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도시 공간환경 디자인에 있어서의 프로세스적 접근에 관한 연구
민현준(Mihn Hyun-Jun) 대한건축학회 2008 대한건축학회논문집 Vol.24 No.9
Recently, in large-scale projects of international competition, process design emerges as a design method. This trend has begun to the forefront between architecture and landscape as it expanded on urban design blurs. What distinguishing is that it suggests less crystallized form which tends to be the main feature of traditional architecture. Instead, it focuses more on strategy and process that allow public participation and the changes over long periods of time. Although it may seem to appear innovative, in fact, the methodology comes from a traditional way of park design which features ecological progressive growth. New urban park ideas are developed by some architects. They replace ecological elements with city life and culture. The methodology emerges in urban park design and develops in urban design area. Specially in urban street regeneration it adopts its theoretical idea and process into real communication with citizen It is rather based on the logic and flexible diagram than perspective-like fixed images. It is the integration of landscape and urban design fields and the undistinguishable role among the architects, planners and executors. This comprehensive method is to be said as an expression of wide-area design process that signifies the inclusion of a modern society's democratized issues.
민현준(Mihn Hyun-Jun),김광현(Kim Kwang-Hyun) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.8
The study is on double diffusing daylight system applied to exhibition spaces in recent contemporary art museums. The diffusing daylight system was generally used in classical art museums until artificial lighting prevailed on. It is a method of spreading daylight through at least two layers and bringing into the exhibition space. While in the modern age, artificial lighting could cause the revolutionary shapes of art museums, the premodern method of skylight is generalized by pioneering architects. for the space of totally different contemporary art. The revival of daylighting is due to the obvious reason that daylighting is most suitable for appreciation of art, including the developments of protection of ultra-violet light while he daylighting has been used for emotional place in the modern art museums. the contemporary museums use daylight for the main light which is controled by adding spot lights and blackout screen. Therefore, its technical engineering is major element which determines the shape of art museums. The double diffusing daylight system is mostly used through skylight. However, recently, the method of flowing from clerestories and spreading through transparent ceiling is also in use and is being in revolution.
연구논문(硏究論文) : 천안 성거산 교우촌 성지 조성에 관한 연구
민현준 ( Hyun Jun Mihn ),박소연 ( So Yeon Park ) 한국지역사회발전학회 ( 구- 한국지역사회개발학회 ) 2010 地域社會開發硏究 Vol.35 No.2
본 연구는 천안 성거산 성지를 중심의 천주교 교우촌 성지 마스터플랜을 위한 조사 연구이다. 가톨릭 성지는 원래 팔레스티나를 가르키는 용어이나 마리아와 성인들과 관계되는 곳들도 성지의 범주에 들어가고 우려의 경우 성지의 의미를 다소 포괄적으로 사용하고 있다. 순교자의 치명지, 탄생지, 교우촌 동 가톨릭이 전례 되는 역사와 관련된 장소를 명명하여 관리하고 있다. 교우촌은 박해시기 숨어살던 신지들의 집단 주거지로 특성상 숨어 살던 지역이었기 때문에 산 속 깊은 곳에 위치해 있으며 유적으로 거의 남아 있는 것이 없는 무형의 문화재이다. 천주교 성지들은 건축, 단지 혹은 조경적으로 통합된 마스터플랜 적으로 접근하지 못하고 성직자 중심으로 종교적 열정만으로 전개되어 체계적이거나 단계적인 접근이 안되고있다. 천주교성지를 발굴하고 조성하기 위해서는 우선은 무형의 문화재이면서 동시에 살아있는 종교 시설임을 고려하여야 한다. 또한 성지는 방문자의 수가 일정하지 않고 기념일에 몰려있어 이를 고려한 가변적인 공간계획을 해야 한다. 그밖에 비종교인의 방문도 환영할 수 있는 포용력 있는 계획이 되어야 한다. This study is based on survey date for master plan of shrine in Sung-guh Mountain. Although Catholic shrine was originally a term referring to Palestina. places related to Maria and saints also fall under the category of shrine. In our case, the meaning of shrine has been used rather comprehensively: related places with Catholic history such as Martyrs` place of death, place of birth, and Catholic brotherhood communities are named and maintained as shrine. Because the Catholics brotherhood communities were collective residential areas where Catholics lived in hiding during religious persecution. the places are intangible cultural asset and located deep in the mountain. In order to excavate these places and create as shrine. first of all. intangible cultural heritage as well as existing religious institutions should be considered. Second, considering irregular number of visitors and driven on the anniversaries. variable space should be planned. Finally, the plan must be inclusive to welcome unreligious visitors.
시대흐름에 따라 전시형태와 교육프로그램이 미술관 공간에 미치는 영향
박종민(Park Jong-min),민현준(Mihn Hyun-Jun) 대한건축학회 2011 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.31 No.2(계획계)
The exhibition form and educational program are changed for the political and art historical reasons over time. So the exhibition space in an art museum has assumed the varied forms. Because of the public enlightenment, the cultural spaces were began to build to meet the needs of culture consumption politically. Besides, the exhibition form of site installation appeared through modern art getting away from flat structure art historically. It was also featured the forms such as performance and interactive art, etc to interact with visitor only over viewing. This study attempts to analyze on how the exhibition space in an art museum is varied by the exhibition form and educational program changing with the stream of times, as mentioned above.