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RISS 인기검색어
- 검색키워드
- 저자 : 이성여 ( Sheng Yu Li ) (검색결과 2 건)
- 무료
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샤론 에얄의 안무 특성 연구 : 수잔 손택의‘뉴 감수성’ 중심으로
이성여 ( Sheng Yu Li ),이지희 ( Ji Hee Lee ) 대한무용학회 2023 대한무용학회논문집 Vol.81 No.4
The research objective is to study the dance characteristics of Sharon Eyal with her work Half Life, as the center based on the “new sensibility” perspective proposed by Susan Sontag. As one of the most active modern dancers, Sharon Eyal is famous for her unique work style, which is also closely combined with commerce, achieving strong contemporaneity and influence. Judging from the background of Sharon Eyal's unique dance style, it can be inferred that it is closely related to Sharon Eyal's ability to make full use of her senses. In the work Half Life, the audience's senses can be maximized by the most basic dance elements, without any stage installations, props, media tools, or complicated costumes, which can still bring sensory impact and new sensory experiences. When the audience is watching the work, they only need to observe and feel it. It can be seen from the analysis of the work Half Life that Sharon Eyal made good use of and well interpreted Susan Sontag's “new sensibility,” since they have similar understanding of art. It hopes that through this thesis, different opinions and perspectives can be put forward to provide a reference for the creation and appreciation of modern dance.
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집단기억에 기반한 현대춤 연구: - 호페쉬 쉑터의 작품 「Grand Finale」을 사례로 -
이성여 ( Sheng Yu Li ) 대한무용학회 2024 대한무용학회논문집 Vol.82 No.2
The research studies the performance of collective memory in 「Grand Finale」 works based on the theory of collective memory proposed by Maurice Halbwachs. Hofesh Shechter is one of the most popular modern dance choreographers today. Hofesh Shechter's works are unique and personalized in style, full of drama and clever expression of emotion. His works pay high attention to social issues and human nature, and often arouse the resonance and thinking of the audience. This paper argues that the success of this work is closely related to the collective memory. Through the analysis of the theme, choreography style and representative work of 「Grand Finale」, we can find the way of shaping the collective memory of the modern dance works. It can also be used to understand the role of collective memory in arousing the audience in modern dance works.
KCI
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