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김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2010 服飾 Vol.60 No.10
Each season, many clothing companies dump small pieces of fabrics left over from making samples. Since fabrics do not decompose easily, this results in environmental pollution. This research was done to discover effective ways to reuse these fabric remnants. As most of these remnants were not large enough for making clothes, fashion accessories was chosen as the design object. Four steps of design development process followed: information research & analysis, prototype design & sample making, market testing, final design decision. After market research and trend analysis, four neck decoration wear -- scarf & muffler(SM), collar & cape(CC). vest & top(VT), and necklace (NE) -- were selected as final product types. 45 designs arose, and 120 items with variations in fabric materials and colors were produced as samples. The three main themes (multiple, reversible, cross) were applied throughout all of the design items. Samples were evaluated from the reactions of the consumers through a 10-day sale at a retail store. Based on the sales record and customers` opinions, five designs from each of the product types SM, CC, and VT were picked out as final designs. In conclusion, fashion accessories turned out to be a more appropriate item to reuse fabric remnants from clothing companies than clothes were, because they necessitate small fabric size and the limitation in fabrics could be compensated with creative design ideas.
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김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2013 服飾 Vol.63 No.5
Dries Van Noten, one of the Antwerp Six, focused on recreating traditional attire from each region to complex contemporary attire and has shown designs that interpreted ethnic image in contemporary perspective from his very first collection· He has positioned himself as a designer with creative expression of ethnic image through broad use of various patterns· This paper analyze the use of pattern in Dries Van Noten`s designs by season and item, and reflects on the characteristics of pattern use and influence on fashion image· Total of 887 clothing items were collected from Noten`s collections on the Internet· Through analysis of frequency and percentage and cross tab of expression techniques, types, patterns of each motif, and classifications of print combinations, it was shown that Noten has applied six aesthetic rules in the use of pattern design· Pattern played the most significant role in his design· It was possible to achieve the balance of ethnic image and modern image with the mix of flower and abstract motives· Overall pattern was mostly used for practical purpose: border patterns and spaced patterns played a vital role in rendering uniqueness· Noten exhibited unity and variation in combining prints· He expressed the beauty of Oriental style by inserting solid color blocks in between patterns and decorations along trim lines.
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김찬주(Chan Ju Kim),노미경(Mi Kyung Ro) 한국복식학회 2014 服飾 Vol.64 No.8
Animals, as a part of nature, have much influence on children``s emotional development and are one of children``s favorite subjects of design. This study analyzes the differences in animal expression methods and types of animals, in relation to gender and item based on a collection of children``s clothing and accessories that use animal as their theme. The collection consists of 148 clothing and 75 accessories (total of 223 items), which were collected from on-line shopping sites for children``s clothes. Analysis results showed the following observations. Animal expression was categorized into four methods: emblem, illustration, character, and pattern.(The most common method was character, followed by pattern, illustration, and emblem. In relation to gender and clothing item, animal expression methods varied widely:(character was the most popular for) boys`` t-shirts and accessories, while girls`` bottoms and dresses. As for (animal) types, Mammalia was the most common, followed by birds and insects. Dogs and puppies were popular both genders.(However, differences in preferences existed as) boys liked big and wild animals such as bears, tigers, and foxes, while girls liked small and cute animals such as rabbits, cats, owls, and butterflies. Based on these results, six types of animals (rabbits, elephants, large-beaked bird Toco Toucans, fish, penguins, and bees) were selected as themes for kids`` vest designs and, among them, three designs were made.
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허정선 ( Jung Sun Huh ),노미경 ( Mi Kyung Ro ) 한국패션디자인학회 2013 한국패션디자인학회지 Vol.13 No.4
This study sees modern fashion from the viewpoint of typography which is a representative visual delivery system of communication. It will study the cases showing how the letters and languages expressed in contemporary fashion and art wear are represented. Through this case study, the intention is to classify the patterns according to the functions, and to examine the internal meanings and symbols of the patterns. The text is rendered and socialized - or, in this instance, offered as a sign for non-socialization - in its contemporary fashion and art wear version; solitary letter is an agent of denunciation that serves as public notice. Language negotiates our personal expression and the conventions of common understanding, and clothing is woven of like cloth and convention. The symbolical properties of typography which were examined through the analysis of its patterns above are as follows. It allows designers to create unlimited meanings, free from the functions and roles that identity should be expressed, and contemporary fashion and art wear should be worn; it works as a means to criticize modern society that is full of the loss of humanity, uniformity, and materialism; it metaphorically parodies social and cultural situations while reminding modern day people of the problems, such as one-time use, enjoyment, and entertainment. Through this study, it was found that typography fashion makes diverse communication possible, depending on how the meanings of the contents, which are expressed in contemporary fashion and art wear, are interpreted.
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현대 패션에 나타난 미래지향적 이미지의 표현 특성 연구 -Fashionable Technology를 중심으로-
허정선 ( Jung Sun Huh ),노미경 ( Mi Kyung Ro ) 한국패션디자인학회 2013 한국패션디자인학회지 Vol.13 No.3
The language of today`s fashion is becoming more diverse day by day, and it has been pursuing cultural, scientific, and technological integration through communication with science, technology and other genres since the late 20th century. Through the development of various digital technologies, fashion`s experimental nature has met with new materials and high technologies, presenting special colors, textures and patterns in interactive fashion. This study analyzed the types of future-oriented fashion which apply technology to fashion elements. The results were as follows. First was digital skin images. This includes luminescent light fashion using EL, LED and various sensory surfaces, and interactive fashion. Second was shifting silhouette. This includes silhouette transformation by remote control, spray-on design using aerosol, and multi-functional design converting to different uses. Third was virtual fashion image. This includes the creation of instant and diverse color and pattern through multi-media images, images that change with sound, and virtual fashion shows and exhibitions focusing on synesthesia imagery. Study implications and future research avenues are also discussed. This research found that the clothing of various concepts is created by numerous designers through integrating digital technology with exhibitions or shows by virtue of light, space, movement, and sound instead of showing simple clothing. In addition, it shows that fashion as an interactive art that communicates with the audiences was attempted.
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