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      • 韓國 傳統紋樣의 硏究

        노의웅 朝鮮大學校 大學院 1990 국내석사

        RANK : 247631

        Our nation's aesthetic sense is contained in essential goods of life which human beings use. I'll research the types and developing processes of our traditional designs have been found out in various decorative designs of artistic handicrafts, clothes, and paintings of our traditional structures because our nation's aesthetic sense is in good harmony with their living environment. It is our nation's own characteristics in the field of our traditional designs. So I, graduate student of Fine Art , will try to research and understand our traditional designs which are easy to be neglected. Though abstract and geometrical designs, such as those of thunder, clouds, flowers, and animals-which have been found out in crockery, lacquer works, ornaments made of iron, including bronze wares-are not necessary elements in our daily life , the culture of the epoch using those designs generally reflect a meaningful and profound mentality. Such designs are of primitive figures such as simple circle ones, concentric circle ones, and comb-shaped ones. But we can know that such decorative designs have their own important d n g s because they have been handed down and developed into our lives till now on at a stretch. As our ancestors placed great importance even on animals, the sun, the moon, and other things which are scattered in the universe, they could have a holy horror of supernatural and great things. So they translated supernatural and great things into art through the humanization and worship of the things. And they have been developed and handed down as symbolical designs which originated from primitive religions such as totemism and animalism. The geometrical designs can be divided into two types : one comes from an artistic process, and the other from an art of simple decoration. Moreover these geometrical designs are transformed into several subtypes by way of symbolical desires. Thus the simple decorative art has been handed down to us as a geometrical artistic pattern meeting spiritual demand for simple geometrical structures. when we understnad exactly the characteristics and types of our traditional designs, and develop and hand down them, we can have a sense of superiority of our traditional designs. As I examine the developing processes of the traditional designs with the change of the times, I'll try to help understand our traditional designs, and to research the origination, the formation, and the developing processes of the designs basing on the historical, ideological, and socio-economical backgrounds. And I'll also classify our traditional designs according to their characteristics. Especially, our traditional designs have been developed by way of very symbolical styles and colors via Confucianism, Buddhism, and Zen within the aesthetic category of the Oriental art. In this thesis, 1'11 try to stuey our traditional designs which have been used in our daily life , and know how those designs influence the Korean art history. And I'll try to understand exactly our nation's aesthetic sense of the traditional designs which have been developed and handed down so far.

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