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토마스 하디의 '진화적 개선론'에 대한 연구 : [테스]와 [박명의 쥬드]를 중심으로
김규연 조선대학교 인문과학연구소 1995 인문과학연구 Vol.17 No.-
Thomas Hardy's pessimism seeks to bring the true life to light, and his eagerness to make a clear life struggles to attain the conquest of tragedy and save man from sufferings. So increasingly Hardy tends to see an opposition between spontaneity of nature and legal rigidities of social institutions and conventions. He, therefore, presents an evolutionary meliorism in his nove In his later novels, Hardy frequentry introduce Mills' first cause and Schopenhauer's pessimism. For this reason Tess, the innocent victim of a seducer, is executed to give the reader an eteral feeling of grief amd Jude is cruelly destroyed but also aligned with some of most austere of moralists and enabled, agnostic though he was, to persist in the assertion of such traditional and officially Christian values as charity and what he himself called "loving kindness" at a time when those values were undergoing erasion and vulgarization, and when he himself was being vilified for their betrayal. Hardy develops, however, an evolutionary melioristic view of the world, believing that human immorality can eventually be overcome to hopefully make people's thought and the world better. In his last novel, Jude the Obscure, he therefore writes "where Jude ends, the rainbow begins."
김규연,이수영,문희성,손지환,전태완 한국폐기물자원순환학회 2017 한국폐기물자원순환학회 학술대회 Vol.2017 No.11
최근 산업발전에 따른 폐기물의 발생량과 재활용되지 못하고 매립되는 폐기물이 증가하고 있다. 우리나라는 국토환경의 제약에 따라 매년 증가하는 폐기물에 대해 “미처리폐기물의 매립제로화를 주요과제로 추진하고 있다. 또한 2035년까지 재활용가능 폐기물의 직매립을 금지하고, 에너지 회수를 통한 온실가스 감축과 매립처분율 1% 이하의 정책목표를 달성하고자 한다. 본 연구는 고형연료화 시설에서 발생하는 잔재물의 매립최소화를 위한 연구로, 고형연료의 생산수율 향상과 발생 잔재물에 대한 효율적 관리를 위해 4개 사업장의 생활폐기물 고형연료시설 잔재물에 대한 국내・외 평가항목과 적정 관리 기준을 알아보고자 하였다. 우리나라는 현장적용 및 측정분석의 용이함과 데이터의 신뢰도 및 재현성을 고려할 때 생물학적 지표보다 화학적 지표로 발열량과 탄소(C)함량의 기준이 적절할 것으로 판단되며, 적용기준의 수준은 유럽연합과 유사한 정도에서 우선적으로 검토하여야 할 것으로 판단되었다. 또한 보다 편리한 시험방법의 적용이 필요한 경우 삼성분 분석에 따른 가연성분(VS)의 함량기준을 활용할 수 있을 것으로 판단되었고, 생물기원 물질 (바이오매스) 함량의 지표로 용해선별법(SDM)시험방법도 아울러 검토하였다.
김규연 조선대학교 인문학연구소 2003 인문학연구 Vol.29 No.-
The Golden Notebook tells the story of Anna Wulf's transformation of personal and political consciousness, and it makes as well a transformation Lessing's artistic identity. With this novel, the writer who once held the view that the realist novel, the realist story, is the highest form of prose writing and higher than and out of the reach of any comparison with the greatest nineteenth writers, suddenly and emphatically rejects both the conventional novel and the modernist novel as model for her own. Seemingly overnight, the traditional novelist becomes not merely a modern novelist, but a postmodern novelist in this view and powerful identity, Lessing reshapes the form of the novel, giving it a postmodern order. Doris Lessing's The Golden Notebook operates on two principle modes, the outer and inner action. Towards the end of the Golden Notebook section that false dichotomy is resolved as Anna participates in practical life by negotiating with an inner voice. The novel consequently requires both linear and non-linear reading. The reader must employ his or her analytic faculties in comparing and elucidating different parts. The aim is the transcendence of the one-dimensional mode of experiencing reality so that a new equilibrium may become possible. The great power of the book comes from the way it interweaves all its levels and combines all its parts into balanced whole. Its structure builds a comprehensive and compelling picture, which fulfils its meaning hough both form and content. The form of Lessing's novel embodies this saving schizophrenia in that a many times split, yet in such a way as to reveal the underlying-saving- shape of one woman's experience. That shape is not a fixed form but a continual movement away from outworn form into chaos and toward new form. Acceptance this creative flus is one of the prerequisites of postmodern art The creation of a text patterned and textured so as to express it is Lessing's triumph in The Golden Notebook.