Popular music

목차 (Table of Contents)

• [volume. vol.1]----------
• CONTENTS
• Acknowledgements = xiii
• General Introduction = 1
• Introduction = 8
• PART A. The making of popular music : meanings and values = 13
• 1 Conspiracies of meaning : music-hall and the knowingness of popular culture / PETER BAILEY = 15
• 2 Francis James Child and the 'ballad consensus' / DAVE HARKER = 43
• 3 Classic blues / LEROI JONES(IMAMU AMIRI BARAKA) = 63
• 4 Ring shout! Literary studies, historical studies, and black music inquiry / SAMUEL A. FLOYD, JR = 73
• PART B. The making of popular music : machines and media = 95
• 5 A voice without a face. Popular music and the phonograph in the 1890s / DAVE LAING = 97
• 6 The record industry : the growth of a mass medium / PEKKA GRONOW = 108
• 7 The early days of the gramophone industry in India. Historical, social and musical perspectives / GERRY FARRELL = 130
• 8 The presentation of silent films, or music as anaesthesia / GILLIAN B. ANDERSON = 155
• PART C. Being musician = 195
• 9 Making music together / ALFRED SCHUTZ = 197
• 10 The professional dance musician and his audience / HOWARD S. BECKER = 213
• 11 Music among friends : the social networks of amateur musicians / ROBERT A. STEBBINS = 227
• 12 Musicians' magazines in the 1980s : the creation of a community and a consumer market / PAUL TH$$\acute E$$BERGE = 245
• 13 Women and the electric guitar / MAVIS BAYTON = 270
• PART D. Music, entertainment and dance = 283
• 14 'Everybody's doin' it' : the Pre-World WarⅠdance craze, the Castles and the Modern American Girl / LEWIS A. ERENBERG = 285
• 15 Kristen Klatvask fra Vejle : Danish pub music, mythscapes and 'local camp' / ALF BJ$$\ddot O$$RNBERG ; OLA STOCKFELT = 302
• 16 The dancer from the dance : the musical and dancing crowds of clubbing / BEN MALBON = 321
• PART E. Music and everyday life = 343
• 17 'Universal' music and the case of death / PHILIP TAGG = 345
• 18 Adequate modes of listening / OLA STOCKFELT = 375
• 19 Chewing gum for the ears : children's television and popular music / KAREN LURY = 392
• [volume. vol.2]----------
• CONTENTS
• Acknowledgements = ⅸ
• Introduction = 1
• PART A. Music and commerce = 5
• 20 Between two worlds : art and commercialism in the record industry / JON STRATTON = 7
• 21 Between corporation and consumer : culture and conflict in the British Record Industry / KEITH NEGUS = 24
• 22 Flexibility, post-Fordism and the music industry / DAVID HESMONDHALGH = 42
• 23 A sweet lullaby for 'world music' / STEVEN FELD = 62
• 24 I want my MP3 : who owns Internet music? / REEBEE GAROFALO = 87
• PART B. Music and technology = 105
• 25 Art vs technology : the strange case of popular music / SIMON FRITH = 107
• 26 An intermediary between production and consumption : the producer of popular music / ANTOINE HENNION = 123
• 27 Rationalization and democratization in the new technologies of popular music / ANDREW GOODWIN = 147
• 28 'This is a sampling sport'. Digital sampling, rap music and the law in cultural production / THOMAS SCHUMACHER = 169
• PART C. Music and media = 191
• 29 Radio space and industrial time : the case of music formats / JODY BERLAND = 193
• 30 Form and female authorship in music video / LISA A. LEWIS = 208
• 31 A postscript for the nineties / JANE FEUER = 228
• 32 'I hope you're enjoying your party'. MTV in war-torn Bosnia / LIDA HUJIC = 241
• 33 Music and meaning in the commercials / NICHOLAS COOK = 253
• PART D. The ideology of rock = 271
• 34 Why 1955? Explaining the advent of Rock Music / RICHARD A. PETERSON = 273
• 35 Rock and Roll mythology : race and sex in 'Whole Lotta Shakin' Going On' / BERNARD GENDRON = 297
• 36 Another boring day in paradise : rock and roll and the empowerment of everyday life / LAWRENCE GROSSBERG = 311
• 37 Forging masculinity : heavy metal sounds and images of gender / ROBERT WALSER = 343
• 38 Rock tastes - on rock as symbolic capital. A study of young people's music tastes and music-making / MATS TRONDMAN = 373
• 39 The future of rock : discourses that struggle to define a genre / JOHAN FORN$$\ddot A$$S = 393
• 40 Rock aesthetics and musics of the world / MOTTI REGEV = 412
• [volume. vol.3]----------
• CONTENTS
• Acknowledgements = ⅸ
• Introduction = 1
• PART A. Genres = 5
• 41 A theory of musical genres : two applications / FRANCO FABBRI = 7
• 42 Classical music as popular music / JAMES PARAKILAS = 36
• 43 Genre, performance and ideology in the early songs of Irving Berlin / CHARLES HAMM = 55
• 44 Reconstructing the Blues : reflections on the 1960s Blues Revival / JEFF TODD TITON = 65
• 45 The dialectic of hard-core and soft-shell country music / RICHARD A. PETERSON = 87
• PART B. Rhythm = 101
• 46 The invention of 'African rhythm' / KOFI AGAWU = 103
• 47 Motion and feeling through music / CHARLES M.H. KEIL = 118
• 48 'Play it again Sam'. Some notes on the productivity of repetition in popular music / RICHARD MIDDLETON = 136
• PART C. Song = 171
• 49 The dialogue of courtship in popular songs / DONALD HORTON = 173
• 50 Why do songs have words? / SIMON FRITH = 186
• 51 The Mise-en-Sc$$\grave e$$ne of Suffering - French Chanteuses R$$\acute e$$alistes / GINETTE VINCENDEAU = 213
• 52 The electro-acoustic mirror : voices in American pop / DAVID BRACKETT = 232
• PART D. Performance = 249
• 53 Elvis Presley / HENRY PLEASANTS = 251
• 54 Brass Bands / BRIAN JACKSON ; DENNIS MARSDEN = 264
• 55 Little Red Rooster v The Honky Tonk Woman : Mick Jagger, sexuality, style and image / SHEILA WHITELEY = 279
• 56 Betta Midler and the piracy of identity / JANE M. GAINES = 310
• PART E. Formal analysis = 323
• 57 On the Fetish-Character in music and the regression of listening / THEODOR W. ADORNO = 325
• 58 Problems in analyzing elements of mass culture : notes on the popular song and other artistic products / NORMAN K. DENZIN = 350
• 59 Randy Newman's Americana / PETER WINKLER = 355
• 60 Rhythm, rhyme and rhetoric in the music of Public Enemy / ROBERT WALSER = 385
• [volume. vol.4]----------
• CONTENTS
• Acknowledgements = ⅸ
• Introduction = 1
• PART A. Music and sociability = 5
• 61 'Let all the world hear all the world's music' : popular music-making and music education / JOHN BLACKING = 7
• 62 Towards an aesthetic of popular music / SIMON FRITH = 32
• 63 Pathways in urban living / RUTH FINNEGAN = 48
• 64 Systems of articulation, logics of change : communities and scenes in popular music / WILL STRAW = 79
• 65 Place, exchange and meaning : Black Sea musicians in the West of Ireland / MARTIN STOKES = 101
• PART B. Music, mationality and imagined community = 117
• 66 Honky Tonk : the music of the Southern working class / BILL C. MALONE = 119
• 67 Paul Simon's Graceland, South Africa and the mediation of musical meaning / LOUISE MEINTJES = 126
• 68 'My love is in America' : migration and Irish music / GRAEME SMITH = 164
• 69 Sounds authentic : Black Music, ethnicity and the challenge of a changing same / PAUL GILROY = 182
• PART C. Ethnomusicology = 207
• 70 Contando la Cama Vac$$\acute i$$a : love, sexuality and gender relationships in Dominican Bachata / DEBORAH PACINI HERNANDEZ = 209
• 71 Somos el Per$$\acute u$$ : 'Cumbia Andina' and the children of Andean migrants in Lima / THOMAS TURINO = 231
• 72 Nationalism on stage : music and change in Soviet Ukraine / CATHERINE WANNER = 249
• 73 Fantasies of home : The antinomies of modernity and the music of Ladysmith Black Mambazo / VEIT ERLMAN = 266
• PART D. Music, modernity and postmodernity = 283
• 74 The search for Petula Clark / GLENN GOULD = 285
• 75 Modern music culture : on shock, pop and synthesis / GEORGINA BORN = 293
• 76 Cruising around the historical bloc. Postmodernism and popular music in East Los Angeles / GEORGE LIPSITZ = 324
• 77 A style nobody can deal with. Politics, style and the postindustrial city in Hip Hop / TRICIA ROSE = 341
• Index = 361