고객관계마케팅 전략 촉진방안에 관한 연구 : 여행업을 중심으로

이윤섭 문화관광연구학회 2000 문화관광연구 Vol.2 No.1

This study tried to analyze the relationship marketing strategy with the clients systematically. After reviewing the precedent theory of relationship marketing, and then through the practical analysis, I took the base that was planed on the strategy. A theoretical study is carried out at 3 points. First. the basic means of a relationship marketing. Second, the the activity part of a customer-oriented relationship marketing. Third, the effect of it. The finding of the this study are as follows : First, the customers are sensitive to physical characteristics are related to the convenience of tour reservation procedures, the ample information about a destination, the continuous feedback after they came back home. Second, the customers consider the characteristics of travel agency staff importantly that are related to the excellent services, the effort of product development, and the properly trained staff for services. Third, in the quality factor of a relationship, they relied on satisfaction, confidence, devotion, purchase repeatedly, transmission of words.

외국의 노동조합과 교섭실태

이윤섭,Lee, Yun-Seop 대한병원협회 2005 대한병원협회지 Vol.34 No.3

I. A. 리처즈의 시론과 믿음의 문제

이윤섭 안양대학교 1997 논문집 Vol.17 No.-

Richard's reputation as the pioneer of Anglo-American New Criticism is unassailable. However, some aspects of his poetic doctrine, especially his unwarranted emphasis on the psychological process in poetic experience, and his restatement of the affective theory of art, have become something of an embarrassment to his colleagues. Certainly his terminology such as "balancing of impulses" and "pseudo-statement", and also his distinction between "emotional" and "intellectual" belief have allowed his overall poetics to meet with severe theoretical attacks. Those critics with strong convictions that a poem ought to be both an autonomous world and also a complete mode of knowledge deplore the absence of the cognitive value of poetry in his poetics. In fact, the clash between Richard's affective and objective theories has centered on the problem of belief, a revival of that perennial concern about the adequate role of poetry. The view that poetry is a world sui generis with only a hidden connection to reality is an alternative to the view that poetry is an emotive use of language. While these two views differ in the degree of cognitive value assigned to poetry, both views originated as a defensive tactic against the pervasiveness of scientific truth. Richards, at least in Coleridge on Imagination, is in fundamental agreement with the proponents of poetic belief about the role of poetry as wisdom revealing another Nature to which scientific statement cannot refer.

한국의 주지주의와 영미 모더니즘

이윤섭,신원철(토론자) 한국현대문학회 2007 한국현대문학회 학술발표회자료집 Vol.- No.-

육종 분류 분야 ( 농학관 ) : RT-PCR 을 이용한 Putative CaCoAOMT ( caffeoyl-CoA 3-O-methyltransferase ) 유전자 분리

이윤섭,노은운,김수인 한국임학회 1998 한국임학회 학술발표논문집 Vol.1998 No.-

바로크적 전통과 T. S. 엘리엇의 시론

이윤섭 한국T.S.엘리엇학회 2008 T.S. 엘리엇 연구 Vol.18 No.2

Baroque may be the better term to describe the metaphysical poets. It provides a wider perspective in reconsidering the 17th century English poetry as an integral part of European literature. It is also useful in reappraising the Modernistic revival of the metaphysical poets initiated by T. S. Eliot. As its etymological meaning suggests, Baroque poetry seems irregular and grotesque, and does not show any affinity, similarity, and harmony as a whole. So, deriding its outward incongruities, the Neo- classicists adopted the pejorative term of “the metaphysical poets.” However, some innovative critics in the modern era insisted that Baroque poetry had an organic whole unifying the different, distinct, and diverse parts. Eliot’s reappraisal of the metaphysical poets and his tenet of the unified sensibility was the case. Bizarre and inappropriate combinations, and violent distortions prevalent in Baroque poetry was the inevitable result of the artistic labor to express the dark and unfamiliar reality facing the poets, just as the Hebrew prophets struggling to prophesize the alterity of God used unconventional and shocking phrases. Refusing easy clichés, they attempted to make flowing and transient reality felt through the physical sense and ended up with these incongruous and twisted expressions. The unity in Baroque art and poetry was made by the same endeavor to impose a human significance onto the jarring and incompatible aspects of the chaotic world, though the unity in variety of Baroque differs from the unity in sameness of the medieval era, Renaissance, and Neoclassicism.

국산(國産) 봉독(蜂毒) 및 정제(精製) 봉독약침액(蜂毒藥鍼液)이 류머티스 관절염(關節炎) 활액세포(滑液細胞)에 미치는 영향(影響)

이윤섭,서정철,이승우,한상원,Lee, Yun-Seop,Seo, Jung-Chul,Lee, Seung-Woo,Han, Sang-Won 대한침구의학회 2002 대한침구의학회지 Vol.19 No.2

Objective : This study is aimed to investigate the effects of bee venom and purified bee venom on cell death in synovial cell line. Methods : It was evaluated by using MTT assay, morphological method, flow cytometry, immunocytochemistry analysis, RT-PCR. Results : The result obtained is as follows. 1. The MTT assay demonstrated that synovial cell viability was significantly inhibitted dose-dependently by treatment with BV and PBV in comparison with control. And the inhibitory effect of BV and PBV was almost same. 2. The morphologic study demonstrated that synovial cell showed apoptotic body resulted from apoptosis after treatment with BV and PBV for 6 hours using microscope. 3. The Flow cytometry demonstrated that apoptosis of synovial cell treated with BV and PBV was related with stop of cell cycle in stage of G0/G1. 4. Immunocytochemistry assay demonstrated that COX-II and iNOS were slightly expressed by treatment with BV and PBV in comparison with control group. 5. RT-PCR analysis demonstrated that COX-II were almost down-regulated by high dose treatment with BV and PBV in comparison with control group. iNOS were well down-regulated by treatment with $5{\mu}g/ml$ BV and PBV whereas it was well expressed in control group. Conclusion : These results suggest that bee venom and purified bee venom have significant effect on cell death in synovial cell line and further study is needed in vivo.

외국의 노동조합과 교섭실태

이윤섭,Lee, Yun-Seop 대한병원협회 2005 대한병원협회지 Vol.34 No.2

고전주의 문학론에서의 모방의 개념

이윤섭 안양대학교 인문과학연구소 1998 人文科學硏究 Vol.6 No.1

Abstract Art and poetry as an imitation of nature conceived by Aristotle does not mean that the artist duplicates nature as it is. Disagreeing with Plato about where and what reality is, Aristotle believes that nature is revealed or realized through the process of change or growth through which matter takes on its form. Form, or eidos which is regarded as an ideal reality can be created by the poet who imitates nature. Poetry, which does not imitate just the appearance of reality, is a kind of activity of forming the matter into a unified meaning and completeness. Plot, the soul of tragedy, imitates "an action," whose unity and interconnection of the parts and the whole is guided and controlled by the principle of probability or necessity. The poet is thus an imitator and a creator. The term "Imitation" is given a new meaning in Pope, who recommends to "follow nature" and more emphatically to imitate the ancients poets whose rules are "nature methodized." However, imitation of ancient rules for him does not exclude the poetic licence and some nameless graces which are located beyond the reach of art or mechanical rules. M. H. Abrams links grace and irrational inspiration of Romanticism, suggesting that grace itself is incompatible with the principle of rationality in Neo-Classicism. Arguing against the romantic interpretation of grace, Ronald Bogue insists that the happy disregard of rules for Pope should be actually the products of a skillful regulation of materials. According to him, Pope believes that grace and the poetic licence can be achieved by sticking to the ancient precedents that contain the deviations from the rules for the greater aesthetic purpose, that is, grace arises from the proper imitation. Edward Young is bold enough to depart from Pope's doctrine of imitation of the ancients and shifts the emphasis from the literary rules of his contemporary critics to the originality and innate genius which anticipates the Romantic criticism. Describing the process of literary creation with the metaphors of organic growth, he proceeds to distinguish the original writings of organic creativity from the inferior works of mechanical imitation. However, Young's theory of reading is somewhat different from that of writing, and he sees an imitation principle in the act of reading which is motivated by the judgment. While his theory of writing argues for the reverence of the inner self and the imagination, his reading theory never fails to grasp the value of learning and imitating the ancients. It is not the works of Homer but his spirit and his taste, that is the proper object of imitation for Young.

보행시 발과 족관절의 운동학적 분석

이윤섭,신형수,Lee, Yun-Seob,Shin, Hyung-Soo 대한고유수용성신경근촉진법학회 2006 PNF and Movement Vol.4 No.1

발뒤꿈치 닿기 시 족관절은 약간 족저굴곡 위치에 있다가 발바닥 닿기까지 족저굴곡이 진행된다. 몸체가 지지하는 중간입각기동안 빨리 배굴로 변하고 입각기 말기에 발뒤꿈치 떼기 후에는 다시 저굴이 일어난다. 유각기의 시작인 발가락 떼기에서는 저굴이 되다가 유각기 중기에는 배굴로 바뀌고 발뒤꿈치 닿기에서는 약간 저굴로 변한다. 후족부의 운동은 발뒤꿈치 닿기 시에 편안히 서있을 때보다 더 회내되어 있고 발뒤꿈치 닿기 직후는 회내되고 중간입각기동안 다시 회내되는 양상을 보인다. 발끝떼기 시에 최대로 회내가 이루어진다. 발에서 일어나는 중요한 요소는 체중과 지면 반발력과의 충격을 흡수하는 역할이라 할 수 있다. 족관절 저굴은 뒤꿈치에 의한 초기 바닥 닿기의 즉각적인 반응으로 대부분의 최후 $10^{\circ}$는 짧은 발의 떨어짐으로 일어난다. 경골 전면 근육들의 활동은 동작을 유의하게 제한하고 즉각적으로 나타난다기보다는 오히려 보행주기에 8% 지점까지 전족에 의한 바닥접촉을 지연시킨다. 떨어지는 체중은 점차감소되고 두 번째로 충격을 흡수하는 기전은 슬관절에서 흡수한다. 위와 같이 보행 시에 발과 족관절의 운동성은 다양하다. 그러나 아직 임상에서는 발과 족관절에 대한 연구가 미흡하다. 따라서 발의 역학적인 범위의 다양성과 발의 내적인, 외적인 부하 사이의 관련성을 위한 더 많은 연구가 필요할 것으로 생각된다. Purpose : This study shows the movements of the ankle and the foot in walking stages, and helps to diagnose and treat the problems of the ankle and the foot. The foot in human is a mean of the transportation, body support, and shock absorber. However, the slightest changes in the anatomical position can cause a significant increase of the stress and force in the ankle and the foot. The regular compressive force in the ankle of the normal person is generated by the contraction of the gastrocnemius and popliteus muscles, and transmitted to the achilles tendon. The plantar flexion about 10 degrees occurs immediately after the heel strike, getting ready for the weight acceptance. The shear force about 80 % of the body weight is generated immediately after the heel off of the mid stance phase. In those who have a problem in the ankle, the compression force at the ankle decreased to 1/3 of the body weight, and the shear force decreased, and the compressive force was reached at their maximum level earlier than the normal people. Conclusion : Analysis of the movements at the ankle and the foot in walking phase can make the effort to diagnose and treat the ankle and foot with the problems. However, the further study is necessary.