轉寫染을 應用한 韓服開發 硏究

박범순 東亞大學校 大學院 1988 국내석사

The way our original dress have to step forward in modern society is to study the relation between modern Korean dress and that of traditional mode, and to promote into artistic dimention development of dyeing technique for improving international appreciative eye and aesthetic sense level, and its variety, and qualistic level. Finally, in this stand point, the opration of transfer dyeing is simple and doesn't require high level of technique. Therefore it can make dyeing goods produced in short time, compared with other dyeing methods. Secondly it doesn't need steam-heat disposal, and post disposal of flushing and drying, therefore there is no environmental pollution. Thirdly, it can easily be applied even to chemical cloth which is difficult to conduct dyeing by the former method and it is easy to express detail line, description dyeing method and bright degree of colours. Fourthly it make large production possible as dyeing of several pieces can be conducted by one intended design. The cost price and enerht can be reduced and redyeing can be conducted on the parts wanted to be repaired of alread-made Korean dress. Therefore I think that Korean dress is necesary to be put to practical use. In Korean dress, the most of its artistic expression mode has been depended upon single technique of hand descripting dyeing method and it reaches its limits. In this stage, heat transfer dyeing method among artistic dyeing technique which never requires process of post disposal shall be applied to Korran dress, meeting the spirit of the time and human mentality of Pursuing new items, and then profound study on the transfer dyeing method is thought to be neeeded which can easily solve the problem of large production and the difficult points as goods in artistic dyeing. If this kind of research and development is maintained I think Korean dress, which has been wearing for ormalnental and formal purposes by effect of Western style of dress till now, shall possess the generality and originality in real life and then it shall make our custom history more affluent by addind new motive to international custom mode.

拔染의 應用效果에 관한 硏究 : 絹織物을 中心으로

김이식 檀國大學校 大學院 1991 국내석사

人間은 文明期로 접어들면서 産業革命을 거쳐 現代에 이르기까지 科學·技術分野를 눈부시게 발전시켜 왔으며 계속해서 많은 技術과 그에 따른 情報를 제공하고 있다. 이러한 科學·技術의 발전은 모든 産業分野에 커다란 영향을 미치고 있으며 染色産業分野도 과거에 사용되던 染料의 質的改善은 물론, 여러종류의 染料가 개발되고 이를 이용한 染法도 다양하게 발전되어가고 있다. 染色作品製作에서도 새로이 개발된 染料의 사용이나 새로운 表環技法의 개발은 表現領域의 확장이라는 측면에서 대단히 중요하다. 染色作品은 다른 藝術分野에서 느낄 수 없는 독특한 表現世界를 지니고 있다. 그러나 手工的 直接捺染法이나 描畵約 파라핀防染法은 表現上에 있어서 그 한계를 넘기 힘들었다. 따라서 染色技法에서 보다 效果的으로 表現할 수 있는 방법이 요구되었기 때문에 새로운 染法에 대한 硏究는 끊임없이 추구되어 왔다. 그 중에서도 拔染法은 手工的 一品製作에서는 그 應用의 폭이 미세하였으나 産業的으로는 과거의 染色法보다 짧은 作業過程으로 인한 생산비절감의 이윤으로 1970年 이후 한국의 現代 捺染産業에서 많이 사용되고 있는 染法으로 발전하였다. 拔染法은 최근에 이르러 生産技術의 발달로 綿, 絹, 耗 및 再生纖維 등 여러 纖維素材의 捺染産業에 널리 이용되고 있으며 그 應用範圍가 넓은바, 拔染製品生産에 가장 널리 쓰이는 絹織物을 대상으로 새로운 表現技法의 개발에 目的을 두고 拔染法을 應用한 粉雪拔染法 및 噴霧拔染法을 活用하여 創作的 作品製作의 實驗을 통하여 硏究하였다. 그 結果, 鮮明한 色相과 纖細하고 立體的인 表現을 할 수 있었으며 종이, 얇은 떡반죽판, 실등 기타재료를 사용하거나 意圖的 습도조절 및 後處理加工에 의하여 表現領域이 확대되고 染色技法의 다변화를 가능케 해 주었다. 따라서 表現上의 效果를 다양하게 創出할 수 있었다. 또한 오늘날 점차 개성화, 다양화 되어가는 개개인의 感覺에 부응할 만한 染色作品製作의 한 방향을 제시할 수 있었다. As entering into the civilization especially from the Industrial Revolution to modern industrial sociely, human beings have strikingly developed science, technology and information. To say noting of the improvement of dyes quality used in the past, the Dyeing Industry has developed various kinds of dyes and dyeing styles influenced by the technological prosperity enjoyed in the all industrial area. Day by day, the newly developed dyes and creative expression style have broaden the efficent technique and application power in the view of amplifyingg the dyeing expression area. The dyeing art has the characteristic expression field which can not be easily felt in the another art, but the out-of-date handicraft Direct Printing Style and the descriptive paraffin Resist Dyeing Style had some limifs in their expression. Therefore the more creative style of dyeing has been continuously researched as the more efficent style of expression has been wanted. Among the newly developed dyeing style Discharge Dyeing Style has come to be a widely used one in the mothern Discharge Dyeing industry of Korean since 1970, because the processing of work is more brief compared with the past on. Recently Discharge Dyeing Style developed by the industrial high - technology is popularily used in the Discharge Dyeing Industrial of the various kinds of fabric material like cotton, silk, woolen and reclamation fabrics. So the sphere of application is very wide that I researched into the applied Discharge Dyeing Style of Poweder -Spreading and Liquid-Spraing as the style of creative dyeing experiment for the development of new expression style. As a result, I could get more clear and three-dimensional expression. The artificial humidity control and the after-treatment which 1 tried could amplify the sphere of expression and varify the technique of dyeing style by using the material of paper, thin paste board, thread and so on. Today when the works' of art is gradually individualized and varified, I could show a direction which was able to appeal to the sense of individuals. a little in dyeing field.

韓國 傳統紋樣을 應用한 신발 밑창 조각패턴에 관한 硏究

장남서 東亞大學校 1988 국내석사

The necessity of research on design to best meet the consumers' needs is no less demanded in footwear than in clothing. Western shoes consumers recently show a strong inclination to prefer Oriental design and color. Especially in the current competition age of developing a unique outsole pattern for various kinds of sports shoes, the creation of a genuinely Korean shoe pattern will no doubt help improve the image of Korean products. The researcher visited the development department of one shoemaking company in order to reveal the pattern characteristics in the shoes for tennis, jogging, basketball, football and volleyball. Then Korean traditional design was made, in this paper, which can fit the modern sense for an outsole pattern. The outsole pattern is almost the same, varying a little to the surface condition of the court or ground. The pattern should be designed so as to prevent sliding and secure flexibility at the 67% area of the shoes and to mitigate a shock at the rear part of a foot. As the majority of domestic outsole patterns are produced by those with no systematic theory, the aesthetic design is all but relied upon their experience. The researcher now suggests that, by developing an outsole pattern applied with the Korean traditional design, the shoemaking industry should trasform itself from a low - valued and labor - oriented one into a high - valued and technology - oriented one with full adaptation of artistic sense. He also holes that this research will be a motive for Korean shoe industry to open an epoch-making era in the markets home and abroad.

화장토에 관한 연구 : 용화화장토의 실험을 중심으로

진숙현 이화여자대학교 大學院 1979 국내석사

시각 정보가 가상환경 디자인에 미치는 영향에 관한 연구 : 입체영상을 중심으로

조종학 한양대학교 대학원 2008 국내박사

본 논문은 가상환경을 구축함에 있어서 인간의 오감 중 가장 핵심적인 역할을 담당하고 있는 시각부분에 초점을 맞추었으며, 특히 공학적인 측면이 아닌 디자이너 측면에서 가상세계를 바라보고자 하였다. 현대인들은 이미 많은 시간을 현실세계가 아닌 가상세계에서 보내고 있지만 이러한 가상세계에 있어서 시각적 정보 제공에 있어서는 현실세계와는 많은 차이를 가지고 있다. 우리가 살고 있는 세계는 온통 입체감을 느낄 수 있는 3차원 세계인데 반해 인터넷, 게임, TV 등 흔히 ‘가상세계’ 용어를 사용하는 대부분의 영역은 2차원적 시각정보를 제공하는 데에 그치고 있다. ‘입체감을 일으키게 하는 구조란 무엇인가?’ 라는 소박한 의문이 3차원 입체영상기술 역사의 근원이다. 회화 기술 대부분이 물체의 크기, 음영, 투시도법 등을 이용해서 평면 캔버스에 효과적으로 입체감을 나타내기 위해 사용되어 왔다. 이와 같이 간단히 얻을 수 있는 회화의 입체감의 요인에다 양안시차(Binocular Disparity)의 효과를 부여하는 방법이 19세기 중엽의 입체사진에 처음으로 시도되었다. 오늘날의 입체영상 기술은 첨단 TV와 컴퓨터에 응용되고 있으며 3D입체방송 기술에 대한 연구 및 개발이 활발히 진행되고 있고, 다시점 비디오기술을 포함하는 3차원 비디오기술 개발은 전 세계적으로 미국, 유럽, 일본에서 가장 활발하게 이루어지고 있다. 미래를 다룬 공상과학영화를 보면 가상환경의 소재를 쉽게 접할 수 있는데 현재와 같은 모니터 평면에 맺히는 2차원 방식의 영상이 아닌 실제 부피감과 공간감을 지각할 수 있는 3차원 입체영상을 필수적으로 구현하고 있다. 우리들의 눈은 가로 방향으로 평균 약 65mm 떨어져서 존재하는데, 이로 인해 나타나게 되는 양안시차는 입체감의 가장 중요한 요인이라 할 수 있다. 즉, 좌우의 눈은 각각 서로 다른 2차원 화상을 보게 되고, 이 두 영상이 망막을 통해 뇌로 전달되며, 뇌는 이를 정확히 서로 융합하여 본래 3차원 입체 영상의 깊이감 및 실제감을 재생하는 것이다. 따라서 본 연구는 가상환경을 구축함에 있어서 가장 중요한 부분을 담당하고 있는 시각에 있어서 입체영상(Stereo Graphics)에서 그 해답을 찾고자 하였다. 서론에서는 연구의 목적과 필요성, 중요성, 방법 및 당위성에 대하여 기술하였으며, 용어해설을 통하여 본 연구의 전체적인 이해를 돕고자 하였다. 본론에서는 먼저 가상환경 디자인의 정의, 종류 및 요소 등 가장 상위 개념인 가상환경에 관하여 고찰하고, 본 연구에 활용할 시스템 구축을 위해 먼저, 디스플레이 종류, 방식 및 스크린 타입의 특성 등을 비교분석하여 본 연구에 적극 활용하였다. 그리고 가상환경 구축에 있어서 핵심적인 요소인 입체영상의 인지원리에서 산업화 추세 및 응용 등 가능성에 대하여 고찰하였으며, 본 연구에 사용될 입체콘텐츠 제작을 위해 먼저 입체영상 제작 및 편집방법의 연구를 선행하고 특히, 배경색과 오브젝트 형태가 입체감에 미치는 영향의 실험을 통해서 배경색과 형태에 따른 입체감의 차이를 밝혔다. 또한 본 연구자가 전투기 및 잠수함 체험 입체콘텐츠를 직접 연구 개발한 입체영상 디자인 전 제작과정을 기술 하였으며, 시각 정보가 가상환경 디자인에 미치는 영향에 관한 연구 즉, 이 두 연구물을 실제 경험한 결과를 도출하기 위하여 표본 집단을 선정하여 이를 경험하게 하고 설문조사를 통하여 체험 입체콘텐츠의 효과를 고찰하였다. 이 실험과 설문을 분석하여 디자이너의 연출이 입체감에 결정적 요인임을 밝힌다. This thesis focuses on the vision, which plays the most important role among the five senses of man - especially with a view as a designer, not as an engineer. The people of today are already spending much time in the cyber world, which is not the real world. The visual informations from the cyber world, however, is much different from those from the real world. The world we are living in is a three-dimensional world of perfect solidity, while most of the realms of so-called ‘cyber world’, such as internet, game and TV, provide only two-dimensional visual information. ‘What is the mechanism by which the solidity is perceived?’ - this is the simple question that has founded the history of stereo graphics technology. Most picture technologies have taken the advantages of the object's size, shadow and perspective projection to express solidity efficiently on plane campus. It is the stereograph of the mid-19th century that first tried to combine the binocular disparity effect with such simple factors of picture solidity. The three-dimensional imaging technology of today is being applied to the hightech TV and computer, and is under active research and development; while, the three-dimensional video technology, including the multi view video technology, is most actively developed in the US, Europe and Japan. The materials of cyber environment can be easily found in science-fiction films about the future, in which the practices of stereo graphics is essential which can give the feeling of real volume and space rather than the two-dimensional images we can see on common monitors. We have eyes with an average horizontal distance of about 65mm, which is the ground of binocular disparity, which is the most important element of solidity. Each of the right and left eyes see a different two-dimensional image, which are transferred to the brain through the retina, and the brain fuses them accurately to reproduce the depth and reality of the original stereo graphics. Therefore, to establish a cyber environment, the present research tried to find an answer in the stereo graphics, particularly in the vision which plays the most important role. The introduction describes the objective, importance, methods and feasibility of the research, with the explanation of terminology for overall understanding of the research. In the main subject, considerations were first given to the definition, types and elements of cyber environmental design, which is the highest level of concept. The types and methods of displays and the properties of screen types were comparatively analyzed to be used for the establishment of the system which would be used for the research; and the results were fully utilized for the research. As to the principle of recognition in holography, which is an important element for the establishment of cyber environment, its trend of industrialization and the possibility of its application to industry were considered. The studies on the preparation and editing of holography preceeded for the preparation of holographic contents. Particularly, the experiment about the effect of background color and of object's shape showed that bright or blue background colors gave better solidity than dark or red colors by 30% and 10%, respectively; while, angular shape gave better solidity than round shape by about 10%. Also the all procedures of the holographic design, which is developed through the author's research, are described. Holographic contents of an battleplane and a submarine were developed by the author for the main research. For the study on the effect of visual informations on the cyber environmental design, 20 students whose major is design were selected as a sample group and was divided into two groups of 10 students each. When Group A saw the battleplane content, they were made to focus as the author intended; while, when they saw the submarine content, ment and laser beam were used to make them focus on different point than the author intended to. Reversely, when Group B saw the battlement content, they were made to see different point than the author intened to; while, when they see the submarine content, they were made to focus as the author intended. Each of them were then asked to prepare a table of solidity measurement. The analysis of their answers to the 40 pages of questionnaire in total showed that the spectators who were made to focus as the performer felt better solidity than those who were not, by about 30%. Thus, the present study shows that the way the designer performs is a critical element for solidity.

陶製타일을 應用한 室內탁자 開發에 관한 硏究

황인옥 朝鮮大學校 大學院 1986 국내석사

Lacked from foundational environment, or will become lack from foundational environment. Modern times is result of material civilization highly developed, and appeared the society of unified functionalism. For an exalted position of life, modern persons created an artifical enviroment came to under the control to man. most modern persons were lived in the interior space, conception of interior space is not conception of foundamental space, and must meet an artifical requirement to persons, and must take form as positive space conception, and these facts will an inevitability of requirment to an economical efficient. Indoor table attempted by this thesis was designed for proper use to an indoor space in the modern life, and appeared the mood being liveliness with natural stone, or for an exalted position of sate life to person, or for allow heartburning the material return consciousnass to person. I will an effort that I must an insert to figure shape of natural stone by myself. In the tile, As a matter of course the East and The West, -----As building materials of indoor and out door to everyday life. It is staged, ------------- Advantageous terms of our country, --- In allowance case to raw material of abundant good quality and idle labor capacity -- development of indoor table applied to tile attempted by myself is expected great usable. Applied table to tile attemped by this thesis will proper use to life space in the modern life. And as insert to shape of figure of natural stone by re-organization the those things, I will an-effort that appear the mood being of liveliness for natural stone. In an arts field of cermic ware, indoor table applied to tile attempted by this thesis will necessary, and I think that will increase the necessity. So, I was choice the this subjects "Study about indoor table development applied ceramics tile". Indoor table is insert the shape of figure of stone, In the this thesis. I have a thing for my own object of heartburning value by harmony of artifical formative plastic and fresh liveliness of natural, and have a thing for my own object of maximum effect. as minimum means invested a person with those object. In this thesis, do away with the uniform of present-day life inner space, and is invest of individual character in indoor. in tile's factory of indoor exsitance for the anthropocentricism space, mass formation differently, you have the assumption that you has been put first the uniformly production of offence and defense. In case of foreign country, you felt of dislike to exsisting tile standardized, So, you is prevalent by tile order of hand work. But, In case of our country, It is monotonous side still. So, I want improve as apply in indoor little by little the these facts. Table attemped by this thesis is insert the figure shape of natural stone on tile. and is agreeable to modern sense, make the change to color, bring into relief to image of natural stone, is agreeable to space of present-day life, have an eye to an original idea of design, make the main place of life in city life. and as insert by reduce to natural at indoor. You will manufacture as direction the abundant and the richness to life. In addition, table applied the ceramics tile will bring the point at issue by manufacture and the point at issue by manufacture and the point at issue by design as a window dresser. In this space or as design of indoor space, I will want that I am tap to possible of the ceramic ware arts as indoor Arts. So, In this thesis was analyed into as follows. 1. History of our country. 2. General process of tile's manufacture. 3. Figure shape of natural stone. 4. The manufacture of actual and plan of design. 5. An efficiency of table applied an ceramics tile or analyzed into as compare with other talbe. The end

떡살에 나타난 幾何學的紋樣의 應用에 관한 硏究

한길순 東亞大學校 1986 국내석사

Increasingly, modern high-tech civilization is making our way of life more complex and various than ever. Though man can seek infinitely creative spirits through free, complex. forms, he can also seek a new plastic world through rigid, simple forms. That is the geometrical world he has found. This thesis aims at elucidating the process in which I have designed some trial works centered on the geometrical patterns which are the most plastic and most expressive of even modern sensibility, of all those imprinted on rice cakes by the rice cake molds. My trial works could be used as decorations of living space, recomposed in modern patterns in which traditional Korean beauty, revealed in geometrical patterns, may correspond to contemporaneous sensibility. Prior to stating the development of my trial works, I have traced the general backgrounds of the Korean rice cake molds, the significances of the geometrical patterns and changes, dwelling on the comprehensive meanings of the geometrical patterns. In the category of classification of the geometrical patterns imprinted by the Korean rice cake molds, I have looked into the origins and the formal differences and compositions, of the geometrical patterns divided into pattern units and motifs. For the development of the methods used in designing trial works to which geometrical patterns are applied, I have presented eleven trial works, divided into single, complex, and super-imposed patterns. The trial works are designed, with emphasis on the pattern moods, and with the application of simplicity and modality. I have tried, in the process of application, to develop aesthetic and modern as well as traditional Korean patterns. I firmly believe that, through such a study as this, our patterns, which are based on traditional Korea beauty, could be developed, if put to practical use and recomposed corresponding to modern sensibility, into part of patterns of creative craft arts, thus displaying the superiority and originality of Korean beauty.

二重織作品의 特性과 그 效果에 關한 硏究 : 織機를 利用한 二重織을 中心으로

안병온 檀國大學校 大學院 1991 국내석사

傳統織物로 일컬어지는 二重織은 보온과 裝節을 위주로 한 實用的인 目的으로 부터 出發하였으며, 오늘날에는 二重構造의 여러가지 변용으로 創意的인 素材開發이 이루어졌으며, 藝術과 交流하는데 하나의 媒介體가 되고 있다. 二重織은 古代페루의 織物에서 그 脈을 찾을 수 있으며, 纖維藝術의 한 分野로써 初期의 움직임은 20C 바우하우스(Bauhaus)로 부터 現代織造를 연결하여 주었던 織造家 안니 앨버스(Anni Albers)에 이어, 1960年代에 리챠드 랜디스(Richard Landis)에 의해 二重織 벽걸이를 製作하면서 활발하게 硏究되었다. 이 시기에는 획일적으로 面을 분할하는 수직과 수평의 선들이 이루는 격자양식의 形態로 매우 정교하고 독특한 色彩排列로써, 二重織 고유의 技法에 의해 많은 發展을 이루었다. 본 硏究에서는 다양한 形態로서 表出되는 二重織의 表現形式 중 構造的 特性과 應用의 폭을 다양화시킬 수 있는 織機를 利用한 二重織을 硏究範圍로 하여, 獨創的인 表現效果의 特性을 分類·分析하였다. 또한, 實驗製作을 통하며 材料加工의 改善과 다양한 表現技法의 應用으로, 獨創的인 纖維藝術로서의 發展이 매우 용이함으로 이를 개선하는 것을 目的을 하였다. 實驗製作에 있어서는 織布에 주로 染色하여 일관성을 보여주었던 染色法 中 噴霧染과 湖染을 利用하여 色相의 效果를 더욱 체계적이고 幾何學的인 것에서 繪晝的인 表現에 이르기까지 다양한 方法으로 시도하였다. 또한, 組織的인 변형과 함께 平面에서의 表面을 製作과정을 통하여 인위적으로 돌출시키거나 구김으로 자유롭고 다양한 形態로 表現하기 위하여 플리트技法과 슬릿技法으로 製作하므로써 새로운 空間의 創出을 시도하였다. 그 結果로, 材料加工에 있어서 染色法에 의한 效果表現은 製織되기 전 織絲에 染色함으로써 色相의 부드러운 흐름과 독특한 점묘의 效果와 色의 연속적인 排列로 추상적인 효과를 얻을 수 있었으며, 混用技法의 應用으로 組織的인 변형과 平面을 의도에 따라 새로운 形態로 변형이 가능하였으며, 表面을 일정하게 돌출시킴으로 浮彫的 效果를 나타낼 수 있었다. 그러므로, 製作의 方法에 따라 서로 상반된 效果로 表現이 가능한 二重織이 實用的인 技能만이 아닌 現代纖維藝術의 한 分野로써 作家들의 지속적인 努力인 계속되어져야 할 것이다. Double weaving, which have been one of the traditional weaving techniques, was originally starfed for practical uses such as Keeping warmth and the decorations Today, many different variations of the double structure and the developments of the create materials were made, and through these variations and developments, the double weaving become a field of the arts. Double weaving has its origin in the ancient Peruvian weaving and a transtion to a field of the fabric arts was mainly made by an weaver Anni Albers, who briged the Bauha us and the con- temporary weaving, followed by another weaver Richard Landis, who made the double weaving wall-hangings actively in 1960's. Daring this period, the weaving had the grid pattern, in which vertical and horizontal lines uniformith partition the surface. The pattern showed very elaborate and unique arrangement of colors, and was developed by the unique techniques of the double weaving. Among the various forms of the double weaving, one which can diversify the structual characteristics and range of appications asing a weaving Machine was selected as a topic of this study, and its features of creative expression effect were classified and analyzed, Also, the growth of the double weaving as an original fabric art can be very easily achived by improvements in processing the materials and applications of expression techniques, its improvements through the experimental weavings was anther goal of this study. In the experimental weaving, air brush and paste dyeing were tried to show the effects of colors ranging from systematic and geometric to picturesque. Also, with the variations of weaving, pleat technique and slit technique were hired to express the various forms of the double weaving by artifical protrusion and wrinkle of surfaces. As a result, it was pussible to obtain a subdued stream of color unique effect of pointillism, and an abstract effect of sequent color by dyeing yarn before being weaved. Modification of weaving and transformation of the surfaces into new, desires forms by applying the mixed medium were also possible and the effect of relief was resulted by and uniform protrusion of the surfaces. Therefore, double weaving can be expressed as contrary effect with each other according to the methed of making. As a result, it seems to me that a maker continue to deal with double weaving in the field of modern fabric art as well as in the practical technigues.

가로쓰기용 한글 완성형 활자체 試作에 관한 연구

김명나 경성대학교 대학원 1992 국내석사

Hanguel of not square the Combination Letter Style has been studied, but the basic study of Completion Letter Style has lacked so far. So it would seem that we need to study the Completion Letter Style, because of lacking of the basic study about lettering based on the scientific and logic system. When making letter style by using the Combination Letter Style, Hanguel could be easily made if each one vowel and consonant is given for all letters. By comparison with the easy Combination Letter Style when Hanguel is made Completion Letter Style, each letter style of 11,172 letters should be made and given a total balance according to a lot of the modeling principle. In making the basic letter, the gap between horizontal lines from two lines to eight lines and vertical lines from two lines to six lines makes out the difficulty in planning the letter styles. But in this thesis, the form of the five line's letter become the basic structure. By using this principle, the three letter styles were produced after giving the variation to serif, and the thickness of horizontal line and vertical line. Under this conditions the results are follows : First, giving the strong action of horizontal lines in the low, mid and high position, in the one of above suggested three letter styles, the orderliness of horizon got to improve in the comparision of former the Hanguel's Completion Letter Style that the strong action of horizontal line has been given to the central horizontal line as only one line. Secondly, like the case of 1, 2 the white spaces inside letter of consonants placed under a vowel are changed and different vertical lines are given by the comparison of the horizontal line and vertical line. So in result the balance between the letter and the white spaces got to improve. Thirdly, putting the white spaces of letter without a consonant placed under a vowel on the low position, We can read the letters easily and fast for it is easily recognized to make a distinction between the letter with a consonant placed under a vowel and the letter without a consonant placed under a vowel. Fourthly, like the third condition, by trying the variation of the thickness of the horizontal line, these three letter styles suggested here could be variablly adopted to the plan such as the exclusive use of letter style and the use of headline letter.

장승 형태를 응용한 묘염 작품 연구 : 작품 제작을 중심으로

김은수 동아대학교 대학원 1997 국내석사

자연은 창작 활동의 무한한 소재로서 인간의 예술 활동은 자연 조화 속에서 미를 발견해 내고 이를 구체화한다. 특히, 우리 민족은 자연주의 사상을 바탕으로 자연 관찰을 통한 본질과 감동을 창조적 형태로 자유롭게 표현해 냄으로서 서정적 상징성을 띤 독창적인 한국미를 표출해 왔다. 그러나 현대 우리 나라의 미술 사조는 급진적인 서양 문물의 수용과 서구화된 의식 구조로 인해 그에 따른 전통적인 문화 예술 분야가 소홀히 다루어졌던 점이 적지 않았다. 이렇게 전통 한국미가 점점 상실되어 가는 현 상황 속에서 고유 민속재의 하나로 한국인의 모습과 소박한 염원을 대변하며 전승되어 온 장승 형상은 서구화 경향이 빚어낸 기교에 치우친 인공미가 아닌 자연성에 기초한 절제된 단순미와 공간미, 자연적인 재질감으로 소박하면서도 함축적인 한국미의 대표적인 조형물로 인식되어졌다. 이처럼 우리의 순수 고유미로서 자연의 본질을 바탕으로 표현되어진 장승 형상은 원자재가 지니는 가변적인 특성으로 인하여 선, 색채, 질감, 형태 면에서 조형성의 다양함을 보이며 넓은 감상의 폭을 지니고 있다. 따라서, 본 연구에서는 자연과 더불어 호흡하고 있는 다양한 장승 형태를 관찰·분석하여, 전통성에 바탕을 둔 특징적인 장승 형태와 주변 자연 풍경 이미지와의 연관관계에 의한 조형적 탐구로서 묘염에 의한 구상적 표현 연구를 통하여 작품을 제작하는데 그 목적을 두었다. 이를 위해 내용적인 면에서는 장승이라는 소재 연구를 통하여 그 개념과 형태적 조형성을 재해석하였다. 그리고 작품 제작을 위한 방법적인 면에서는 장승의 이미지를 시각화하기 위한 조형 행위의 하나로 꼴라쥬(Collage) 기법을 응용하여 새로운 공간성의 창작을 시도하였다. 또한, 표현 기법으로는 면(Cotton), 콩즙, 반응성 염료, 호료(알긴산 소오다), 먹을 주재료로 한 전통 염색 기법인 묘염(Paint Dyeing)에 의한 회화적 표면 처리로 다양한 형태 탐구와 표현 가능성을 제시하고자 하였다. 이러한 이론적 배경과 작품 제작을 통해 연구한 결과 다음과 같은 결론을 얻을 수 있었다. 첫째, 꼴라쥬의 연계를 작품 형성의 배경으로 하여 사실적인 장승 형태와 단순화된 부분적 자연 풍경 이미지, 기하학적 선의 결합을 통한 다양한 이미지 형성 과정 속에서 독자적인 구상 세계의 가능성을 발견할 수 있었다. 둘째, 묘염(Paint Dyeing) 작업으로 나타난 미묘한 색채의 겹침과 자유로운 붓터치에 의한 표면의 다양한 회화적 표현은 서정적인 조형 공간으로 조화를 이루었으며, 자연 소재인 대상물의 질감을 흥미롭게 표현하기에 적절하였다. 셋째, 천연 섬유인 면(Cotton)의 투박한 재질감에 절제감 있는 먹의 사용과 색호료에 의한 저채도의 황토색, 갈색, 녹색, 회청색 계열의 풍부한 색감 표현으로 편안한 자연의 느낌을 나타낼 수 있었다. 이상에서 얻어진 결론을 토대로 전통 토속 문화 속에서 얻어진 고유 요소들의 심도 있고 다각적인 표현 연구를 통하여 더욱 발전적인 전통 소재의 활용과 그에 따른 현대 미술로의 새로운 가능성 제시가 활발해지기를 바란다. Nature is the unbounded material of producing activities and human's art activities find out beauty in nature and take actualization it. That is to say it means not to see just only reality of objects in nature but to interpret the image of objects under the point of view of artist's and then intend to pursue formative arts with new ways of representation. Especially our nation has represented the unique korean beauty of lyrical symbols through free representing true nature and impression of nature. But the trend of art in korea doesn't treat our traditional and cultural art so much because of the radical reception of western culture and westernized thoughts. Under this condition, Chang-su˘ng which has been handed down representing korean's characteristics and naive wish as a traditional material has temperated simplicity, space beauty, and natural materials on the basis of nature not with artificial beauty. That is to say, Chang-su˘ng is considered as a representing formative art of korean beauty. Thus Chang-su˘ng represented on the basis of nature with our traditional beauty has the variety of formative art and give wide appreciation in line, color, materials, and shape owing to the change able characteristics of materials. Thus, the purpose of this thesis are to observe and analyze various forms of Chang-su˘ng in surroundings and then to find out interrelationship with image of nature and Chang-su˘ng through paint Dyeing of formative representation. I analyzed first of all the concept and the formative quality of Chang-su˘ng. And then to visualize the image of Chang-su˘ng. I used collage technique to try to create space. Also I used traditional Paint Dyeing technique which uses cotton, peas Juice, reactive dyestuffs, Alginic acid-soda and India ink. I gained the results as follows : First, creative possibility of formation through Putting together several images of real Chang-su˘ng and nature and geometrical lines on the basis of collage technique. Second, various picturesque representation of alive touching of brush and overlapping colors made lyrical formation space, and it was appropriate to show the material of subject interestingly. Third, Cotton gave comfortable feeling with chinese yellow, brown, green, grey-green of india ink and color paste dyeing. I hope the using of traditional material and the presentation of possibility to modern art through various studies of representation of our traditional local culture.