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서혜주(Hye Joo Seo),이정화(Jeong Hwa Lee),허무룡(Moo Ryong Huh) 인간식물환경학회 2015 인간식물환경학회지 Vol.18 No.5
This study applies the results of iconological interpretation of Sosaewon and Villa D’este’s constructed areas to the context interpretation methodology of contemporary aesthetics, which is based on writer’s own artistic context derived from writer’s own artistic works. This approach intends to develop and apply new forms of garden art and imagification into writer’s own artistic works by mixture and juxtaposition of these whole heterogeneous implications of Sosaewon and Villa D’este. In addition, the study attempts to construct new value in garden art by applying the diverse artistic aspects of Sosaewon and Villa D’este derived from their diverse iconological interpretation, seeking transition from current standardized garden planning system to compound and fusion system of garden art in the modern times. The study attempts to draw new flow of contemporary garden art. For this, de-constructivism perspective, which contains post-modern cultural characteristic, is applied to examine the Sosaewon and Villa D’este’s hidden but intended factors and spirits by the builders.
소쇄원과 빌라 데스테 정원의 도상학 및 현대 미학적 해석
서혜주(Hye Joo Seo),이정화(Jeong Hwa Lee),허무룡(Moo Ryong Huh) 인간식물환경학회 2015 인간식물환경학회지 Vol.18 No.5
Sosaewon and Villa D’este were built in the early of 16th and mid-of 16th each. Sosaewon was built based on the accommodation of topography of the surroundings whilst Villa D’este highlights the distinction of terrace and axis existed on the configuration of the grounds and natures. Both gardens have reflected the social and political influence in that period of constructing tat the builders had been through. These factors have been analyzed by iconological methodology to interpret the inherent meaning of the garden in philosophical, mythological, religious and Feng-shui context and discovered the interconnected relations between two gardens. The characteristic of Sosaewon’s space is based on the Mu-yi-gu-gok, which is derived from a Taoist, due to a builder’s Neo-Confucianism value. Hence Sosaewon contains the adaption of the nature itself based on the values of Mu-yi-gu-gok, which are expressed by visual, auditory and literary elements, brining about the poetic beauty of waiting. The structures of Villa D’este reveal the combination of nature and art whilst it also connotes the theme of ‘The Choice of Hercules’, indicating the builder’s philosophy and will symbolically. Each space of Villa D’este has diverse space for various interpretations followed by this theme. For the interpretation of meaning of Sosaewon and Villa D’este, Sosaewon has adapted the nature of surroundings which contain a view of nature, on the other hand, Villa D’este borrowed the nature of surroundings to build and decorate the garden, using natural terrace and axis for the variation, and drag the river near the garden artificially to fit into the axis of the garden. Villa D’este contains significant mythological and iconological factor intended to highlight the builder’s dignity, status and position.