예비유아교사의 전문성 신장을 위한 멘토링 현장실습 프로그램 적용 및 효과- 멘티의 변화를 중심으로 -

유수경,황해익 한국영유아교원교육학회 2010 유아교육학논집 Vol.14 No.6

The purpose of this study was to apply Yoo Soo-kyung & Hwang Hae-ik (2009)’s mentoring practice program geared toward enhancing the quality of early childhood education and the professionalism of teachers, to examine its effect and ultimately to give some suggestions on the effective application of the program. The subjects in this study were 10 mentor teachers and 30 mentees. The mentoring practice program was conducted during an eight-week period of time as one of the teaching practice courses in K college. After the program was provided as one of the teaching practice courses to the pre-service early childhood teachers who were being educated to teach preschoolers, all the qualitative and quantitative data gathered during the implementation of the program showed that the mentoring practice program produced good effects. It confirmed that the mentoring practice program could be a successful way to step up the professional development of pre-service early childhood teachers and ensure the efficiency of student teaching in colleges of education. 본 연구는 유아교육의 질적 향상과 교사의 전문성 강화를 도모하기 위하여 유수경과 황해익(2009)이 개발하여 제안한 바 있는 멘토링 현장실습 프로그램을 예비유아교사에게 적용함으로써 그 효과를 검증하고 추후 효과적인 적용을 위한 시사점을 제안하는 것을 목적으로 하였다. 이를 위하여 멘토링 현장실습 프로그램을 멘토교사 10명, 멘티 30명을 대상으로 K대학의 사전실습과정에 8주간 적용하였다. 멘토링 현장실습 프로그램을 교사양성과정에 있는 예비유아교사의 사전실습과정에 적용한 결과 프로그램 적용과정에서 수집되어진 양적·질적자료 모두에서 긍정적인 효과가 있음이 보고되었으며 이를 통해 멘토링 현장실습 프로그램이 예비유아교사의 전문성 신장을 도모할 수 있을 뿐 아니라 교사양성기관의 효과적이고 체계적인 실습 프로그램 운영을 도모하기 위한 대안적 방안으로 그 역할을 할 수 있음을 확인할 수 있었다.

유치원 미술활동 운영에 대한 현상학적 접근

유수경,박선미 한국생태유아교육학회 2008 생태유아교육연구 Vol.7 No.1

This study is a phenomenological study to explore the meaning of art activities in the kindergarten. Thorough this, we aimed to provide the framework for effective operation of art activities. The data was collected by participants' observation, video-recording, and individual interviews. As a result of the study, the meanings of operating art activities were revealed as follows: 1) a dual structure in the operation of activities 2) the acquisition of skills through imitation of teacher's technique 3) tacit rules embedded in the activities 4) the expression of conventional sympathy 5) admirable presents from children. Thus, this study suggest that kindergarten teachers need to reflect and reconsider their roles in the art activities, and develop their abilities and qualities that lead children's expressional activities to meaningful experiences during art activities in the kindergarten. 본 연구는 현재 유치원 교육현장에서 이루어지고 있는 미술활동에서 교사와 유아가 경험하는 실제적 경험의 의미를 이해하고 이를 통해 효과적인 미술활동 운영을 위한 기초를 제공하는 데 목적을 둔 현상학적 기술이다. 본 연구의 유치원 미술활동 현상은 일과운영 시간동안 이루어지는 미술활동 운영의 내용을 중심으로 수업관찰, 수업내용 녹화 및 전사, 그리고 교사 개별면담을 통해 기록되었다. 분석결과, 현재의 유치원 미술활동의 운영은 1) 활동 운영의 이중적 구조, 2) 모방을 통한 기술습득, 3) 활동 속에 내재된 암묵적 규칙, 4) 상투적인 공감, 5) 유아들이 주는 경이로운 선물 등의 양상으로 나타났다. 이와 같은 결과를 통해 학급교사와 미술전담 교사간의 충분한 의사소통이 이루어질 수 있는 구조의 마련 및 유아가 미술활동에 있어서 자율적이고 능동적인 역할을 하도록 배려하는 교사의 반성과 역할 재고의 필요성, 그리고 유아의 표현활동이 의미 있는 경험으로 이어질 수 있도록 하는 교사의 자질을 계발시키려는 노력 등 참다운 미술교육을 지향하기 위한 교사의 의식적인 인식제기가 요청된다.

인도 복식에 관한 고찰 : 바지의 전파와 토착화를 중심으로 Focusing on Distribution and Localization of Tailored Garment

유수경 服飾文化學會 2003 服飾文化硏究 Vol.11 No.6

In this study, the researcher investigated how tailored garment were accepted and developed in India where the traditional costumes, such as Sari and Dhothi, excluding the tailored process, were mainly worn. It is suspected that pants and coats were first introduced during the Kushan Dynasty but they scarcely influenced on the costumes of India. In the 7th Century when Islam made its entrance in India, pants and coats were not accepted in India due to the exclusive attitudes of Indians, Hindu. Pants and coats were worn locally as Indian costumes through the Islamic Mughul Empire in the 16th Century. During that period, the cultural exchange between Islam and Hindu made the change of the clothes of India reflected the mixing of Islamic and Hindu elements. The colonization of India by Great Britain that was the turning point fur diverse kinds of tailored garment in the costume history of India inasmuch as western elements were introduced. The western style tailored method and design changed the appearance of Indian pants into slimmer style. The style spread and influenced on the design of indian clothes greatly; hence, western style shirts and coats were accepted in India.

논문(論文) : 말뭉치자료(Corpus)에 근거한 현대중국어 "V下"구조의 의미 분석

유수경 한국중문학회 2011 中國文學硏究 Vol.42 No.-

本文根據認知理論, 對現代漢語"V下"的意義進行分類, 幷通過語料分析, 了解實際使用情況。本文首先根據[+方向]和[+位移]意義特征, 把"V下"分爲"V下1"和"V下2"兩大類, 然後利用槪念基(base), 側面凸顯(profile)及認知域(domain)槪念, 給"V下1"和"V下2"下分次類。語料分析的結果如下: 趨向補語"下"大多和單音節動詞結合, 隨著"下"語法化程度的加深("V下1-1"至"V下2-7"), 能與"下"相結合的"V", 其範圍從動態動詞擴展到靜態動詞乃至形容詞。在"V下"所表的衆多意義之中, 適用於"V下去"結構的"V下1-3"(吃類意義)的使用頻率較低, 適用於"V下去"結構的"V下2-3"(凹陷意義)和"V下2-4"(加壓意義)的例子寥寥無幾。這表明, "V下"義有主次之分, 這與參照點("來", "去")的空間, 隱喩意義息息相關。

뇌손상 환자 가족의 부담감과 간호요구

유수경 경북대학교 간호과학연구소 2002 경북간호과학지 Vol.6 No.1

마들렌느 비오네의 작품에 나타난 기하학적 특성에 관한 연구

유수경,김의경 服飾文化學會 2002 服飾文化硏究 Vol.10 No.6

The aim of this research is to analyze Vionnet's geometric features, which can be regarded as the key formative beauty among the external characteristics of her works, and to thereby establish the theory that her works emitted a time-transcending life force because they were patterns designed based on a geometrical frame of mind. To prove such argument, atudies to understand the basic geometrical aspects appearing in her works will be made by taking a look at the general features of geometry, viewing Vionnet's philosophy for designing and examining the geometric cutting methods. The period covered in this paper will center mainly on dresses Vionnet made from her very active days in the fashion sector. 1919, till when she retired from the fashopn industry, around 1939. What's outstanding about Vionnet's geometric principle expressed in her works is the unique cutting method that acknowledges the silhouette of the human body as a cubic or three-dimensions concept, through insight of the human body, the mechanics of the materials, and geometry. Vionnet introduced a simple and elegant design by combining geometric figure cuts, such as rectangles, quadrants, and triangles Moreover, she created a new sewing structure that plans everything about the materials to the tiniest detail, resulting in producing a softer style. With this, Vionnet showed the geometrical correlation can bring about harmony and the beauty of ideal proportion forming the source of eternal beauty. As discussed so far the geometrical characteristics appearing in Vionnet;s works are marked such as spirals, zig-zag lines, asymmetries, panels, gradation. golden proportion, and the mobius-band.

라트케열 낭의 내분비학적 특징-병리학적으로 확인된 7예 분석-

유수경,김연경,김혜진,김대중,정윤석,이관우,김세혁,조경기 대한내분비학회 2007 Endocrinology and metabolism Vol.22 No.1

Rathke's cleft cyst is a cystic sellar or suprasellar lesion thought to originate from the remnants of Rathke's pouch. It is characteristically lined by a single layer of ciliated cuboidal or columnar epithelium. Although small asymptomatic Rathke's cleft cysts have been reported at autopsy in 2~26% of normal pituitary glands, symptomatic cysts are rare. For patients with symptomatic Rathke's cleft cysts presentation with headache, pituitary dysfunction, and visual loss caused by compression of the optic chiasm in the event of suprasellar extension, is common. We report the endocrine characteristics of seven cases of patients with symptomatic Rathke's cleft cyst diagnosed with pathologic confirmation. (J Kor Endocrinol Soc 22:74~79, 2007) 라트케열 낭은 일반적으로 증상이 없어 부검상 우연히 발견되는 터키안 혹은 터키안주위에 위치하는 비신생물의 상피성 병변이다. 저자들은 두통, 뇌하수체 기능저하증 등의 증상을 동반하여 낭종 부분절제술을 시행한 라트케열 낭 환자 7예를 병리학적으로 확진하여 내분비학적 특징을 분석하여 보고하는 바이다.

‘上’, ‘上面’, ‘上边’의 어법특성 비교

유수경 한국중국언어문화연구회 2014 한중언어문화연구 Vol.- No.36

‘Shang(上)’, ‘Shang-mian(上面)’ and ‘Shang-bian(上边)’ might be recognized as the elements which have the identical function due to their high formal and sematic similarity but practically there is the discrepancy of the grammatical properties among them. This paper attempts to understand the grammar properties through the syntactic and semantic analysis as well as the characteristic of the Chinese localizers further more. Syntactically, Shang is a bound form and Shang-mian and Shang-bian are a free form. Hence it is appeared that those have the different characteristic at the sentence distribution, combination structure and function etc. It is discovered that Shang-mian is used to express only the upper position and the part of abstract range also, Shang-bian is used to describe only the upper position due to its strong restriction whereas Shang is semantically used to state the diverse/widespread senses such as the upper position, space and abstract range and so on. This is caused by the different grammarticalization degrees among Shang, Shang-mian and Shang-bian. It is believed that understanding this phenomenon basically would be helpful to study the Chinese education, grammacticalization and word class.

Positional relationship between mandibular third molar and mandibular canal incone beam computed tomographs

유수경,이지운,김경아,고광준 대한영상치의학회 2007 Imaging Science in Dentistry Vol.37 No.4

Purposethird molar and the mandibular canal.Materials and Methods: Eighty-nine mandibular third molars were classified as mesioangular, horizontal, verti-cal, distoangular groups. The distances between the mandibular third molar and the mandibular canal were measur-ed in cone-beam computed tomographs. The height and width ratios of distances from the mandibular third molarand the mandibular canal to the mandibular inferior border and to the lingual cortical plate were calculated. Results: The vertical and buccolingual distances between the mandibular third molar and the mandibular canal-1.50mm, 1.38mm in the verti-cal, -1.10mm, 4.20mm in the distoangular group. There were significant differences in vertical(P0.05), but notin buccolingual (P¤ 0.05). The height and width ratios of distances on the mandibular third molar were 47.1%,36.1% in the mesioangular, 47.4%, 34.4% in the horizontal, 37.0%, 46.7% in the vertical, 40.9%, 37.4% in thedistoangular group. There were significant differences between the mesioangular and the vertical group, and thehorizontal and the vertical group in height ratio(Pin width ratio (P0.05). The height and width ratios of distances on the mandibular canal showed no significantdifferences between groups(P¤ 0.05). Conclusion : The mesioangular group showed the nearest distance between the mandibular third molar and themandibular canal vertically. The root apex of the mandibular third molar was positioned more buccally in the verti-cal group than in the mesioangular group. (Korean J Oral Maxillofac Radiol 2007; 37 : 197-203)

Anesthesia for liver transplantation from a maastricht category 4 non-heart-beating donor -A case report-

유수경,김갑수,정준영 대한마취통증의학회 2010 Korean Journal of Anesthesiology Vol.59 No.-

Great improvements in patient selection, surgical techniques, perioperative care, and immunosuppression have been made for the optimization of liver transplantation. To increase the number of organs available for liver transplantation, transplant centers have used marginal donors, split livers, living donors, or non-heart-beating donors (NHBDs). Despite recent enthusiasm for NHBDs in liver transplantation, warm ischemic injury to recovered organs has been an obstacle for the wide acceptance of NHBD. In the present case, we have conducted a liver transplantation from a Maastricht Category 4 NHBD. Warm ischemic time was 20 minutes and cold ischemic time was 5 hour 43 minutes. Consequently, the liver was successfully transplanted into the recipient.