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니콜라 부리오의 확장된 관계미학적 관점으로 본 현대전시 공간특성
김햇빛 ( Kim Haetbit ),김지은 ( Kim Jieun ),김개천 ( Kim Kaichun ) 한국공간디자인학회 2021 한국공간디자인학회논문집 Vol.16 No.3
(Background and Purpose) A French exhibition planner and critic Nicolas Bourriaud suggested the concept of Relational Aesthetics to explain a new intermediate and participatory art tendency in the 1990s which can’t be explained with old theories. Theories that have focused on human interactions in the advanced capitalist world 30 years ago have expanded their meaning to the ecological environment that is affected by the development of technology and human beings in modern days. The coexisting characteristics of Relational Aesthetics that expands the relation between human beings into the relation including non-human objects have common context in the mutual interaction of contemporary exhibition space that forms communities as an art practice place. This study has the purpose of seeing the modern exhibition space with the expanded viewpoint of Relational Aesthetics and understanding its characteristics through the exploration of the role of arts in social problems. (Method) It extracted the Implicit characteristics of expanded Relational Aesthetics through literature review and preceding research. It also extracts the specialties that appear in contemporary exhibition space through examples that reflect various trends of contemporary exhibitions. Then it extracts the final language of integrated meaning in connection with the meaning of each extracted characteristic language. Then it understands the characteristics of modern exhibition space with the viewpoint of expanded Relational Aesthetics. It proves the adequacy by introducing the extracted characteristics into the selected example analysis and suggests the method of coexisting that connects the changing society into an exhibition space.(Results) The result of this study shows that characteristics of contemporary exhibition space viewed by the perspective of expanded Relational Aesthetics are free exchange, unstable connection and essential coexistence. The extracted characteristics were analyzed to see how the contemporary exhibition space produces the interaction for the purpose of coexistence. It applied transcendence, mixture, abstractness, uniqueness, practice and potentiality and example analysis after using the six relational production characteristics and found that relational interaction expanded the object relation but they were not relatively free in space specifics. It was understood that the privileged status of exhibition space is endowed by the specialty of art and not related to the intention of an artist who plans an art area.(Conclusions) From this viewpoint, it can be understood that the exhibition space has privileged status even if it isn’t completely equal to all things that are discussed in speculative realism which is the background of expanded Relational Aesthetics. But the status and intention targeting ultimate coexistence is an exceptional privilege of art. It is expected the exhibition space for the practice of art becomes a connection point of coexistence of the environment and human beings.
뉴미디어의 확장된 신체성으로 본 리테일 브랜딩 공간 상호작용
김햇빛 ( Kim Haetbit ),이선정 ( Lee Sunjung ),김개천 ( Kim Kaichun ) 한국공간디자인학회 2021 한국공간디자인학회논문집 Vol.16 No.5
(Background and Purpose) The full-fledged appearance of computers and new media since the 1990s proclaimed a new beginning of the postmodernism, in which digital reproduction and virtual images of Internet networks dominate reality. In this era, physicality becomes an important concept as new media interact through “sense” rather than “taste”. In addition, the consumption culture after postmodernism is recognized as a positive and participatory activity rather than a commercial and passive purchasing activity, and 'experience' is considered more important than 'ownership'. Accordingly, the space for new media and retail branding was understood within the context of a large period of postmodernism, and it is thought that it can be integrated into the common point of 'physicality' which is changing since postmodernism. The purpose of this study is to newly recognize the body and space through the interaction of the body and space by looking at the retail branding space through the perspective of bodily nature in which the concept is expanded in a new media environment. (Method) This study conducted theoretical review on the changing viewpoints and characteristics through the analysis of previous studies and literature of new media, retail branding space, and physicality, and literature research. After that, through the characteristics of new media, the meaning of physicality in the modern society was identified and the concept was expanded. Based on the basic premise of extended physicality, inter-relational characteristics are derived by linking them with the retail branding space. From the derived inter-relational characteristics, the new media space characteristics for spatial analysis are finally derived and combined with the components of the retail branding space and presented as an analysis frame for the retail branding space applied with new media. (Results) As a result of this study, a new perspective on physicality was proposed by naming the extended physicality through the characteristics of new media as 'a typological body', 'cyborg body', and 'simulacre body'. Interactive characteristics of the expanded physicality and retail branding space were derived as 'image subject', 'heterogeneous junction', and 'expansion of sensation', and from these characteristics, 'virtuality' ‘de-boundary’, ‘mixing’, ‘extensibility’, ‘absorbency’, and ‘fluidity’ were finally derived as spatial characteristics of new media for spatial analysis. (Conclusions) The interaction of the retail branding space, seen through the expanded physicality of this new media, was created to satisfy the socio-cultural needs of a rapidly changing era. The analysis content of this study is meaningful in that it analyzes the concept of physicality, which is attempting to expand in conjunction with the technological environment, as the spatial characteristics of new media appearing in the retail branding space. Through new media that are actively applied to the space, It is expect to interact freely with users of spaces.
김개천(Kim, Kai-Chun),하혜(Xia, Hui) 한국실내디자인학회 2010 한국실내디자인학회 학술대회논문집 Vol.12 No.1
This paper discusses the problems which should be paid attention to in landscape architecture design. The landscape design is particular about the ideal condition under the Eastern zen thought influence. the so-called ideal condition referring to is the poem, painting, drama and botanical garden, using the artistic technique which displays the creativity, unity of virtue and reality. To display the vitality of universe or the true life meaning profoundly, thus causes the body of aesthetic appreciation"s surmounting perception and being syncretized with nature, and immediately sublimating to a extensive space of artistic condition. Therefore, this article adopts "the ideal condition" to explore the the true meaning of the Eastern historic garden design . Thus obtains the high coordination with nature which manifests "the unity of human and nature" boundary, and takes specially neutral, amiable, contains and the pursuit of deep beauty; Moreover, in the layout and the spatial processing manifests the meaning of the Zen thought, pursuing the unification between man-power and the nature, solemn and implicit, standardized and diversified, even between the principle and the sentiment. All these characteristics make the Japanese classical garden design delicate, graceful, comfortable and applied, and which make it famous for the rich bright felling of rhythm and the unique national artistic feature of style worldwide.