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兪睿根 충남대학교 대학원 1976 論文集 Vol.7 No.-
In this study, the process of enlightenment was divided into three periods; the dawn of enlightenment, the first half of enlightenment, and the last half of enlightenment. It was in the last half of enlightenment, after the Kap-Oh Reformation in 1894 that Chang-Ga(musical verse) appeared on the stage of musical verse as a new literary form. In the versification, its chanting was presupposed, and, though it was chanted to the tune of western melody, its stock was of traditional korean elements affected by chinese poems as well as foreign musical verses. And what is noteworthy is that it played an important role in leading people, inspiring enlightenment and patriotism. In a word, Chang-Ga was a purposeful literary form of the times. To have views that Chang-Ga was a verse of seven-and-five word metre imported from Japanese verses and that it originated in Kyung-Bu Chul Do Ga can be said to he far from justification. It is assumed that Chang-Ga has its origin in a four-four metre(or three-four) rather than seven-five and developed into various forms. Besides seven-five metre, there are other verses found that have metres of eight-five, six- five, six-six, seven-seven, etc. This means a breaking down of old prejudices that only verses of seven-five metre are included In the class of Chang-Ga, an imitation of Japanese verse. Such views are presumed to have resulted from ignorance of the traditional characteristics and the process of development of korean verse . Chang-Ga, which came to meet the needs of the times, can to classified into several groups according to its suject or content; patriotic verse calling for respects for the fatherland and independence spirit, train or excursion verse admiring a new civilization, and passionate and idealistic verse fostering young dreams an kindling ambitions, and so forth. The early writers of Chang-Ga were people in various fields of life and the person who made the most distinguished contribution to the firm establishment of Chan-Ga era was Yuk Dang, Choe Nam Sun. He was the first to use the seven-five metre and produced a lot of excellent works rich in patriotic and enlightening ideas and emotion. Though the name, Chang-Ga, is no longer heard, its remnants and influence are still- noticed ont only in the form of school music descending from it by way of school chang-ga but also in songs of school, organization, and army. The fact that we can find not a few contemporary verses of seven-five or eight-five metre shows that we must acknowledge its fertility of patriotic and enlightening spirit. The popularization of verses like Chang-Ga and their chanting together would probably be a fruitful means of inspiring patriotism and community spirit and would sure1y contribute to the total cooperation of our people and energetic advance.