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What about Machines? Performing “J-type” Technology in Japan`s Contemporary Performance Culture
( Tadashi Uchino ) 大韓舞踊學會 2013 대한무용학회논문집 Vol.71 No.3
In this paper, I will examine three performances in which the issue of technology manifests itself in various forms. In Dumb Type`s pH (1990-3), technology is represented in close affinity with the humanist tradition, where technology is pitted against humans. In Hirata Oriza`s robot theatre (2010), the “real” robots are used as characters of the play. The effect is interesting, though we cannot but feel Hirata`s strong sense of anxiety. The last case is by Ikegami Takashi, a leading AI scientist. It is a provocative experiment with dancers, exploring the possibility of renewing the sense of technology in performance.