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김흥렬 ( Kim Heung Ryeol ) 한국화예디자인학회 2017 한국화예디자인학 연구 Vol.36 No.-
In the 21st century, design is rapidly changing to new forms and values. In particular, the method of creating a design structure requires continuous research in many design sites and education. The purpose of this study is to visualize the representation of design structure through metaphorical concept step by step and logically. Although there are many ways to express the design formative structure, the metaphorical approach is mainly focused on product design. The related studies are mostly based on the metaphorical expressions of product formative design and the design emotional structure. Therefore, the method of expression of metaphorical design structure is defined as research scope and the research stage is defined as design formative definition, classification of conceptual element, application step of metaphorical element, basic design education. Focusing on product design, the importance of brand philosophy and design formative value appears in products such as Apple, MUJI, and Bang & Olufsen. In the design form and structure, the shape application through imitation of geometric, organic structure and nature is used by many designers as a means of approaching the design structure. Based on the previous research, conceptual elements are classified into symbolic, metaphorical, and empirical concepts, and symbolic concepts are visualized as metaphorical expressions. The design process of the concept element and the structural expression stage are introduced. Through the design education, the concept of the intangible subject and the type theme is set up, and the process expressed through the symbolization process and the metaphorical stage is presented. The method of expressing the design structure created through the research can be used in various design scope, and it should be continued to the subsequent research which is divided into each element.
김흥렬 ( Kim Heung-ryeol ) 한국디자인트렌드학회 2009 한국디자인포럼 Vol.22 No.-
본 연구는 리빙 환경에서 제품디자인에 적용된 감성조형의 조건과 특징, 그리고 다양한 사례를 통해서 감성도구로서 디자인의 가치를 재조명하고 적절한 방향을 제시 하고자 한다. 라이프스타일의 변화는 아날로그적 가치를 재평가하게 하였고, 점점 더 진화되어가는 디지털 기술과 문화를 통해 인간의 본질에 대한 탐구를 계속하게 만들었다. 변화하는 리빙 환경은 제품디자인의 전통적인 방법과 프로세스를 다각화 시켰으며 개인과 가족의 생활양식을 새로운 패러다임으로 확산시켰다. 이러한 환경은 디자인이 단순히 조형의 대상으로 접근하여 구조적인 가치로서의 만족을 느끼는 현상이 아닌, 과학화로 이미 상실되거나, 상실되기 쉬운 디자인의 비인간화 현상을 해결하려는 감성적 노력의 도구로 사용목적을 두게 하였다. 특히, 21세기를 기점으로 인간 내면과 자연과의 유기적인 조화를 모색하고 자원절약과 인간 본질 회복이라는 목표를 지향하는 이슈가 디자인분야에서 빠르게 확산되어 물질적인 가치보다 정신적인 가치를 목표로 하는 연구와 개발이 이루어지고 있다. 디자인 조형과 감성은 디지털과 아날로그라는 접근 기술은 다르지만 시각적 스타일은 촉각적 감각으로, 기능적 효율은 이미지의 개념 가치로, 지금보다는 내일을 보는 에코적 사고 등으로 다양한 방법을 제시하고 있다. 리빙 환경에서 디자인의 가치는 단순히 조형을 기반으로 한 형태적 구조접근으로는 해결될 수 없는 감성의 영역이 존재함으로 가장 보편적인 개념으로 감성디자인이라고 정의하고 명칭하기로 한다. 본 연구는 리빙 제품디자인에 적용된 감성조형 도출을 위해 사용자 환경과 물리적, 심리적 조형, 개념원리 및 그에 따른 접근방향을 제시하였다. The studies wish to review value of design and present suitable direction by a sensitivity tool through condition and characteristic, and various example of sensitivity modeling that is applied in product design in living environment. Change of lifestyle made to continue quest for human`s essence through digital and culture that revaluated Analog value, and is extinguished gradually better. Changed living environment did so that diversify traditional method and process of product design and did individual and family lifestyle so that diffuse through new paradigm. This environment was lost already, or did use purpose two crabs by tool of effort the sensitivity enemy to solve dehumanization phenomenon of design that is apt to be lost by science that is not phenomenon that design feels satisfaction as structural value approaching by target of style simply. Specially, issues that 21th century floral tributes that is organic with human inside and nature by origin grope and intends target called resource reduction and human essence recovery is spread fast in design and study and development that do more spiritual value than material value are achieved. Design style and sensitivity access technology called digital and analogue differs but visual style is sense the sense of touch enemy, functional efficiency is concept value of image, is presenting various method to accident back the echo enemy who will see tomorrow than now. Value of design decides to define that it is sensitivity design to concept that is the most universal that area of sensitivity that can not be settled to formal structure vicinity that do based on style simply exists and do name in living environment. The studies presented user environment division physical, psychological style, concept principle and accordingly access direction for sensitivity design style deduction which is applied in living product design.
신지윤 ( Ji Yoon Shin ),김흥렬 ( Heung Ryeol Kim ) 한국화예디자인학회 2016 한국화예디자인학 연구 Vol.34 No.-
Flower design that is material to the natural objects characterized by the ``naturalness`` and ``artistic`` in the field, showing them the human creation. However, due to the natural limitations of alive and formative restrictions, To come to the modern use of various objects. Therefore broaden the scope of representation. However, the development of science and technology, it is time that the development of media content. Simply by introducing the object of a variety of materials and techniques, there is a limit in the expression. It redefines the definition of objects and to derive the object by analyzing the structure type. The structure of the object is a concept that encompasses the physical and non-physical object, and handles the detail elements. Physical objects are elements of artificial material, space, and the body. Non-physical object element is classified as storytelling, temporality, media, events, and senses. To discuss the development of this representation of the flower art & design through actual work practices and the applicable case. These examples are by seeking the convergence of the physical properties of various experiments and other fields. And show how ever seek to access the nature conceptually. Through these objects, Overcomes the physical limitations of the floral art & design to derive the guideline that can extend the area.