http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
Effects of Amphiphilic Starch and Its Stabilization for Liposome Emulsion
이의정,황혜림,정민우,오주영,박선규,홍성권 한국고분자학회 2018 폴리머 Vol.42 No.2
The objective of this work was to make emulsion with starch for natural cosmetics. For the cosmetic product with the high portions of natural grade ingredients, we could not use chemical stabilizers. Thereby, we investigated the effects of the amphiphilic starch and its stabilization for liposome emulsion. In this study, we conducted a starch crystallinity study to find the effect of gelatinization and retrogradation of amphiphilic starch with various types of gums using XRD, DSC and Cryo-FE-SEM techniques. To the best of our knowledge, there has been no report on the stabilization of liposome emulsion for cosmetics with native starch.
조선시대 사찰의 꽃살문을 응용한 어패럴 텍스타일 디자인 연구
이의정 한국니트디자인학회 2012 패션과 니트 Vol.10 No.1
There is increasingly a fierce competition in the world along with the globalization trend and ensuing growing interchange among different countries, and in which way unique Korean beauty can be played up in today's world has been considered in the sector of design under the circumstances. The purpose of this study was to make a reinterpretation of the flower lattice pattern of the Buddhist temples in the Joseon Dynasty and to modernize it into a pattern of creative image. After literature and design cases was reviewed, the flower lattice pattern of Buddhist temples was selected as a motif, and a design case was presented by reinterpreting and applying the selected motif from a modernistic perspective. As a result, it's found that the typical flower lattice pattern is one of design elements that is characterized by symbolicity and plasticity, and that it is possible to be used as one of competitive aesthetic materials that could bring about a new aesthetic change in the globalization era when it is reinterpreted and rearranged. Therefore research efforts should be channeled into the application of flower lattice pattern from diverse angles. There is increasingly a fierce competition in the world along with the globalization trend and ensuing growing interchange among different countries, and in which way unique Korean beauty can be played up in today's world has been considered in the sector of design under the circumstances. The purpose of this study was to make a reinterpretation of the flower lattice pattern of the Buddhist temples in the Joseon Dynasty and to modernize it into a pattern of creative image. After literature and design cases was reviewed, the flower lattice pattern of Buddhist temples was selected as a motif, and a design case was presented by reinterpreting and applying the selected motif from a modernistic perspective. As a result, it's found that the typical flower lattice pattern is one of design elements that is characterized by symbolicity and plasticity, and that it is possible to be used as one of competitive aesthetic materials that could bring about a new aesthetic change in the globalization era when it is reinterpreted and rearranged. Therefore research efforts should be channeled into the application of flower lattice pattern from diverse angles.
다뉴경(多鈕鏡) 문양의 기하학적 요소를 활용한 텍스타일디자인 연구
이의정,강경애 한국의상디자인학회 2019 한국의상디자인학회지 Vol.21 No.4
The study intends to seek the creative ideas that can satisfy the needs of individual consumers by rediscovering the modern meaning and the artistic value of geometric ornaments engraved on the backside of Danyugyung, which is a traditional Korean pattern. In terms of the study method, the symbolic meaning and formative characteristics of Danyugyung were determined, and the form of its pattern and the geometric characteristics were analyzed. Based on this, Photoshop and illustrations were used to apply the shapes of Danyugyung and internal patterns to the textile designs, and the results are as follows. Firstly, it was found that Danyugyung was associated with the bronze mirror, which was used from the Bronze Age to the Early Iron Age, and was the product of artistic activities and an object and acted as a shamanistic and authoritative symbol of the ruling parties, which were responsible for the acts related to the spiritual world. Secondly, it was discovered that forms of Danyugyung were classified into Jomungyung and Semungyung in accordance with Forms of Danyugyung (造飾), and the formative features of the geometric ornaments that were engraved in great detail on the backside could be found in the images which change according to the form of the inner patterns. Thirdly, with regard to the development of the textile designs utilizing the shape and inner patterns of Danyugyung based on the formative features, it was could discover that the simple shape of Danyugyung presented a value which can be applied as a unique design factor delivering a visual rhythm by attempting to create various harmonies overlapping lines engraved on the inner patterns and the shapes of Danyugyung. Based on the above-mentioned outcomes, the possibility was confirmed that Danyugyung can be used as a novel motif and as a standard unit of patterns for textile design. With future studies, I would like to utilize the unique and diverse images as pattern motif for textile design.
18・19세기 서양 복식의 단추를 활용한 텍스타일 디자인 연구
이의정,강경애 한국의상디자인학회 2022 한국의상디자인학회지 Vol.24 No.2
The study aims to explore a new direction for research on buttons by understanding the functions and artistic features of buttons on Western clothing in the 18th and 19th centuries, and to use the findings to develop a textile design. In terms of the research method, the period was set in the 18th and 19th centuries, when decorative features and artistic values of buttons on Western clothing reached theirpeak, while theoretical analysis was made based on literature and previous research papers on Western clothing, websites of the Metropolitan Museum and French Museum of Decorative Arts and other website materials, as well as special exhibition materials of the National Museum of Modern and Contemporary Art. Textile designs were developed using computer programs, including Clip Studio Paint and Adobe Photoshop, by integrating the reinterpreted motif of buttons in the 18th and 19th centuries and the styles that prevailed at that time. The results are as follows. First, buttons on Western clothing had the following three functions: a practical function, a symbolic function representing the wearer's status, and a decorative function expressing individuality and beauty. Second, buttons in the 18th century were works of art made with various handicraft techniques and were an important medium that expressed the wearer's fashion sense. In addition, buttons in the 19th century were mass-produced as a result of industrialization and took a major step forward with the development of materials and dyeing. Buttons reflected themes of poetry, drama, biblical stories, music and art, lifestyle,, along with the political and social atmosphere that rapidly changed after the revolution and fashion trends. Third, the artistic features and shapes of buttons were reinterpreted to create a design motif, and the design was developed reflecting the characteristic elements of the rococo style of the 18th century and the art nouveau style of the 19th century that can conform to modern fashion, thereby rediscovering the artistic meaning and value implied in buttons. In the future, the research on creative buttons of 20th century artists is expected to be conducted from various perspectives.