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남정애(Jung ae Nam) 한국영미어문학회 2014 영미어문학 Vol.- No.114
Oliver Goldsmith's play, She Stoops to Conquer, can be considered a comedy representative of the Restoration. Excluding the moral decadence and artificial grief common in comedies of manners or sentiment, this play serves as a pure laughing comedy which gives the audience unadulterated mirth. There are dichotomous oppositions between high and low classes, man and woman, and the urban and the rural which are seen in comic irony as depicted by Marlow as well as by the surrounding people, who mistake Kate's mansion for an inn. Analysing the element of class hidden in the comic irony, this article will identify the social contradictions and class consciousness that Goldsmith intends to satirize. His play protests against an aristocratic ideology typical of the bourgeois plays, giving it some of the traits of a social drama. The true intention of the author is not to judge someone as right or wrong, nor to punish him or her, but to accept the comedic aspects of each character's original identity.
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남정애(Jung-Ae Nam) 인문사회과학기술융합학회 2019 예술인문사회융합멀티미디어논문지 Vol.9 No.5
데이비드 오번의 희곡『증명』은 사망한 아버지로부터 수학적 천재성과 정신적 질병을 물려받은 25세의 한 여성에 관한 작품이다. 여성수학자인 캐서린은 자신의 업적과 정체성을 증명하기 위해 다양한 방법으로 투쟁하지만 젊은 여성이 진실에 대한 과학적 개념을 객관적으로 증명하는 과정이 얼마나 어려운가를 깨닫는다. 이 극은 수학적 이론인 ‘소수’에 대한 위대한 발견의 원작자가 죽은 아버지인 로버트와 그녀의 딸인 캐서린 중 누구인가를 추적하는 일종의 미스터리 극이다. 극중에서 캐서린을 위대한 수학자로 인정하는 사람은 아무도 없기 때문에 그녀는 정신적인 혼란과 광기로 고통 받는다. 본 연구는 캐서린의 심리기제인 ‘광기’의 원인들과 증상을 페미니즘 이론과 정신분석 시각에서 탐색하고 캐서린의 천재적 수학재능과 광기, 엘렉트라 콤플렉스, 가면과 자아를 통해 여성수학자의 한계와 삶의 불확실성과의 관계를 논의하고자 한다. 캐서린의 광기는 남성 중심적인 수학세계에서 생존을 위한 수단으로 재현되고 있다. David Auburn’s Proof is a play about a 25-year old woman who inherited genius in mathematics and a mental illness from her dead father. A female mathematician Catherine struggles to prove her achievement and identity in various ways but she realizes how difficult a woman proves a scientific notion about the truth objectively. This play is a kind of mystery that investigates who, the dead father or his daughter, is the great original writer about a mathematical prime number theory. In this play no one concedes Catherine as a great mathematician so she suffers from the mental confusion and madness. This study investigates the reasons and the symptoms of Catherine’s psychological mechanism ‘madness’ in view of feminism theory and psychoanalysis, also tries to discuss the relations between a female mathematician’s limitation and the uncertainty of life through her gifted mathematical talent and madness, Electra Complex, the mask and the self. Catherine’s madness is represented as a means to survive in a male-oriented world of mathematics.
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아더 밀러의 『시련』: '마녀 사냥'에 나타난 광기 분석
남정애 ( Nam Jung Ae ) 대한영어영문학회 1998 영어영문학연구 Vol.24 No.3
The Crucible was written and produced during the McCarthy witch hunt of early fifties and this was a kind of political parable. This work is the dramatization of Salem witch hunt in New England theocratic community in the seventeenth century. The witch hunt of Salem begins from little girls' simple sport (or picnic) in a dark forest. This happening is interpretated as a profane ceremony by the Salem community. When Reverend John Hale and Salem people threaten Negro woman Tituba and girls to confess a witchcraft, the women pretend to be obsessed by the devil for the fear of punishment. The men of Salem have evolved a patriarchy that reposes all social, political, and religious power in male hands, disempowering the women to the status of children. And silly accusations of witchcraft by some mischievious girls in puritan mask gradually take possession of Salem. The Reverend Hale who is proud of witch expert himself sets fire in witch hunt and the ambitious minister Parris, the greedy Putnam, the envious Abigail, each of whom uses this situation to his[her] own advantage. The villainous judge Danforth enforces severe punishement with his political authority ignoring the appearance and the reality of witch hunt. In brief, Salem witch hunt is a mixture of private and public hysteria. In many cases there had been antecedent personal quarrels, so occasions of revenge followed; for some of those condemned had been suspected by their neighbours for several years with bitter rancor. John Proctor's affair with the young Abigail makes him endangered to death. When he is finally faced with the choice of death or confession (that he consorted with the Devil), he prefers death. The Crucible is a meaningful drama becuase it shows that every man high and low has the seed of hysteria which may cause other people to be victimized or victimize himself.
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아서 밀러의 『전락 이후』: 자전적 글쓰기에 나타난 심리적 외상과 치유
남정애 ( Nam Jung-Ae ) 대구가톨릭대학교 인문과학연구소 2021 인문과학연구 Vol.- No.43
This study examines the psychological trauma and healing in Arthur Miller’s autobiographical writing After the Fall by comparing it with his private life and 20th century’s tragic histories. This play overtly shows Miller’s complicated traumas and his male-oriented identity or misogyny which are similarly represented in his major plays. As a Jewish playwright he experienced or witnessed the Depression, the Holocaust, McCarthyism. Marrige to Marilyn Monroe and her death was highly publicized. This play reveals Miller’s two kinds of psychological traumas through the protagonist Quentin. One is the crisis of masculine identity caused by his selfish cold mother and dogmatic or self-destructive wives. The other is a sense of guilt and damage which came from private tragedy and historic catastrophes. Quentin perceives his own cruelty when he wants to kill his mother and second wife. He also feels relieved after his best friend’s political suicide. Remembering these traumas of guilt and damage destroys his sense of self-esteem as well as his ability to control emotions and human relationships. Quentin recognizes his complicity in all the evils of the world and he accepts that no one can be innocent again after the Fall from the Eden.
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