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- 저자 : 이예원(Lee, Yewon) (검색결과 62 건)
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이미지분석 모델링 기반 고령자 주거우울 측정 연구 -K-HTP를 중심으로-
이예원,박종욱,우성주,Lee, Yewon,Park, Chongwook,Woo, Sungju 국제문화기술진흥원 2018 문화기술의 융합 Vol.4 No.3
With the increase of the elderly population, demand for improvement of quality of life and measurement of mental state has increased. However, much of the self-reported diagnosis does not reflect cognitive impairment. This study aims to measure the dwelling depression by applying K-HTP and verify the validity. 301 persons over 65 years old who live as single and couple households in Daejeon and surrounding districts were surveyed during 22 January to 2 February, 2018. The correlations between the dwelling depression and K-HTP are clarified and the validity was evaluated. The correlations between the geriatric dwelling depression index(GDDI) and the GDDI based on K-HTP(GDDI-K) are clarified and the accuracy was analyzed. The results showed that the K-HTP can be utilized to measure the dwelling depression. We suggested a new measurement tool and provide further benefits for researches on diagnoses using the projective method.
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이예원(Lee, Ye-won) 한국국악교육학회 2022 국악교육 Vol.51 No.51
20세기 전반기에 발매된 유성기 음반에는 동시대 전통음악의 존재 양상이 독주, 합주, 반주 등에 걸쳐 다양하게 수록되어 있다. 그러나 가야금이 유성기 음반에 담긴 각종 장르에 어떻게 반주악기로 참여되었는지에 관한 연구는 미진하였다. 본 연구에서는 유성기 음반에 수록된 가야금 반주양상을 전통음악과 창작음악으로 나누어 살펴보았다. 그 결과, 과거로부터 전승되어온 판소리, 단가, 시조 민요, 잡가, 무악 등의 전통음악과 일제강점기에 새롭게 작곡된 창작판소리, 신민요, 대중민요, 유행가 등의 창작 음악 등 총 10종의 분야, 77면에 가야금이 반주악기로 전개되었는데, 거문고 13면, 대금 50면에 비하여 높은 빈도수를 나타냈다. 이는 조선 후기까지 독주와 합주 형태의 음악 양식이 주를 이루고 있던 것에 비해 상업적 의도에 의해 대중적으로 인기가 높았던 유성기 음반 등장 이후 가야금이 반주악기로도 다양한 종목에 선호되며 활용되었다는 것을 의미한다. 그리고 가야금 반주에 참여한 연주자는 심상건, 오태석, 강태홍, 이소향, 김금암, 조상선, 김일춘, 김우학, 이일선, 김해선, 김칠성, 권금주, 김종기, 석산월, 김갑자 등이었다. 또 시기별로 가야금 반주 장르의 구분도 나타났는데, 1920년대 중반부터 시조, 경기민요, 판소리 단가, 잡가 등의 녹음에 가야금이 반주악기로 참여하였고, 1930년대부터 판소리, 단가, 창작판소리, 시조, 민요, 신민요, 대중민요, 유행가, 잡가, 무악 등의 반주악기로 수반되면서 확대되어 가는 양상이었다. 특히 19세기 후반기까지 장고와 북과 비교적 소규모 편성의 반주형태에서 유성기 음반에 활용된 가야금은 독주 악기는 물론 다른 악기들과 중주, 합주 형태의 반주악기로 활용되면서 다양한 연주 분야에 참여하게 된 것이다. 또한 새롭게 일제강점기에 창작된 성악곡에도 가야금과 같은 전통 국악기와 바이올린, 탬버린, 관현악이 반주악기로 동참하면서 선양합주(鮮洋合奏) 형태를 적극적으로 수용해 나갔다. 이는 유성기 음반에 반주악기로 참여한 가야금이 외국 문물의 영입에 따른 시대적 변화에 적응하고 대중적인 기호를 반영하였으며, 연주 영역의 확대, 서양악기와의 혼주(混奏)를 통해서 악기로의 내, 외형을 넓히는 근간이 되기도 하였다. 또한 반주자들 역시 조선 후기보다 대중들의 선호에 따라 가야금 음악을 대중화하는 데 이바지 하였다. Gramophone records released in the first half of the 20th century involves diverse traditional music of the same age in the forms of solo, ensemble, accompaniment, etc. However, study on how gayageum became involved as an accompaniment instrument in various genres of music in gramophone records is insufficient. In this study, the patterns of gayageum accompaniment in gramophone records were classified into traditional music and creative music. Based on the result, gayageum accompaniment developed in 77 sides of 10 genres, which were traditional music inherited from the past such as pansori, danga, sijo, folk song, japga, and muak and creative music that were newly composed during the Japanese occupation such as creative pansori, new folk song, popular folk song, and popular song, showing a higher frequency compared to geomungo (13 sides) and daegeum (50 sides). This signifies that gayageum was favored and utilized in various genres after the appearance of gramophone record, which was introduced for commercial intent and became popular among the public, compared to the late Joseon Dynasty where solo and ensemble were the dominating music forms. The performers who participated in gayageum accompaniment included Sim Sanggeon, Oh Taeseok, Kang Taehong, Lee Sohyang, Kim Geumam, Jo Sangseon, Kim Ilchun, Kim Woohak, Lee Ilseon, Kim Haeseon, Kim ChilSeong, Gwon Geumju, Kim Jonggi, Suk Sanwol, and Kim Gapja. In addition, the genre of Gayageum accompaniment differed by period. Gayageum participated as an accompaniment instrument for sijo, Gyeonggi folk song, pansori, danga, japga, etc. from the mid-1920s and for pansori, danga, creative pansori, sijo, folk song, new folk song, popular folk song, popular song, japga, muak, etc. from the 1930s, and further expanded thereafter. Especially, gayageum was used as an accompaniment instrument in gramophone records in a relatively small arrangement along with jango and buk until the late 19th century, but as it began to be used with solo instruments and with a number of instruments in quartet and ensemble, it participated in many fields of performance. Moreover, traditional Korean musical instruments such as gayageum, violin, tambourine, and orchestra participated in vocal music newly created during the Japanese occupation as accompaniment instruments, actively accepting Joseon-occident ensemble. This became the foundation of gayageum (which participated in gramophone records as an accompaniment instrument) to adapt to the periodical change following the introduction of foreign culture, to reflect the public preference, to expand the field of performance, and to expand the inner and outer appearances as a musical instrument through the mixed performance with western instruments. Accompanists also contributed to popularizing gayageum music according to the public preference more than in the late Joseon Dynasty.
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이예원 ( Yewon Lee ),윤요한 ( Yohan Yoon ) 한국낙농식품응용생물학회 2020 Journal of Dairy Science and Biotechnology (JMSB) Vol.38 No.1
Allergic diseases, including atopic dermatitis, asthma, allergic rhinitis, and food allergies, could be caused by dysbiosis that results in an immune system imbalance. The incidence of allergic diseases has been increasing and they are now one of the most common diseases throughout the world. Recently, probiotics have been suggested as an alternative intervention for the prevention and treatment of allergic diseases. Probiotics are endogenous microflora with functional effects within hosts. They have various clinical and immunological capacities and have recently been considered as a supplement for the treatment and prevention of allergic diseases. Probiotic bacteria modulate immune cells such as Th1, Th2, and regulatory T cells that are correlated with protection against atopic dermatitis, however, safety concerns for the use of probiotics have been raised. Therefore, further research is needed to clarify the efficacy and safety of probiotics in the treatment of allergic diseases.
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