject of Chinese cultural security. And the fact that we have turned away, these two views are a function of the inverse relationship. In 2016, since South Korea and the US government decided to deploy the THAAD in Korea, the Chinese government's unofficial ‘Hallyu regulatory policy(限韓令)’ began. This shows the Chinese government’s consistent position on the Korean wave since the late 1990s. The Korean Wave is a success story of our cultural industry and the theme of Chinese cultural security. Chinese cultural security has two aspects: the “defense” of other cultural industries and the “expansion” of Chinese cultural industries. The Korean Wave was accepted as a defense of the spread of Western culture in China and allowed it to play a role in helping the Chinese cultural industry to spread abroad. In order to understand why the Chinese government start ‘Hallyu regulatory policy(限韓令)’, we have to learn about the view of Chinese cultural security. China has transformed from a simple consumer to a capital investor of the Korean wave and has become a its controller. This is the first step in exploring the sustainable development of the Korean Wave. 한류를 바라보는 두 개의 시선이 있다. 한국 문화산업의 성공신화로서 한류와 중국 문화안보의 대상으로서 한류이다. 그리고 우리가 외면해 왔던 사실, 이 두 개의 시선은 반비례 관계의 함수이다. 2016년 한국 내 사드배치 결정으로 촉발된 중국정부의 비공식적인 한류 규제정책 ‘한한령(限韓令)’은 1990년대 후반부터 중국정부의 한류에 대한 일관된 인식을 압축적으로 보여준다. 우리 문화산업의 성공신화인 한류는 중국 문화안보의 대상이었다. 중국의 문화안보에는 타국 문화산업에 대한 ‘방어’와 중국문화산업의 대외적 ‘확산’이라는 두 측면이 있다. 이를 통해 한류는 중국정부에 의해 서구문화 확산에 대한 방어기제로 수용되었으며, 중국문화산업의 대외적 확산을 위한 가이드 역할까지만 허용된 것이었다. 이처럼 우리 문화산업 성공신화에 적혀 있지 않은 중국 문화안보의 시선을 전제하여야만, 단순 소비자에서 자본의 투자자로, 그리고 통제자로서 한한령을 발동한 중국을 이해할 수 있다. 그리고 이것이 바로 한류의 지속성장을 위한 탐색의 첫걸음이다.

홍루몽 대화의 유형과 발화형식

이지한 한국외국어대학교 중국연구소 2007 中國硏究 Vol.40 No.-

The Studies of Dialogue Style and the Form of Expression of 『The Dream of the Red Chamber』 Lee, Chi-han This writing is about experimental study of <The dream of the Red Chamber>'s language.As a literary work, the language is obviouly its most important factor. Based on narrator's standing, the literary language in the novel can be divided into "character language" and "narrator language". The object of this writing is studing the 120thedition of <The dream of the Red Chamber>, is in the systematic way focused on analysing the form and function of character language and narrator language. And I desire to fill the vacant parts in the history of studing <The dream of the Red Chamber>.This writing is the part of the study on the character language of <The dream of the Red Chamber>. It is focused on studying one of the types of character language, dialogue. Its focus is on two points, the number of persons who take parts in dialogues when they start and when they are over. And the continuity of a dialogue is also an important factor. According to these, I am going to divide dialogues in <The dream of the Red Chamber> into 7 types and explain the form of expression.

『삼국연의』 심리언어 연구

이지한 한국외국어대학교 중국연구소 2009 中國硏究 Vol.47 No.-

The historical narrative prose, as well as Chinese classical novels which were under the direct influence of oral literature in Song and Yuan period, was known for their pursuit of simplicity in describing the psychological state, which was basically the result of their attempts to satisfy peculiar Chinese tastes for aesthetic sense and their own way of appreciation of beauty. This tendency was all the more apparent in the style of Zhang and Hui’s novels, the prototype of The Romance of the Three Kingdoms. The latter is especially noteworthy in that it successfully adopted a method of psychological description, which is often termed as the language of psychological state. It did not use the method very often, but it was very effective in allowing the readers to have room for their own stretch of imagination, eventually making a substantial artistic success. In this report, the main focus is on the characters’ psychology, using “ravings”, “monologue” and “inner monologue” foundation for numerous studies of the 『The Romance of the Three kingdoms』 ’s literal language. “Monologue”, “inner monologue” and “ravings” are means of building the novel’s structure and revealing the essence of the characters’ emotions. Thanks to the successfully use of various kinds of the language of psychological state expression and its numerous functions, this novel has achieved the artistic success.