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      • Zeolite 배합세제의 세척특성

        강인숙 창원대학교 생활과학연구소 1997 생활과학연구 Vol.- No.1

        First, the effectiveness of zeolite as replacement for Phosphates and STPP as co-builder in zeolite-contained detergent was studied. The results indicated that generally, the detergency of STTP was better than that of zeolite, regardless of washing conditions, but the difference of detergency between STPP and zeolite was not significant. Therefore, zeolite was estimated as a good replacement for STPP in laundry detergents. The detergency of the mixture of zeolite and STPP was higher than that of individual zeolite and STPP. This meant that zeolite and STPP ideally complement each other in laundry detergents. Then, the detergency characteristics of zeolite-contained detergent was investigated under such washing conditions as surfactant concentration, water hardness, mechanical force and washing temperature. It was observed that the detergency increased with increasing surfactant concentration, mechanical force and washing temperature, but the detergency decreased with increasing water hardness. The suspending power of zeolite-contained detergent increased with increasing zeolite concentration added to detergent.

      • 염상섭의 소설에 나타난 時空間(Chronotopos)의 양상 : 1기와 2기의 소설을 중심으로 First and Second period

        姜仁淑 建國大學校 人文科學硏究所 1989 인문과학논총 Vol.21 No.-

        Generally the temporal dimension of Yom Sangsup's novel is similar with the realists of France and Japan. He represented his own era alwasys, and his experiences appeared in his novel within three years. Spatial dimension is also same. He collected the materials around him which did not need to be researched any further. Like Franch realists Yom Sangsup's chronotopos was "here and now" type. But the relationships between reality and characters are different during first and second period. In the first period, his protagonists were loosely connected with reality despite the fact that they were within time and space of "here and now." However in the second period, their relationships became closer. We can see it in his novel "Cemetary <묘지>" which was written at the end of first period. The vackground of this novel is limited to the korean's situation in the winter of 1918, since then his settings became realistic. From spatial point of view, his settings had a trend of getting narrower. The setting of his novels had transitions from journey type chronopotos (1) to co-existant type of indoor and outdoor (2), then finally to indoor type (3). Even in (1), from the aimless trip to realistic journey shows that the distance with the reality is getting closer. We can see (1) type only first period.The same thing happened in (2) type too. "Death and Shadow <죽음과 그림자>" is more realistic than "Dark night<암야>." His first and second novel "The Frog in Biology Lab<표본실의 청개고리>" and "Dark night" are the most unrealistic anovels of Yom Sangsup. As I mentioned above, the realism started with "Cemetary," therefore this novel is a turning point from first period to second. Since the first period started from (1) type and the second period ended with (3) type, we should take a look the difference between those two periods. The characteristics of the second period are ⅰ) disappearance of trip and wandering, ⅱ)appearance of external reality, ⅲ)daily setting, ⅳ)the growth of fixed place. Second period is more realistic than first. So I find contradiction of evaluating first period as naturalism. Another characteristic of space in Yom Sangsup's novel is urban setting. Out of 20 novels he wrote, there is only one was written about country. In comparison with Yom Sangsup's second period with naturalism of France and Japan, there is a commom factor about chronotopos of "here and now," however Yom Sangsup and Zola have something in commom in urban setting, and with Toson and Kadai narrowness of setting.

      • 신소설에 나타난 novel의 징후 : 「치악산」과 「쟝화홍련젼」의 비교연구 Comparative Study on "Chiaksan" and "Story of Janghwa Hongryun"

        강인숙 건국대학교 1996 學術誌 Vol.40 No.1

        In Korean literature, we have a genre named 'new novel' between romance and novel. To clarify the characteristic feature of new novel, 1 want to compare the structures of "Chiaksan" and "Story of Janghwa Hongryun". Both of these novels share many thing in common. For example, both of them are step mother story, but they also have certain differences. In this article, I would like to demon-strate the symptoms of novel in new novel by clarifying the different phase of these two novels. 1.Character A) Similar phase (1) protagonist a) social class: yangban b) moral phase: superior class c) role in the story: good suffering step children d) typicality of characters: their assistants are also good (2) antagonist a) social class: yangban, however, economic and moral phases are inferior than protagonist. b) role in the story: bad step mother with bad assistant B) difference (1) In "Story of Janghwa Hongryun," the helper of antagonist is her own son. "Chiaksan" is different. Helpers of antagonist are her servants. Unlike the blood relationship in "Story of Janghwa Hongryun," these servants help the antagonist because of the money and the land she offer. They are market oriented type, suitable characters for novel. 2.The method of characterization. In terms of character roles, there are many similarities in both stories. But the method of characterization in them are much different. In "Story of Janghwa Hongryun," characters are very simple. In other word, they are one dimensional. Good person is always good and also beautiful. Morality and the beauty is unseparable in this story. "Chiakson" is different. Characters of this story has more complex dimensions as follow. (1) Protagonist has a a lot of virtues yet she also has bad side. Antagonist is bad. but also has some nice element. The good and the evil blended in each character so the characters in "Chiaksan" are more realistic than "Story of Janghwa Hongryun". (2) Beauty and the virtue of characters are not combined in this story. Antagonist of "Story of Janghwa Hongryun" is ugly, but the step mother of "Chiaksan" is beautiful even though she is bad. Her husband knows very well about her badness, yet he cannot help loving her. These kinds of complexity make characters more realistic. 3.Chronotopos The locational setting of "Story of Janghwa Hongryun" is not vague, but the name of the place has almost no meaning in this story, Same is true in terms of the temporal dimension. Chronotopos in "Chiaksan" is more realistic. The location is the place the author knows very well. So is the same in case of temporal dimension. The chronotopos in this story is "here and now" type, similar to novel, Enlargement of spatial scale, the concreteness of the locational description, interest of characters' manners and costumes and type of the chronotopos are symptoms of novel found in "Chiaksan". Unlike novel, however, where most of action happen in the 'community', locations of action in "Chiaksan" are usually outside of the 'village' touch as mountain and water mill cottage, etc. The market oriented characters are not protagonist yet in this novel, they are only assistant characters. These means the conditions of novel are not matured enough in "Chiaksan." 4. The causal relationship in the plot The author of "Chiaksan" is too conscious about the probability of the story. He explains too much for each event. This kind of expositions disturb the profess of the story, thus drive the reader's interest out from it. For example, when the father in law informed that his daughter in law has a lover, he ordered his servant bring to him some poison for punish her. In this critical scene, the author spend too much time explaining about the process of getting the poison which destroy the tension of the scene. This is common trait of new novel. Writers are too conscious about the causality of the action, so the readers become distracted. The elements of novel and romance are intermingled in new novel. Even though it is not matured enough to become novel, there are many symptoms of novel found in new novel which initiated the development of novel eventually. The writer of new novel were longing for new ara and new genre of writing, that they wanted rejecte the old narrative method.

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