<승사록> 속 주체의 ‘감성’ 변모 양상에 관한 一考

박상영 한국고전연구학회 2024 한국고전연구 Vol.- No.65

본 연구는 19세기 영남 선비 최두찬(1779∼1821)의 강남 여행기, <승사록>의 담론 구성 방식과 그에 따른 작자의 미세한 감성 변모 양상을 살펴본 것이다. <승사록>은 19세기에 전하는 강남 표해 기록으로서 여러 측면에서 중요한 단서를 제공함에도, 오랫동안 여타 표해록에 비해 학적 관심이 미비했다. 이러한 문제의식으로, 본연구에서는 지금까지 본격적으로 논구된 바 없는 <승사록>의 담론 특성 및 작자의감성 변모 양상을, ‘주체(최두찬)-대주체(환경)’의 관계 맺음이라는 보다 새로운 시각으로 한번 바라보고자 하였다. 먼저, <승사록>은 크게 3부로 나뉘는데, 첫째는 제주 출항∼보타산 표착까지인1818년 4월 10일∼ 26일까지로, 설레는 마음이었다가 풍랑을 맞아 생사가 기로에놓이면서 표류 자체가 주는 무서움, 불안함, 무기력함 등의 감성을 드러내며, 이 과정에서 대주체와 조화롭지 못한, 반동일화의 미학이 발견된다. 둘째 강남문화 체험기부분은, 주체가 ’열락(悅樂)-슬픔(悲)’의 감성 속 자기 인식을 뚜렷이 드러내는데, 이전에 불안했던 감성이 안정감으로 대체되면서, 주체의 시선에 새롭게 포착된 강남풍경들, 강남 문인들과의 동류의식 및 정서적 합일 등이 긍정적으로 묘사되어 있음을 볼 수 있고, 대주체와 동조하고 심정적 동일화를 이루는 면모가 다채롭게 발견된다는 특징이 있다. 마지막 귀국·송환기(6월 10일∼10월 2일: 석문∼의주까지)는, 이전에는 보이지 않던 역사에 대한 회고, 청에 대한 반감을 포함해, 전체적으로 불안(不安)의 감성 속 鄕愁의 정서가 주류를 이루며 주체를 둘러싼 대주체와 어긋난 감성, 반동일화의 미학 등이 새롭게 발견된다. 사실 출범-표류-귀환이라는 일정한 패턴의 표류기의 담론 특성 속에서도, 시기별 갖는 경험은 새로운 의미와 감성을 만들어 내기 마련이다. 그런 점에서 시, 공간이동에 따른 작자의 감성 변화가 텍스트 상 어떤 담론 방식으로 표출되는가를 살펴본 본 연구는, 자간에 숨어 있는 작품의 미세한 결을 찾아 작품 전체의 내적 원리를 파악하는 단초를 마련함과 동시에 하나의 문학 작품을 오롯이 이해할 수 있는 길을 제시했다는 데서 그 의의가 있다. This study examines the way the discourse is structured in <Seungsarok>, a travelogue of Gangnam left by the 19th century Yeongnam scholar Choi Doo-chan(1779-1821), and the subtle changes in the author's sensibility accordingly. <Seungsarok> is the only record of Gangnam drift from the 19th century, and although it provides important clues in many aspects, it has long received less scholarly interest than other drift records. This study examines the discourse characteristics of <Seungsarok> and the emotional transformation of the author, which have not been studied in earnest until now, from a new perspective, Pěcheux’s theory as the relationship between ‘subject(Choi, Doo-chan) and Subject(environment)’. First, <Seungsarok> is largely divided into three parts. The first is from the departure from Jeju to the landing at Mt. Bota. It was exciting, but when a storm hit and life and death were at a crossroads, it showed the emotions of fear, anxiety, and helplessness that the drift itself brings. In this process, it presents an aesthetic of anti-identification that is not in harmony with the Subject. Second, in the Gangnam cultural experience section, the subject clearly reveals self-awareness within the emotions of ‘joy and sadness’. As the previously uneasy emotion was replaced by a sense of stability, Gangnam was newly captured through the subject's gaze. The scenery, the sense of kinship and emotional unity with Gangnam writers are portrayed positively. In other words, various aspects of sympathy and emotional identification with the Subject are discovered. The last part is the return/repatriation period (June 10 to October 2: Seokmun to Uiju), which is a period of general anxiety, including reminiscence of history that had not been discovered before and antipathy toward the Qing Dynasty. Overall, it is discovered that nostalgia in the sensibility of anxiety is the mainstream, showing a new sensibility that is out of sync with the Subject surrounding the subject and the aesthetics of anti-identification. In fact, even within the discourse characteristics of the period of drift with a certain pattern of launch-drift-return, experiences at each period tend to create new meanings and emotions. In that respect, this study, which examines how the author's emotional changes due to movement in time and space are expressed in the text, provides a foundation for understanding the internal principles of the entire work by finding the fine textures of the work hidden between letters. At the same time, it is meaningful in that it opens a way to understand a single literary work.

타이어 공기압 비대칭이 무증상 대상자의 골반높이, 둔부압력, 근동원패턴에 미치는 영향

박상영,박세연,Park, Sang-Yeong,Park, Se-Yeon 대한고유수용성신경근촉진법학회 2021 PNF and Movement Vol.19 No.3

Purpose: The objectives of the present study were to investigate the disadvantages of tire pressure asymmetry of a wheelchair tire and recommend the criterion for appropriate tire pressure without generating negative changes in the musculoskeletal system in asymptomatic participants. Methods: Fourteen asymptomatic participants were asked to sit in pressure-controlled wheelchairs and perform desk work for 20 minutes in each tire condition. The asymmetry of the tire conditions was set as 0% difference, 25% difference, and 50% difference from the recommended pressure. The pelvic alignment and muscular recruitment represented as a flexion-relaxation ratio (FRR) were measured at pre-test, and after each condition of desk work. The displacement of the center of pressure (COP) was measured during the desk work. Results: The tire air pressure condition significantly affected the FRR and COP (P < 0.05). Both sides of the FRR values were significantly higher under the symmetrical tire conditions (0% difference) and pre-test, compared with the asymmetrical tire condition of 50% difference (P < 0.05). The mediolateral COP displacement of the asymmetrical tire conditions (25% and 50% difference) was significantly higher than that of the symmetrical tire conditions (0%) (P < 0.05). Conclusion: Asymmetrical tire conditions could cause changes in the muscle recruitment pattern of the erector spine and mediolateral COP displacement. Tire pressure asymmetry higher than 50% could be a risk factor for prevalence of back pain, so this level of asymmetry in tire pressures should be cautioned against for wheelchair users.

경험의안(經驗醫案) 『우잠잡저(愚岑雜著)』의 간울(肝鬱) 치험례(治驗例)

박상영,오준호,권오민,안상영,안상우,Park, Sang-Young,Oh, Jun-Ho,Kwon, Oh-Min,Ahn, Sang-Young,Ahn, Sang-Woo 한국의사학회 2012 한국의사학회지 Vol.25 No.1

In recent times, a medical book called "WooJam JabJeo" has been published in complete Korean version. Not a few cases where the vivid appearance of the place for medical treatment are included intact in this medical book. This study is attempting to analyze one symptom of a disease by choosing it among the diseases our ancient sages treated in the light of the fact that there are only a few models which are applied to today's clinical treatment by our ancient sages appearance of medical service. This study believes that such an analysis of ancient medicine could be a part of the efforts to increase the applicable models to today's clinical treatment one by one. This paper is aimed at introducing and analyzing the three cases of Ganwul which are found in "WooJam JabJeo". It's because this study thinks that Ganwul is a symptom over which oriental medicine can not only establish dominance over western medicine it its diagnosis and prescription but Ganwul will also have high applicability to today's clinical treatment. Through this research, this study was able to perceive that the author. Jang, Tae-kyeong of "WooJam JabJeo" had vast knowledge of medical theories, especially in author's understanding diseases and composing prescription based on "Donguibogam". Up to the present time, domestic medical circles have understood the emergence of "Jejungshinpyeon(濟衆新編)"(1799) or "Bangyakhappyeon(方藥合編)"(1885) as an outlining work at most for overcoming such a limit of "DonguiBogam" superficially. However, by looking into Jang Tae-kyeong's understanding of "Dongui Bogam". this study was able to know the fact that the emergence of such medical books was possible because the medical knowledge included in "Dongui Bogam" was fully understood and digested in society of the Josen Dynasty. Conclusively, such a fact reminds us that it serves as a momentum to confirm once more that "Dongui Bogam" could be a good model for even today's clinical treatment.

『鍼灸極秘抄 硏究』

박상영,오준호 한국한의학연구원 2012 한국한의학연구원논문집 Vol.18 No.3

Kim Deok-bang(金德邦)'s 『Chimgu-kukbicho(鍼灸極秘抄)』(Secrets on acupuncture and moxibustion) hasn't been known throughout Korea yet, let alone its existence. Kim Deok-bang was the person who was taken to Japan as a prison during the Imjin war(Japanese invasion of Korea in 1592), and he is known to have initiated Japan's noted doctor Nagada Tokuhon(長田德本), who is comparable to Huh Jun in Korea, into the acupunctural method. Nagada Tokuhon healed many patients with the unusual blood-drawing method, which was one of the very unfamiliar scenes in Japan at that time. 『Chimgu-kukbicho』 shows that the very blood-drawing method was used for not a few medical treatments. This aspect can be said to be an unprecedented point of the acupunctural method in the first half of the Choseon Dynasty period as shown in 『Chijong-jinam(治腫指南)』 in our country, and from such a context, it is understood that the medical skills were widely distributed in Japan by Kim Deok-bang. This paper is going to lay a foundation for the argument hereafter related to this by including Provision 114 stating Kim, Deok-bang's acupunctural method like this.

포스터 : 한센병 환자에서 발생한 다발성 보웬병 1예

박상영,김지연,오지원 대한피부과학회 2008 초록집 Vol.46 No.10

Mercury Exchange Flux from Two Different Soil Types and Affecting Parameters

박상영,김평래,한영지 한국대기환경학회 2013 Asian Journal of Atmospheric Environment (AJAE) Vol.7 No.4

Mercury exchange fluxes between atmosphere and soil surface were measured in two different types of soils; lawn soil (LS) and forest soil (FS). Average Hg emission from LS was higher than from FS although the soil Hg content was more than 2 times higher in forest soil. In LS, Hg emissions were much greater in warm season than in cold season; however, deposition was dominant in FS during warm season because of leafy trees blocking the solar radiation reaching on the soil surface. In both LS and FS, Hg fluxes showed significantly positive correlations with UV radiation and soil surface temperature during cold season. In addition, it was observed that emission showed positive correlation with UV radiation and soil temperature while there was negative relationship between deposition and UV radiation.

세라믹

박상영 심미안 2017 문학들 Vol.- No.48

신경숙의 <풍금이 있던 자리>의 정신분석학적 연구

박상영 한국언어문학회 2007 한국언어문학 Vol.62 No.-

A psychoanalytical approach to Shin Gyung Sook's <The Place Where the Organ Used to Be>

조선후기 시가에 나타난 부권 상실의 흔적들

박상영 한국고전연구학회 2019 한국고전연구 Vol.0 No.45

This study examines the traces of the loss of paternal rights in the late Choseon dynasty (especially Saseolsijo, Gasa) and its cultural meanings. In recent years, ‘fathers’ have emerged as an important icon in cultural discourse as much as women, but the research interest in classical poetry is one-sided. Paternal authority is generally used to refer to the male dominance of a woman and includes both the domestic discourse “father / husband” and the national and social discourse “King/the law of the father”. The concept and meaning of ‘father’ were different according to the times, but in the traditional society, these distinctions were rather mutually compatible and recognized rather than distinct. In the concept and category of these rights, we can see traces of loss of paternal rights in devoted characters, rebellious sons, the loving father, the subject who feels the weight of reality, and the regretful fathers. Generally, deviating characters are the ‘wives’ who commit adultery or the daughter-in-law who are lazy and eloquent. They tend to think the absence of the ‘an able body man’ seriously as the symbol of the loss of masculinity, and abandon the fathers/husbands. The rebellious subjects are mainly minorities, and they also produced ‘the father of pleasure’ on the spot by shaking the powerful father. In addition, they had to confront realistic problems of household management with the loss of paternal rights. The loss of paternal rights caused by ‘pain/sickness’ was also linked to the self-consciousness of the father-in-law and shows the sentiment of regret. The traces of this loss of paternal rights show the duality of ‘escaping from the father’ and ‘rushing toward him’, raising the huge aesthetical problem of resistance, desire, and modernity in the culture of the late Choseon Dynasty. Particularly, the latter shows a desire for the recovery of the paternal rights which put the escaping subjects from the father into the system and it appears in the manner in which the third person admonishes, the way the subject experiences internalizing and disciplining of the “Father’s Law”, and the dogmatic manner of admonishing the marrying daughter. Considering that ‘the father’ is a cultural component, and is a meaningful entity that brings humanity from the natural life of survival into the human life of culture and shows a constant network with society, it is meaningful to examine the trace of the loss of paternal rights. This is because it is the basis for revealing the transforming cultural history of the present day besides how the family is collapsing. It is also linked to the process of restoring the lost father and seeking a new father figure. 본 연구는 조선후기 시가(특히, 사설시조와 가사)에 나타난 부권 상실의 흔적들을 찾고 그것이 갖는 문화론적 의미망을 한번 살펴본 것이다. 최근 들어, ‘아버지’는 문화 담론에서 여성 못지않게 중요한 아이콘으로 부상하고 있지만 고전시가에서의 연구사적 관심은 거의 일천한 편이다. 부권(父權)은 일반적으로 남성이 여성을 지배하는 권력관계를 의미하는 용어로 사용되며, 여기에는 가정 내 담론인 ‘父/夫’와 국가 및 사회적 담론인 ‘君/아버지의 법’이 모두 포괄된다. 시대에 따라 ‘父’의 개념 및 의미역은 다소 달랐지만, 전통 사회에서 이러한 구분은 뚜렷했다기보다는 오히려 상호 호환되며 인식되고 있었다. 이러한 부권의 개념과 범주 속에서 조선후기 시가들을 살펴보면, 일탈하는 인물들, 반항하는 아들들, 향락적인 아버지, 현실의 무게감을 느끼는 주체, 悔恨하는 아버지들 등에서 부권의 흔들린 흔적들을 볼 수 있다. 대체로 일탈하는 인물들은 불륜을 행하는 ‘아내들’이거나 게으르고 용렬한 ‘며느리들’로, 남성성의 상징인 ‘건강한 육체’의 부재를 문제 삼으며, 이에 적합하지 못한 ‘아비/지아비’들을 버리기도 했고, 반항하는 주체들은 주로 소수자들로, 막강한 아버지를 흔들어 놓음으로써, 그 자리에 ‘향락의 아버지’를 양산하기도 했다. 또 부권 부재로 인한 어미/지어미들은, 현실적인 가계 운영 문제와 마주해야 했으며, ‘아픔/병듦’으로 인한 부권 상실은, 家長 스스로의 자의식 문제와도 연결되어 悔恨의 정서를 보여주기도 했다. 이러한 부권 상실의 흔적들은 조선후기 문화론적 圖像 속에서 저항과 욕망, 근대라는 거대한 시가미학사적 문제를 제기하면서 ‘아버지로부터의 탈주’와 ‘그를 향한 질주’의 양면성을 보여준다. 특히, 후자는 도주하려는 주체들을 제도권 내로 포섭하려는 부권 회복에의 열망을, 제 3자가 훈계하는 방식이거나 경험해 본 주체가 ‘아버지의 법’을 내면화, 규율화 하여 전달하는 방식이거나, 시집가는 딸에게 훈계하는 방식 등 교조적인 형태로 보여준다. ‘아버지’가 하나의 문화적 구성물로서, 인류를 생존의 자연적 삶에서 문화의 인간적 삶으로 데려 온 사람이자 사회와의 끊임없는 관계망을 보여주는 의미 깊은 존재임을 고려하면, 이러한 아버지가 갖는 권위의 상실 흔적을 찾아보는 것은, 한 가족이 어떻게 붕괴되는가 하는 점 외에 당대 문화사적 변모상을 밝혀낼 토대가 된다는 점에서 의미가 깊다. 뿐만 아니라 이 시대, 잃어버린 아버지를 복원하고 새로운 아버지 像을 찾으려는 과정과 연결되어 있기도 하다.

미활용 특허를 활용한 지속적인 산학협력 및 기술이전 촉진을 위한 기술전략 방법론 개발

박상영,윤시영,이성주 대한산업공학회 2019 대한산업공학회 추계학술대회논문집 Vol.2019 No.11