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아랍문학이 유럽문학에 끼친 영향에 대한 연구 : 부처설화의 전이과정을 중심으로
이종화 ( Jong Wna Lee ) 부산외국어대학교 지중해연구소 2005 지중해지역연구 Vol.7 No.1
This paper studies on the rapid flourishing of Arabic culture in Spain under Muslim rule, the wide social and cultural fusion and the spread of Arabic as a language of culture and literature in Andalusian society, common to both Christians and Muslims of Spain. The result was the rise in the late ninth century of a new form of Andalusian poetry, the muwashshah distinct from the conventional Arabic poem. Western scholars, particularly in Spain made efforts to the study of the effect of the muwashshah on the provencal troubadours. This is followed comparison between lyrical European poetry and the muwashshah with analysis of points of resemblance and difference in prevailing themes and concepts. This paper further surveys the Arabic story collections which found their way into Europe, the Latin translations of such books as "Kalila and Dimna" and "The Thousand and One Nights" and their effect on Spanish and neighbouring European literature. Lastly this paper focuses on the story "Barlaam and Josafat". The Indian origin of this legend revolves round the life of Buddha and his penance. This old Indian legend known as "Lalita Vistara" has been recently discovered, has managed to invade all religions, cultures and languages. It seems that the legend found its way into Arabic through an old Persian translation. And Spain knew this legend through Arabic. Most probably there were two Arabic translations of it which were popular in Muslim Andalusia. The progress of the story reveals a profound influence exercised upon it by an Arabic text of Islamic cast. The middle ages, with their religious feuds and sharp disputation about the ideal and true religion, were the proper soil for the propagation of this originally Indian legend. This accounts for its popularity in mediaeval literature in different languages. It has thus become the basis of many religious stories and the plays from its transmission up to the beginning of the modern age.