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김한식,남슬기,변려화,신나정,이진현,한성숙 한국외국어대학교 통번역연구소 2018 한국외국어대학교 통번역연구소 학술대회 Vol.2018 No.10
Teachers, in general, appraise students' interpreting performance by comparing coherence between source and target texts. However, most target audiences for interpretation are not given the source text for comparison. In this study, five evaluators in total assessed the interpretations of two texts by five graduate students of interpreting and translation, respectively. The evaluation involved two rounds of appraisal―without and then with source text comparison. The evaluators adopted two types of evaluation, i.e. quantitative type for scoring and descriptive type for highlighting good and bad. In the evaluations of interpreting performances for the two texts, the rankings of students changed after comparing their interpretations against the source text. This study intends to discuss the methods to assess interpreting performance by analyzing differences between evaluations with and without source text comparison.
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통역의 평가방식에 따라 평가결과는 어떻게 달라지는가?: ST 미대조 시와 대조 시의 차이를 중심으로
김한식,남슬기,변려화,신나정,이진현,한성숙 한국외국어대학교 통번역연구소 2019 통번역학연구 Vol.23 No.1
This dissertation focused on the fact that discrepancies exist between evaluation of interpretation in an educational setting where interpretation is mostly evaluated by comparing the interpreted results with the source text and evaluation of interpretation in the field and analyzed what kind of differences were observed upon evaluating identical interpretation results by five evaluators-first by comparing the results with the source text and then evaluating the results without the source test. Based on quantitative evaluation, there was a slight change in the ranking of the students when the interpretation results were compared with the source text as opposed to evaluation without comparison and the average score decreased due to additional score deductions in accuracy; one can surmise that a more stringent and strict evaluation was conducted in the case where the source text was consulted. Descriptive evaluation analysis indicated that vocal factors such as vocalization, accent and corrective speech amount to 65.5% of the total evaluation keywords in evaluation without source text evaluation where such factors carried more importance than textual factors (27.3%) such as accuracy and logic. The ratio of textual factors increased in source text-based evaluations compared to evaluation without checking the results against the source text, but the ratio of vocal factors was nonetheless more pronounced. More importance needs to be shifted to vocal factors which primarily takes into consideration the receiver of the interpretation and appropriate guidance on such multifaceted evaluation rubrics should be given to learners in addition to textual factors such as accuracy and logic.
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연구논문 : 한국과 중국 남성의 이상적인 외모유형과 남성의 추구이미지 변화 양상-20~40대를 중심으로-
이윤경 ( Yoon Kyung Lee ),정다울 ( Da Wool Jung ),변려화 ( Li Hua Bian ) 한국의류학회 2015 한국의류학회지 Vol.39 No.6
This research studies socio-cultural hegemony change focused on male society through contemporary ideal masculine images of Asian men (especially Korean and Chinese men). Participants were: South Korean men in and around Seoul and Chinese men in Beijing and Shanghai. The youngest survey participants in their 20``s and the oldest in their 40``s were asked about their present men``s appearance images and masculinity as well as asked to evaluate satisfaction with their own style, and interest in fashion trends on a 5-point Likert scale. In this research, an ideal masculinity was tested by 6 characters (traditional masculinity, macho masculinity, androgynous masculinity, adolescent masculinity, trendy masculinity, and general masculinity) as male avatars. Asian men``s consciousness of an ideal masculinity image has moved gradually from traditional masculinity to trendy masculinity, leading to new roles in a socio-cultural agenda. Korean and Chinese men are more interested in appearance and notice fashionable styles to be trendy that follow the latest fashion because most other Asian men reflect a traditional masculinity as an ideal appearance image.
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