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- 저자 : Alsadir, Nuar (검색결과 1 건)
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To you (whoever you are): Address, redress, and imagined publics in the works of Marianne Moore
Alsadir, Nuar New York University 2005 해외박사(DDOD)
This dissertation examines the figure of address in Marianne Moore's early poetry. As Moore's address shifted between the private and the public, the historical and the fictive, she developed in her work a way of circumventing the anticipation of criticism from her readers---as well as the resultant self-consciousness---by addressing her work, at least in the early years, to, as Ezra Pound termed it in his first letter to her, "the members of the reading public capable of understanding."1 Moore edited her imagined public by shifting and revising her figure of address. Redress re-addresses and, as it is the act of addressing that shapes a public, the re-addressing that happens in the editing process recreates a public through new imaginings. Accordingly, Moore adopted different perspectives in addressing and readdressing her work to new audiences. A close reading of Moore's early work reveals that the address within many of the poems was originally written as though it were directed towards a specific person and mediated by an imagined public. Moore often incorporated a familiar address within her poems---directed towards either someone she knew or someone she knew of---because she needed to address a figure whose response she could imagine, yet she later recast the direction of such an address when anthologizing her work as "poetry" and anticipating generic concerns. In addressing her poems to a new public, the general readers of anthologies, she redressed the addresses within the individual pieces so as to edit out the familiar and direct the poems along with the book, without mediation, to a broad public. The ambivalence of Moore's address complicates the application of generic approaches, particularly the protocols of lyric reading. Each time her address shifts she is conjuring a new public and, in so doing, speaking into a different speech genre and demanding new protocols for reading. These poems are generally read within the paradigms of lyric readings, which are complicated by her shifting address. This dissertation argues the need for alternate ways of approaching Moore's early poems that take her shifting figure of address into account. 1Ezra Pound, "To Marianne Moore," 16 Dec. 1918, letter 155 of The Selected Letters of Ezra Pound, ed. D. D. Paige (New York: New Directions, 1971) 142.
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