청정 제주 자연 이미지 효과적 표현 - (주)고내촌 '한라보리 고추장' 베스트패키지디자인어워즈 대상수상

신지영,Sin, Ji-Yeong (사)한국포장협회 2009 包裝界 Vol.190 No.-

한국상품문화디자인학회는 국내 기업의 상품 개발 의욕과 인력을 고취시키겠다는 취지 아래 1995년부터 베스트 패키지디자인어워드를 제정, 브랜드 아이덴티티, 제품 그래픽스, 용기디자인 부문으로 수상자를 선정하고 있다. 지난해 12월 6일 코리아디자인센터에서 열린 2008 베스트패키지디자인어워즈에서는 (주)고내촌의 '한라보리 고추장'이 대상을 차지했다. 이번 패키지디자인을 진행한 (주)오너디자인연구소 신지영 차장에게 제품 패키지 특성에 대한 설명을 들어보았다.

두 가지 장비를 이용한 각막곡률 및 각막고위수차의 비교

신지영,이민영,정소향,Ji Young Shin,Min Young Lee,So Hyang Chung 대한안과학회 2014 대한안과학회지 Vol.55 No.12

Purpose: To investigate the correlations of keratometry and corneal high order aberrations (HOAs) between the Keratron Scout videokeratoscope and the Pentacam HR Scheimpflug camera. Methods: From December 2012 to February 2013, keratometry and corneal HOAs were determined using the Keratron Scout videokeratoscope and Pentacam HR Scheimpflug camera in 23 healthy individuals (46 eyes). Results: Average keratometry showed high correlation with 95% confidence interval -0.155 ± 0.37 between the Keratron Scout and Pentacam HR. When comparing HOAs of the Keratron Scout and total corneal HOAs of Pentacam HR, total root-meansquare (RMS), and spherical aberration were positively correlated between the 2 devices (r = 0.67, <EM>p </EM>< 0.001 and r = 0.74, <EM>p</EM> < 0.001, respectively). When comparing HOAs of Keratron Scout and anterior corneal HOAs of Pentacam HR, total RMS, spherical aberration and coma were positively correlated between the 2 devices (r = 0.62, <EM>p </EM>< 0.001, r = 0.81, <EM>p </EM>< 0.001, and r = 0.52, <EM>p</EM> = 0.047, respectively). Conclusions: Although the 2 devices are based upon different principles, the Keratron Scout videokeratoscope and Pentacam HR Scheimpflug camera showed positive correlations in keratometry, total RMS, spherical aberration, and coma. Both devices may be useful for clinical applications. J Korean Ophthalmol Soc 2014;55(12):1758-1764

『西廂記』의 喜劇的 構造와 人物

申智瑛 이화여자대학교 인문과학대학 중어중문학과 1992 梨花馨苑 Vol.4 No.-

로베르트 무질의 『특성 없는 남자』에 나타난 유토피아 구상과 그 이념사적 위상

신지영 서울대학교 독일어문화권연구소 2007 독일어문화권연구 Vol.11 No.4

Robert Musils Roman Der Mann ohne Eigenschaften ist mit Blick auf die Utopietradition und die Utopiebegriffe so komplex, daß man ihn geradezu als „Summe abendländischen utopischen Denkens“ (Voßkamp) bezeichnen kann. Dabei hat die Musilforschung bisher vor allem herausgestellt, daß der Utopismus nicht nur Ulrichs Existenzform als die eines „Möglichkeitsmenschen“ begründet, sondern auch als Musils Stil- und Schaffensprinzip den ganzen Roman regiert. Indem auf diese Weise aber der Utopismus so sehr in den Vordergrund getreten ist, sind darüber von der Forschung die materialen Utopien des Romans fast völlig vernachläßigt worden. Die diversen in Musils Roman vorkommenden Utopien, von der „Utopie des exakten Lebens“ bis zu der des „anderen Zustands“, wurden bisher entweder nur als Funktionen des „Möglichkeitssinns“ betrachtet, oder es wurde als einzige die Utopie des „anderen Zustands“ als subjektive und augenblickshafte Privatutopie ernst genommen. Dagegen erhellt eine inhaltliche Untersuchung der Gesamtheit der Utopien im Mann ohne Eigenschaften, daß diese einander nicht einfach nacheinander ablösen, sondern die verschiedenen Utopien funktional voneinander abhängen und sich unter die oberste Kategorie der „Utopie der induktiven Gesinnung“ fügen. Die Erhellung dieser Zusammenhänge fördert desweiteren zutage, daß Musil mit diesem System von Utopien auf nichts anderes als auf die Überwindung der Dialektik der Moderne, also der in „Ratio und Mystik“, die Vernunft und ‚das Andere‘ der Vernunft auseinandergefallenen modernen Welt, zielt. Nach Musils eigener Darstellung werden im „MoE“ „die Sinnfragen der Existenz des modernen Menschen […] aufgeworfen und in einer ganz neuartigen, aber sowohl leicht-ironischen wie philosophisch tiefen Weise beantwortet“. Musil sieht seine Zeit in „Rationalität u. Mystik“ polarisiert. Mit der ‚Rationalität‘ meint Musil den „Geist der Positivität“ der Tatsachenwissenschaften, der die Dinge und Menschen in Formelsysteme auflöst und damit auch das „anthropozentrische Verhalten“ („Es ist eine Welt von Eigenschaften ohne Mann entstanden“). Das Ergebnis ist: „Gewinn an Wissen, Verlust an Leben“. Aus Furcht vor der wachsenden Sinnlosigkeit des Lebens durch die wissenschaftliche Ratio tritt das ‚Andere der Vernunft‘ als Instanz der Sinngebung auf. Der „andere Zustand“ bei Musil ist der moralische, ästhetische Schöpfungszustand, in dem der Mensch von seiner objektiven Bestimmung durch die Wissenschaft und normative Moral befreit ist und die Vereinigung von Subjekt und Objekt erlebt. Aus ihm geht eine Vielzahl partikularer Weltanschauungen als Ersatzreligion hervor, die aber wie die Mode kommen und gehen. So macht die Fülle an Tatsachenwissen einerseits und der „Polytheismus“ der Werte (Max Weber) andererseits die „geistige Unordnung jener Zeit“ und die Dialektik der Moderne aus. Als Allegorie der gottlosen, metaphysikfreien modernen Welt stellt der Roman „Kakanien“ vor, dessen Bewohner sich „ständig im Gefühl der unzureichenden Gründe der eigenen Existenz“ befinden. Die „Parallelaktion“, das Ereignis im ersten Band des Romans, ist das kakanische Unternehmen, eine „vereinheitlichende“ Idee zu finden. Musils Strategie gegenüber dieser Zeitproblematik ist der Utopismus und die Utopie. Musil stellt mit dem Mann „ohne Eigenschaften“ (Ulrich) das in Formelsysteme aufgelöste Subjekt als Souverän wieder her und verankert mit dem „Möglichkeitssinn“ den Utopismus anthropologisch. Die verschiedenen Utopien im Roman sind das der ‚Parallelaktion‘ entsprechende Projekt Ulrichs, dessen übergreifende Struktur die „Utopie der induktiven Gesinnung“ bildet. Wenn man unter dem Projekt der Moderne, der Aufklärung, dasjenige Unternehmen versteht, „die vereinigende Kraft der Religion im Medium der Vernunft zu regenerieren“ (Habermas), so handelt es sich bei der „Utopie der...

강제동원 기록문학의 첫자리, 그리고 ‘옥순이’ : 안회남의 중편소설 「탄갱(炭坑)」

신지영 근대서지학회 2019 근대서지 Vol.- No.20

《소봉래선관전기(小蓬萊仙館傳奇)》-타협과 절충의 미학

신지영 중국어문학회 2005 中國語文學誌 Vol.18 No.-

戱曲 藝人 교육의 발전에 대한 試探

신지영 중국어문학회 2003 中國語文學誌 Vol.13 No.-

這篇文章的目的是考察中國古代以來的民間戱曲敎習機構. 曆代中國戱曲敎習從兩個方向進行的. 第一是官方和宮廷掌管的機構, 秦漢以來戱曲敎習的官方組織隋時代不同而有種種稱謂, 代表性的有敎坊梨園南府等等. 敎坊的創置在唐代, 掌管宮廷和官方的演員及演出. 敎坊除了宮廷的 "雅樂"以外, 還管掌了百戱的敎習和舞台演出. 梨園也是在唐代敎育宮廷藝人的機構, 在這里玄宗直接監督過演員, 因此當時把梨園的演員叫 "皇帝梨園弟子". 后代人把戱曲劇團叫成梨園, 兒把演員叫成梨圓弟子都是根據唐代的梨園. 淸代的宮廷演出機構稱爲南府(后來變成升平署), ??網羅了大批民間的優秀藝人, 幷敎習太監與藝人子弟. 這樣的官方組織是在少數者控制下的專門機構, 用于宮廷儀式·宗敎祭祀·飮宴出行和提供聲色之娛. 第二是民間里形成的戱曲敎習的形態. 當時民間藝人像手工技術人大部分通過個人和個人之間的師承關系. 師承是民間性的, ??不像宮廷和家樂主人操持, 而常表現爲個人之間的師承關系. 師承一般有兩種形式, 一是非血緣關系的師徒傳承, 二是在家族內部的世代相傳, 這兩種形式在中國古代都極爲普遍. 這個辨法有種種明顯的缺點, 藝術傳授的單純, 口傳心受的方式, 都不利于演員的全面成長. 科班是中國最爲完善的演員培養機構, 古代演員敎育的集大盛者. ??融合了宮廷·家樂和民間私學的多種培養辨法, 體現了演員敎育的最高成就. 成熟的科班當是京劇形成以后的産物, ??不僅僅是京劇的演員培養機構, 淸末衆多的地方戱大都也有自身的科班. 在中國科班曆史上, 體制最爲完善, 時間延續也最長的是創建于一九九零四年的富連成科班. 這個科班直置一九四三年才解散. 科班的基本特色是融敎學與實踐爲一體, ??體現了中國近代演員敎育的一大進展. 特別富連成科班通過比較有條理的敎育方式敎學生, 在三十年多的時間來派出了七百多的演員. 富連成的敎育方式也算是當時戱曲改良運動之一.

한국어 음소 전이 빈도: 3세~8세 아동의 자유 발화 자료를 바탕으로

신지영 한국어학회 2005 한국어학 Vol.28 No.-

The aim of the present study is to provide some information on bi-phoneme frequency of Korean by analysing spontaneous speech spoken by 3 to 8-year-old Korean children. 49 Korean Children(7~10 children for each age) were employed as subjects for this study. 124,588 bi-phonemes classified into 8 types(C+V, V+C, C$C, C$V, V$C, V$V, #+P, P+#) according to prosodic boundaries between phonemes, were examined for this study. Possible numbers of bi-phonemes were 1,165 types and 828 types of bi-phonemes were found in the data. However, only 6.2%(51 types) of bi-phoneme types covered over 50% of the data.

들뢰즈의 차이 개념에 관련한 여성주의 재정립 가능성

신지영 한국여성철학회 2007 한국여성철학 Vol.7 No.-

This paper is written so as to answers to the question that the feminist camp asks to the philosophy of Deleuze in regards to the concept of Difference. This concept is so important both to Deleuze and the feminist theory that its comprehension could bind or not these two camps. Difference as a philosophical concept can be used for minorities to fight against fascist positions because this concept is engineered with the power of deconstruction. However, as we can infer easily, this concept is auto-deconstructed. That is to say, this concept is useful to break up the fascist theories but it also dismantles the basis of minor theory. And there exists paradoxal point of the concept of Difference, which is to be unraveled especially for feminist theory. So, the relation of feminists with Deleuze or Deleuzian philosophy is not so simple. Feminist such as Rosi Braidotti is a good exemple critically adopting Deleuze. She criticised that in Deleuze the sexual difference is one of the other differences, while she considers it as most important structural and critical difference among others. She reaches a compromise at the point where she can maintain her positions of feminist and deleuzian, and she considers this method as the best solution to save feminism in the middle of the postmodern times. Our debates begin just at this point : "Could we save feminism with the concept of Difference?"; "Saving feminism, is it ultimately good thing for feminism?" We think that this is the fundamental and radical question to be solved in the area. We begin considering the compromising concept of difference in Braidotti, conclude that this concept is not properly that of Deleuze in itself, and that Deleuzian difference does not agree with another center such as feminism in spite of its minor position. And we try to redefine feminism with deleuzian difference as war machine, which fight against any centripetal mouvement without interrupt. If we redefine feminism as war machine, it is not necessary to worry about its annihilation. This feminism would be more fighting outward and more solidary inward.

임신여성대상 토털서비스 개발을 위한 디자인 감성가치 연구

신지영,한유경,이혜선 한국브랜드디자인학회 2014 브랜드디자인학연구 Vol.12 No.4

여성들의 초혼연령의 증가로 인해 임신율 및 출산율은 급격히 저하되고 있으며 이는 사회전반의 문제로 인식되고 있다. 이러한 문제를 해결하기 위한 국가적 차원의 지원정책들은 많으나, 실제 생활에서 임신여성에게 도움을 줄 수 있는 서비스와 정보제공에는 한계가 있는 것이 사실이다. 무분별하고 과도한 정보의 난립은 오히려 임신여성들의 스트레스를 높이고, 이는 곧 임신여성의 태내환경을 위협하는 요소로 태아와 산모 모두에게 부정적 영향을 미치는 악순환을 가져온다. 본 연구는 디자인적 사고에 기반을 두어 이러한 사회문제 해결을 위해 임신여성을 위한 제품-서비스 개발 시 활용 가능한 디자인 감성가치 맵을 제작하기 위해, 실제 임신여성들을 대상으로 워크숍 및 설문조사를 진행하였다. 워크숍의 경우, 임신 여성들이 임신과 출산 그리고 육아에 대해 갖는 감성적, 정서적 니즈를 파악하고자 감정패턴 작성 및 감성언어 선택작업을 진행하였다. 또한 설문조사를 통해 임신여성들의 기분상태를 대표 감성 형용사로 도출하여 이를, 가치 맵에 반영하였다. 워크숍의 마지막 단계에서는 임신여성들이 생각하는 이상적인 주부의 페르소나 도출을 위해 콜라주 기법을 활용한 팀 작업을 진행하고, 이를 분석하여 대표 성격 강점을 추출하여 5가지 유형의 페르소나를 완성하였다. 본 연구의 결과물인 디자인 감성가치 맵은 임신여성대상의 토털서비스제공을 위한 웹사이트 구축에 활용될 것이며, 차후에는 이를 활용한 임신여성을 위한 제품-서비스 개발에 기여할 것을 기대한다. The rate of pregnancy and birth is rapidly decreasing due to an increase of the first-marriage age of women. Numerous support policies exist at a national level in order to provide a solution for this issue, but the fact that there is a limitation. The overflow of indiscrete information has a tendency to increase the stress rate of pregnant women, which in turn acts as a threat to the prenatal environment that affect both the mother and fetus in a negative sense. This study sets its foundation on a design thinking for produce a viable design value map that will be used for the development of products-services for pregnant women in order to provide a solution this pending social issue. During the workshops, emotional pattern preparation and emotional language selection was conducted to identify the emotional needs of pregnant women with regards to pregnancy, birth, and parenting. Also, an emotional adjective that best represent the emotional status of pregnant women was identified through a survey, and it was reflected on the value map. During the final stage of the workshop, a team project utilizing collage methods was conducted in order to identify an ideal persona of housewives from pregnant women’s point of view. The results were then analyzed to identify the representative personality strengths to derive 5 persona types. The design emotional value map, which is the result material of this study, will be utilized to establish a total service provision website for pregnant women, and contributions to the development of products-services for pregnant women are anticipated.