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유정숙 ( Jung Suk Yoo ) 한국언어문화학회 2009 한국언어문화 Vol.0 No.40
This paper is an attempt to trace back the emergence and the formation (the constitutive factors) of the discourse on women in Taekeukhakbo during the Korea`s enlightenment period, more precisely, in 1905-1910. Taekeukhakbo is the major academic journal during that time. In order to examine the socio-historical conditions and the constitutive factors of women`s discourse in Taekeukhakbo, this work should be understood/dealt within the context of the making of modern `nation-state` discourse and civilization-enlightenment. Obviously, they are the major dominant discourses during that time. This paper will mainly deal with the following topics: how they define `women`; what is to be women; what are women`s duties and positions in the social reality of the time; what is a good mother and wife; in what context, the discourse of good mother and wise wife are produced and mostly needed; how `real` women writers as historical beings acted and reacted to those dominant female`s values and social norms. Initially, the discourse of women in Taekeukhakbo operates in the framework of the concepts and ideologies on modern nation-state and civilization-enlightenment. Within doing so, Korean `women` emerged as new gungmin(國民, the citizen of nation-state) in the public communication world of Korea. Korean women are identified as gungmin (identification). To create the new identity of modern women, they often utilize a series of contrasts; duality, opposition, and symmetry. In this sense, western women are modernized (civilized women) and educated, which are the representations of ideal women. In this discourse, Korean women are often described as slave for or inferiors to Korean men. More importantly, the discourse of Korean women and its constitutive principles often present paradoxes. For example, Korean women are equal as gungmin like men. They, however, are to be gendered gungmin such as wise mothers and good wives excluded from the society. The women`s discourse in Taekeukhakbo are constructed through either the difference or equality of gender.
유정숙(Yoo, Jeongsook) 담화·인지언어학회 2015 담화와 인지 Vol.22 No.1
It has generally been accepted that the deverbal nouns (DVN, in short) of light verbs, as in ‘have a walk’, ‘take a ride’ and ‘give the floor a sweep’, are treated as unstable NPs in that those nouns rarely undergo syntactic operations such as wh-movement, passivization, pronominalization, and occurrence with definite articles, as suggested in Kearns (2002). Nevertheless, many spoken data from various corpora (COCA, BNC, WebCorp, etc.) reveal examples with DVNs, unexpectedly, taking other determiners or breaking their frozen status structurally, which provides the evidence to the contrary. This study argues that DVNs should be divided along the gradient scale with degrees of specification between ‘nouny’ and ‘verby’ poles. This gradient division can apply to the divisions not only between pure light verbs such as have, take, or give and vague light verbs such as make, but also between each of the pure light verbs. The study also demonstrates that the DVNs in many spoken data create a continuum where on the leftmost end lie the most verby DVNs allowing only an indefinite article, on the rightmost end the most nouny DVNs allowing even definite articles and in between the nouny and verby DVNs allowing plural forms, ‘the kind of’, ‘that’, and topicalization.
거대억새(Miscanthus sacchariflorus)의 혐기소화를 위한 메탄생산 퍼텐셜 분석
유정숙 ( Jung-suk Yoo ),김창현 ( Chang-hyun Kim ),윤영만 ( Young-man Yoon ) 한국환경농학회 2017 한국환경농학회지 Vol.36 No.1
BACKGROUND: This study was carried out to assess a biochemical methane potential of giant miscanthus (Miscanthus sacchariflorus) which was a promising candidate energy crop due to a high biomass productivity, in order to utilize as a feedstock for the biogas production. METHODS AND RESULTS: Giant miscanthus was sampled the elapsing drying time of 6 months after harvesting. TS (Total Solid) and VS (Volatile Solid) contents were 94.7 and 90.8%. And CP (Crude Protein), EE (Ether Extracts), and CF (Crude Fiber) contents of giant miscanthus were 1.4, 0.46, and 46.12%, respectively. In the organic composition of giant miscanthus, the NDF (Neutral Detergent Fiber) representing cellulose, lignin, and hemicellulose contents showed 86.88%, and the ADF (Acid Detergent Fiber) representing cellulose and lignin contents was 62.91%. Elemental composition of giant miscanthus showed 47.75%, 6.44%, 41.00%, and 0.28% for C, H, O, and N, respectively, and then, theoretical methane potential was obtained to 0.502 N㎥ kg<sup>-1</sup>-VS<sub>added</sub>. Biochemical methane potential was assessed as the range of 0.154∼0.241 N㎥ kg<sup>-1</sup>-VS<sub>added</sub> resulting the lower organic biodegradability of 30.7∼48.0%. CONCLUSION: Therefore the development of pretreatment technology of the giant miscanthus was needed for the improvement of anaerobic digestability.
최인훈의 희곡 「달아 달아 밝은 달아」 연구 -여성성의 재현과 그 의미를 중심으로-
유정숙 ( Jeong Sook Yoo ) 우리어문학회 2006 우리어문연구 Vol.27 No.-
This thesis aims to analyze Sim-Chung`s (the heroine`s) character and then discuss the significant meaning of the character from the viewpoint of Feminism. The story mainly based on the heroine, Sim-Chung`s sexual violence and abuse, is very different from the original text of the classical novel called Sim Chung Jeon, except for the main characters and the motif of a human sacrifice made by the heroine, Sim-Chung. In terms of feminist perspectives, femininity is organized by various forms of modern discourses and public recognition of females-gender and sexuality or mass media such as movies, TV and performances. Thus, femininity becomes less related with a woman`s nature and her essence. Most of Choi, In-Hun`s dramas including his novels reflect the corruption of the contemporary society and present important and crucial issues in the 1970`s in Korea. As a result, Sim-Chung`s through her image and character in this drama is described as a sex-partner to a man. It implies that a woman is sexually dominated by a man. Another characteristic of Sim-Chung enhanced her noble idea to her lover, Kim Seo-Bang, and her spirit of filial duty towards her father and her. This thesis discovers the characteristics of Sim-Chung, and the significance of represented femininity of Sim-Chung. Femininity in the drama shows the concrete sexual symbolism in Korean modern Literature.