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外裝 材料를 銅板으로 한 龕室 제작 연구 : 천주교 내의 금속공예 중에서 in the metal art of Roman Catholic
朱禮卿 건국대학교부설조형연구소 1992 조형연구 Vol.1 No.-
A tabernacle which stands a symbol for various religious meanings was manufactured using copper sheet of inherent plasticity as a surface material. The advantages of copper sheet which contribute the intended use was evaluated along with the points that has been raised. Due to the characteristic malleability of the copper it can give a diversified expressions by providing the ease of shaping and various techniques therewith while the final product can be kept relatively light and manufactured cheap without sacrificing the original function of the tabernacle. In contrast, the needs for multiple inner supporting layers to strengthen the protective function of the tabernacle and the trained skills to be coped with are the major obstacle. Special efforts have been concentrated to impart the traditional known symbols of the christian churches followed by expressing the emblematic characteristics of the tabernacle through the implicative modern formative arts. In addition to the abovementioned tabernacle, there are also many possible spaces to be sought for the artistic expressions through the applied arts in the field of religious art.
주예경 건국대학교 조형연구소 1996 조형연구 Vol.4 No.-
In this paper I first examined and tried to understand from the traditional point of view several symbols showing our cultural heritage. Using this understanding as a basis, I looked again at the symbols and made a piece of art trying to show the possibility of new form concretely connecting past and present. There are very many possible symbols, but for the purpose of this study I chose more frequently appearing ones like the bat, the lotus, the bamboo, the ten longlife symbols, and others. A country's culture is separate from economic development. A culture irrespective of its origin rises and falls, and developes its own native forms and shapes according to national characteristics. Today the world global village is commonly used. Massmedia gives the impression that today the whole world has no borders and that we are all part of one cultural entity. Therefore insisting on 'our" things seems perhaps to be an anachronism. But clearly each country has special and beautiful things. When these things possess their own essence, they truely become international. Therefore finding our things with new content befitting our times is one of the most important things to do. Our recent sad history has made our society an arena of competition for foreign culture. By mixing our traditional culture uncritically with these foreign cultures and accepting them. it has come to point where we are losing our national conciousness and the culture that makes us special. Through my artwork, I have tried to find " our fundamental conciousness', on that which gives form and feeling to our traditional cultural sense. Through this kind of work, design is not making a form that never existed or one that is totally new, but transforming and enlargening the formative elements that already are in our past and reinterpreting them in the language of our times. Doing this can be shown again and again to be the most right and necessary thing to do. The works of the formative arts speak for one's society and also influence that same society. In our day the rate of change is tremendous and can not be compared with the past. The amount and the quality of this change is such that we do not even have the time to choose anymore. Therefore our cultural environment and conciousness will only be right, and there by influence our society properly, to the extent of the subjectivity and clarity of those dedicated to design and the formative arts, and only of there is a concious search for our soul. Our native and beautiful feeling and form can always be reinterpreted. In artwork there is no need to copy foreign and exotic culture, for multiple expressions are always possible. Further more this kind of effort helps us experience the truthfulness of the creative act. When something has natural form, besides the nation building purpose of holding on to 'our" things and being adamant about our national characteristics, it is like meeting something old and familiar. Especially in the formative arts, which are one of the various elements constituting culture, this kind of concious effort is the most important thing one can do. In the future I intend to continue this study.
김홍대,주예경,곽태영,강재진 한국공예학회 1999 조형디자인연구 Vol.2 No.1
The objective of this project is to develop excellent tourist craftworks that can effectively represent characteristics of the local culture of Joongwon province. For the production of tourist souveniors with useful function, various shapes and popularity, four coworkers have designed and produced craftworks after researching individually in the area's tourist circumstances. Since long before Joongwon province has been a famous tourist place with its surrounding mountains, the Choongju Lake and the tourist industry of the area. To draw more tourists to this province, and to activate the local tourist industry, the development of excellent tourist crafts that can be gaining general currency is a very important job. Thus this study aims at recognizing the problems of tourist souveniors with low quality now having an extensive currency in general tourist area, and also at developing superior tourist craftworks with characteristics of tourism and the local culture. On the basis of motifs that have been various tastes and prices by adopting an effective method of production and material selection.